En la campiña italiana a mediados del siglo XX, Lola y Masetto forman una joven pareja con actitudes muy diferentes respecto a las relaciones prematrimoniales.En la campiña italiana a mediados del siglo XX, Lola y Masetto forman una joven pareja con actitudes muy diferentes respecto a las relaciones prematrimoniales.En la campiña italiana a mediados del siglo XX, Lola y Masetto forman una joven pareja con actitudes muy diferentes respecto a las relaciones prematrimoniales.
- Dirección
- Guionistas
- Elenco
Max Parodi
- Masetto
- (as Mario Parodi)
Tinto Brass
- Orchestra Conductor
- (sin créditos)
Opiniones destacadas
Typical soft-core Brass film has a plot as flimsy as the clothing worn by the leading lady but then plots are inconsequential in films like these. Although her acting is limited to giggles and pouts, Ammirati is an attractive and alluring presence as a vixen in heat whose boyfriend won't do the deed until they're married, causing her to throw herself at every man she meets. The central plot device is to create situations for Ammirati to remove her skivvies (to use them as emergency bandage for her bleeding beau, because they itch, just because...). Grandi, the well-endowed star of one of Brass's earlier films, plays Ammirati's mother, who also has a tendency to drop her knickers.
I was drawn to this film by the movie poster. I expected a comedy but did not find much to laugh about. Anna Ammirati is Lola, a young woman who is seen at the opening riding a bicycle while bent over and flashing her panties at the mostly appreciative bystanders. She is engaged to be married within a few days and wishes to lose her virginity before the wedding. Her partner refuses to engage in premarital coitus, leading to a few scenes of attempts by Lola to seduce the man. Anna is frequently nude and has an undeniable allure, but the film is just not funny. The sex scenes are surprisingly graphic for a supposedly mainstream movie. The acting is not at a high level and the only saving grace is an excellent soundtrack.
Monella is wonderful erotic comedy about a couple getting married. The story takes place in northern Italy in the 1950´s. Lola and Masetto is about to get married. Masetto wants to keep Lola as a virgin until they are married. But Lola is impatient to remain in chastity until the wedding night. She wants to be sure that Masetto is a good lover, before she commits herself into marriage. She does everything to trick Masetto into breaking the moral tradition. Anna Ammirati is doing a wonderful interpretation of Lolas character. It´s easy to fall for her charm. The film is also aesthetical with the beautiful environment, the heat between the characters, and the camera light on Anna Ammiratis irresistible body.
Cute but not too exciting. I haven't seen any other Tinto films, but based on this one I probably wouldn't go out of my way to see any others. It was mildly interesting to watch but in the end rather unsatisfying. Just nothing to sink your teeth into as a film. The plot was weak and at times confusing and Lola just came across as a spoiled little girl (probably intentional). But there was nothing to make me understand why her "boyfriend" was even interested in her, other than her good looks. The camera work was interesting and creative and there are lots of great shots of Lola in various states of undress which is probably the only reason I kept watching it - hey, I'm a guy, what can I say? But, to be honest, its mostly like watching a TV sitcom - light entertainment to pass the time.
This was the first film I've ever seen by Brass, and honestly, it was quite disappointing. Instead of feeling empathy for the protagonist, I found myself growing increasingly frustrated with her erratic behavior and constant need for male attention. If the roles had been reversed-if she were a man and the baker a woman-the plot would likely spark serious debate over its problematic implications.
And the dishonesty-Lola says so many lies! It felt excessive and boring, with what seemed like an hour and a half of screen time focused almost entirely on Lola's rear. While he is technically the lead, the film fixates on her in a way that adds little to the narrative. If you're considering watching it, know that it's essentially two hours of shallow, soft-core storytelling. Personally, I regret the time I spent on it and would suggest investing those two hours into something more meaningful.
And the dishonesty-Lola says so many lies! It felt excessive and boring, with what seemed like an hour and a half of screen time focused almost entirely on Lola's rear. While he is technically the lead, the film fixates on her in a way that adds little to the narrative. If you're considering watching it, know that it's essentially two hours of shallow, soft-core storytelling. Personally, I regret the time I spent on it and would suggest investing those two hours into something more meaningful.
¿Sabías que…?
- TriviaTinto Brass met his leading lady, Anna Ammirati, when he accidentally crashed his car into her as she was bicycling. Though she was unharmed, Anna jokingly told Tinto that unless he cast her in his latest film, she would report him to the police.
- ErroresWhen Lola rides to the bakery, she encounters a running cyclist in modern attires. The film is set in 1950.
- Bandas sonorasMona Monella
Written by Pino Donaggio and Tinto Brass
Performed by Anna Ammirati
Pino Donaggio
Timbras - Emi
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- How long is Frivolous Lola?Con tecnología de Alexa
Detalles
- Tiempo de ejecución1 hora 45 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.66 : 1
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