Frívola Lola

Monella is wonderful erotic comedy about a couple getting married. The story takes place in northern Italy in the 1950´s. Lola and Masetto is about to get married. Masetto wants to keep Lola as a virgin until they are married. But Lola is impatient to remain in chastity until the wedding night. She wants to be sure that Masetto is a good lover, before she commits herself into marriage. She does everything to trick Masetto into breaking the moral tradition. Anna Ammirati is doing a wonderful interpretation of Lolas character. It´s easy to fall for her charm. The film is also aesthetical with the beautiful environment, the heat between the characters, and the camera light on Anna Ammiratis irresistible body.

i saw a trailer for monella on the cult epics DVD Bettie page dark angel and it made me watch the actual movie.the star;Anna Ammirati is so beautiful sexy and mischievous as Lola.you will love this Italian made comedy directed by the great tinto bass.its a very adult movie that does'nt hold back.its not a porno movie but a sexy comedy about a virginal bride to be who wants her fiancé to make love to her.i first saw a Korean cut of the movie which is censored and dubbed into English,then later the Italian uncensored version with Italian language that was great.i really have to say Anna Ammirati is so beautiful and sexy she should do more movies.she will give Angelina Jolie and Megan fox a run for their money.i only seen one Tinto Bass movie and really did'nt like it,it was the infamous Caligula,which was so different from monella.the beginning scenes of Lola(Anna)riding her bike are truly memorable.if you are a fan of Italian cinema like myself then you will enjoy monella.need i mention again beautiful sexy Anna Ammirati.amour monella.10 out of 10.a sexy movie,Anna also sings the song monella in the movie.shes multi talented.OK I'm done this movie rocks.

The older Brass become, the easier its films. It seems, as if it has the dark sides of the life completely beside, which it so urgently produced still with CALIGULA and SALON KITTY. Since SNACKBAR BUDAPEST he praises himself besides, completely on a connection of sexuality and brutality was to do without. MONELLA used up itself and leaves completely the summer-resorts comedy anyhow us curious view sharing at the life-merry plots, which the girl leads around its prudent engaged one. As in MIRANDA Brass catches here the Italian land life affectionately and looks again and again for original and bizarre perspectives, in order to regard its heroine in flagrant. Its occasional mix between 70's Softporno and contemporary hard core's what rends the Brass style fantastic, and it is amazing that its films beside the tide of purely porn productions can maintain ground still. But Brass goes around the production from eroticism, not around flesh banality. In addition he thinks out the most amazing situations. If the master should throw the towel, will somewhat be missing: Nobody can produce so loosely and at the same time as sensual as he can... And MONELLA is reliably one of the most beautiful examples to appreciate this style.

Typical soft-core Brass film has a plot as flimsy as the clothing worn by the leading lady but then plots are inconsequential in films like these. Although her acting is limited to giggles and pouts, Ammirati is an attractive and alluring presence as a vixen in heat whose boyfriend won't do the deed until they're married, causing her to throw herself at every man she meets. The central plot device is to create situations for Ammirati to remove her skivvies (to use them as emergency bandage for her bleeding beau, because they itch, just because...). Grandi, the well-endowed star of one of Brass's earlier films, plays Ammirati's mother, who also has a tendency to drop her knickers.

This was the first film I've ever seen by Brass, and honestly, it was quite disappointing. Instead of feeling empathy for the protagonist, I found myself growing increasingly frustrated with her erratic behavior and constant need for male attention. If the roles had been reversed-if she were a man and the baker a woman-the plot would likely spark serious debate over its problematic implications.

And the dishonesty-Lola says so many lies! It felt excessive and boring, with what seemed like an hour and a half of screen time focused almost entirely on Lola's rear. While he is technically the lead, the film fixates on her in a way that adds little to the narrative. If you're considering watching it, know that it's essentially two hours of shallow, soft-core storytelling. Personally, I regret the time I spent on it and would suggest investing those two hours into something more meaningful.