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IMDbPro

Magnolia

  • 1999
  • C
  • 3h 8min
CALIFICACIÓN DE IMDb
8.0/10
339 k
TU CALIFICACIÓN
POPULARIDAD
775
87
Tom Cruise, Julianne Moore, Philip Seymour Hoffman, William H. Macy, John C. Reilly, Philip Baker Hall, Jason Robards, Melora Walters, and Jeremy Blackman in Magnolia (1999)
Theatrical Trailer from New Line Cinema
Reproducir trailer2:46
3 videos
99+ fotos
Psychological DramaDrama

Un mosaico épico de personajes interrelacionados en busca del amor, el perdón y el significado en el Valle de San Fernando.Un mosaico épico de personajes interrelacionados en busca del amor, el perdón y el significado en el Valle de San Fernando.Un mosaico épico de personajes interrelacionados en busca del amor, el perdón y el significado en el Valle de San Fernando.

  • Dirección
    • Paul Thomas Anderson
  • Guionista
    • Paul Thomas Anderson
  • Elenco
    • Tom Cruise
    • Jason Robards
    • Julianne Moore
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    8.0/10
    339 k
    TU CALIFICACIÓN
    POPULARIDAD
    775
    87
    • Dirección
      • Paul Thomas Anderson
    • Guionista
      • Paul Thomas Anderson
    • Elenco
      • Tom Cruise
      • Jason Robards
      • Julianne Moore
    • 1.6KOpiniones de los usuarios
    • 171Opiniones de los críticos
    • 78Metascore
  • Ver la información de producción en IMDbPro
    • Nominado a 3 premios Óscar
      • 28 premios ganados y 59 nominaciones en total

    Videos3

    Magnolia
    Trailer 2:46
    Magnolia
    A Guide to the Films of Paul Thomas Anderson
    Clip 2:14
    A Guide to the Films of Paul Thomas Anderson
    A Guide to the Films of Paul Thomas Anderson
    Clip 2:14
    A Guide to the Films of Paul Thomas Anderson
    'Magnolia' | Anniversary Mashup
    Clip 1:38
    'Magnolia' | Anniversary Mashup

    Fotos102

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    Elenco principal99+

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    Tom Cruise
    Tom Cruise
    • Frank T.J. Mackey
    Jason Robards
    Jason Robards
    • Earl Partridge
    Julianne Moore
    Julianne Moore
    • Linda Partridge
    Philip Seymour Hoffman
    Philip Seymour Hoffman
    • Phil Parma
    Pat Healy
    Pat Healy
    • Sir Edmund William Godfrey…
    Genevieve Zweig
    • Mrs. Godfrey
    Mark Flanagan
    • Joseph Green
    • (as Mark Flannagan)
    Neil Flynn
    Neil Flynn
    • Stanley Berry
    Rod McLachlan
    Rod McLachlan
    • Daniel Hill
    Allan Graf
    Allan Graf
    • Firefighter
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    Patton Oswalt
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    Brad Hunt
    • Craig Hansen
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    Jim Meskimen
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    Chris O'Hara
    Chris O'Hara
    • Sydney Barringer
    Clement Blake
    Clement Blake
    • Arthur Barringer
    Frank Elmore
    • 1958 Detective
    John Kraft Seitz
    • 1958 Policeman
    • Dirección
      • Paul Thomas Anderson
    • Guionista
      • Paul Thomas Anderson
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios1.6K

    8.0339.3K
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    Opiniones destacadas

    10gogoschka-1

    An Instant Classic

    The music; the way the camera moves; the performances: this amazing ensemble piece takes everything to the next level. Although the influence of Robert Altman and Martin Scorsese can be felt throughout the whole film, P.T. Anderson doesn't copy them but merely uses some of their trademark techniques to create his very own, unique brand of film.

    There are so many creative ideas and standout scenes in this film: I'm sure that, similarly to how filmmakers of Anderson's generation are citing films like 'Nashville' or 'Goodfellas' as their inspiration, the next generation of aspiring directors will be citing 'Magnolia'. The film is not "just" a masterpiece, but also hugely influential and an instant classic. 10 stars out of 10.

    Favorite films: IMDb.com/list/mkjOKvqlSBs/

    Lesser-Known Masterpieces: imdb.com/list/ls070242495/
    andy-227

    One of the best films of the year!

    "Magolia" for starts is not a film that's easy to like. Many people at Blockbuster have told me how "horrible" it was, and my sister hates it. I didn't really like it the first time around, mainly because of the way the characters reacted to the bizarre incident that concluded the film(I won't spoil it for those who haven't seen it yet). However, I gave it a second chance, and I think that it's a really great movie that uses it's three hours wisely and pays off brillaintly and intelligently in the end.

    The film follows the lives of nine characters in a series of stories that are seamlessly interwoven together in a way that flows through perfectly and is never boring to the viewer. They seem somewhat related to each other in the actions that they are undertaking and the events happening in their lives seem coicidental and ironic with each other.

    However, their lives all center around one thing...they are suffering. They hate their lives, they feel their cause in life is pointless, and they seem to have lost all hope. They also feel that the world revolves around their pathetic little lives, and that they are the only ones that feel pain. Some viewers may not want to sit through the first 2 1/2 hours just to see these poor souls wallow in their own pain. Yet it's important that we see it, because people can waste their whole lives away because of how they feel and that they think they're the only person who's ever had any pain in their lives. Jason Robards' 10 minute monologue ties all their pain together, and all their feelings of regrets and losses. Boy does life suck!

    Then comes the ending which I wont spoil for those who haven't seen it yet. I'll only say that I believe it's a sign from God, a message to these people that they aren't the only ones on Earth and that there is a supreme being watching over all their little lives and that as far down the spiral of pain and how much hope they have lost, life still has it's rewards and happiness can still be found in the worst of lives. By showing that there is a God and that he created this world for us to live on, it suggests that we should use our lives wisely and that we are just another amazing creation of his in his world that helps maintain the balance of nature. People complain that there was no resolution that tied everyone together, but I think that it didn't have to be that way. The point of the film was a look on life, how bad it can be for people, and yet, how we as human beings can make it good and still find happiness and goodness even in the worst situations and pains of our lives. One of the very best films of the year!
    10McWoop

    I have never before spent so much time analyzing, discussing, or viewing a film...

    And it is a FILM. It is no ordinary movie. As a fan of Boogie Nights, I couldn't wait for Magnolia. Although its running time has made at least 20 people leave the auditorium, I have stayed for every single second. The mood and stories and characters keep building and building and building, and when it finally comes down, I feel this immense sense of relief and wonder at how PT Anderson was able to come up with something so clever and intertwining and wonderous, and was able to pull it off. This "movie" is not for everyone. It is thinking-hat required. I have also never been so excited to look up Bible verses before. The cast, as you have probably read, is superb. I have never been so impressed. This film has "restored my faith in the filmmaking industry. To see these actors, crew, and the writer/director/genius at work is inspiring." These people obviously love their craft, and one of my friends even said that the cast was "touched by the hands of God..." to which I whole-heartedly agree. He also has said, ""This film not only teaches film makers how to make films, but it teaches movie watchers how to watch movies!" to which I again whole-heartedly agree a thousand times over. Phillip Seymour Hoffman is absolutely outstanding as the only character who is "normal." His performance has made me smile and shake my fist in the air the three times I've seen Magnolia since it opened. Tom Cruise is also spectacular. As with every single last character, every line he utters is important to his character and what it means for the rest of the stories. Another outstanding performance/character is the part of police officer Jim Kurring, played by John C. Reilly. His character is just so perfect and JUST SOOOOO PERFECT that it makes me smile every time he is on screen. Add to all of this one incredible soundtrack, and you have something that will go down in film history as legend and probably one of the most underappreciated, misunderstood, and definitely underseen films of all time.

    The soundtrack, oh, the soundtrack. When listening to the songs, I can picture each exact moment as if I was watching the movie all over again, and it brings unexplainable feeling. Aimee Mann's songs, especially, are a perfect fit to a perfect story and mood. This film is not for everyone, but, if you want to see glorious filmmaking, acting, writing, and characters in action, I HIGHLY suggest you see Magnolia.
    laconian

    A touching film with some incredible performances

    Judging from the comments archive, I can see why this film polarizes its audiences as much as it does. This film defies convention in all possible senses--characterization, dialogue, narrative structure, heck, even the introduction. To be honest, this movie is truly strange. But that doesn't necessarily make it bad. Quite the contrary, actually. In my opinion this is one of the best movies I've seen. The acting was superb, and the performance I got from Tom Cruise was surprising to say the least. I don't expect much from him other than crocodile tears and beaming that thick smile, but here he credibly displayed a wide range of emotions. The photography was excellent, the pacing was quick (despite the 3:15 runtime!), and the structure! the best thing about it. Although the movie does dwell on a very central theme--the price and necessity of salvation--much of the movie is left undone, as raw material for thinking about later, as if the characters just keep on living. As I said, it's not your standard movie fare. But don't dismiss it for what lies most visably on the surface; instead, sit through the movie, soak it in, and when it's done, turn out the lights and think about it for a while. You'll be glad you did.
    bob the moo

    Spellbinding ride through one day

    A dazzling epic of coincidence and fate during one day in the San Fernando Valley. This opens with a short story about some "true-life" examples of coincidence designed to show us that these things can't "just happen" and that there must be more to it than that. It then flies into the lives of a handful of different characters in a exhilarating introduction to a game show host, a sex guru, a police officer, a dying father, a male nurse, a drug addict to name a few. After this the speed slows down slightly and the characters are given time to develop and the stories begin to interlink.

    Paul Thomas Anderson continues to get better and better with Hard Eight, Boogie Nights and now this. Here he gives a human touch to the director where someone like Altman would have been colder and more clinical. He seems to care about these characters and encourages us to do likewise. The direction is astonishing - it moves at a fast pace when it needs to, it is still and watching when appropriate and, at times, it is downright beautiful in a visionary way. Anderson's tries some audacious tricks and manages to pull them off - a scan round all the main characters singing an Aimee Mann track while they contemplate what's become of their lives is not only daring but works as one of the most moving moments in the film.

    The acting is flawless - Cruise deserved the Oscar for this performance, but he is only one of an amazing range of actors including Julianne Moore, William H. Macy, Phillip Seymour Hoffman, John C. Reilly, Jason Robards, Philip Baker Hall etc. They are all excellent in their roles and make you care for all their characters - no matter how terrible they seem or how bad their crimes.

    Direction is faultless, performances border on the brilliant, the script is totally convincing and moving. The only weak link is the biblical ending which may annoy some but I think fits in well with the tone of the film, after all, like the film says, "but it did happen".

    If only all films could meet the standards achieved by this beautiful piece of work.

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    Argumento

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    ¿Sabías que…?

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    • Trivia
      The story about the man being killed by a gunshot while falling off a building has for years been used as a hypothetical case in criminal law classes to illustrate causation.
    • Errores
      In the "Wise Up" sequence, Claudia is dressed for her date, she's wearing black and her hair is up. When she opens the door to Jim, she's wearing red, her hair is down. On the way to the car, she is again wearing black etc, and at the restaurant she is back wearing red.
    • Citas

      Burt Ramsey: You with me, Jimmy?

      Jimmy Gator: The book says, "We might be through with the past, but the past ain't through with us."

    • Créditos curiosos
      Underneath the title at the end a line reads "for fa and ea". fa is Fiona Apple (Paul Thomas Anderson's girlfriend) ea is Ernie Anderson (Paul Thomas Anderson's father)
    • Versiones alternativas
      The supplemental material disc of the R1 special edition DVD of Magnolia has about 8 minutes of hidden outtake footage. To access it, you need to select the 'Color Bars' option and wait about twenty seconds.
    • Conexiones
      Featured in The Johnny Vaughan Film Show: Episode #1.1 (1999)
    • Bandas sonoras
      One
      Written by Harry Nilsson

      Performed by Aimee Mann

      Courtesy of Superego Records

    Selecciones populares

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    Preguntas Frecuentes24

    • How long is Magnolia?Con tecnología de Alexa
    • Is this movie based on a book?
    • Why is the title of the film 'Magnolia'?
    • How are the characters connected?

    Detalles

    Editar
    • Fecha de lanzamiento
      • 17 de marzo de 2000 (México)
    • País de origen
      • Estados Unidos
    • Idiomas
      • Inglés
      • Alemán
      • Francés
    • También se conoce como
      • Mag·no'li·a
    • Locaciones de filmación
      • Bryson Hotel - 2701 Wilshire Boulevard, Downtown, Los Ángeles, California, Estados Unidos
    • Productoras
      • Ghoulardi Film Company
      • New Line Cinema
      • The Magnolia Project
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • USD 37,000,000 (estimado)
    • Total en EE. UU. y Canadá
      • USD 22,455,976
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 193,604
      • 19 dic 1999
    • Total a nivel mundial
      • USD 48,454,056
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      3 horas 8 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Dolby Digital
      • SDDS
      • DTS
    • Relación de aspecto
      • 2.39 : 1

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