The Collectors

The Collectors is an unassuming but interesting movie that has a little bit of everything-cops, killers, shootouts, buddies, comedy, and love (both requited and –un). The plot revolves around two semi-unsavory characters, Ray and A.K., who collect unpaid mob debts, and when they can't, heads may roll. But somehow we never really feel much menace from these guys, who are played for sympathy by Casper Van Dien and Rick Fox.

Van Dien's A.K. in particular, who at times projects an almost childlike likableness, would really like to get out of this risky business and be law-abiding, if he could afford to, but he won't leave his partner, who still feels loyalty to the boss who rescued him from the streets. And A.K. would really like to see his buddy settle down and marry his girlfriend Lyla, a beautiful hooker who is also caught in a no-win, no-way-out profession. Ray is a master of rationalization who neatly compartmentalizes his life, in fact occasionally seeing his job as being a way to improve the world by ridding it of scum. A.K. is just getting tired of it all, but he does make a moral distinction between killing a pimp who murdered a very young prostitute and killing debtors for late payment. Perhaps one last job, and taking one big chance involving deception and theft, will enable them to run, hide, and start over.

Will Ray and Lyla escape their sordid lives and find true love? Will A.K. ever get through to the beautiful cop (Catherine Oxenberg) who's been pursuing him so long, but who, he's convinced, is really attracted to him or she would have killed him by now? Is it love, bad luck or bad aim? We suspect but don't find out until the end of the movie, where we get a couple of surprises.

Van Dien fans will especially love the rooftop scene where A.K., watching Ray and Lyla share a tender moment, fantasizes about doing the same with Lt. Bailey. With hindsight, we know we're watching Van Dien and Oxenberg falling in love right before our eyes.

By some accounts, The Collectors contains ad libbed material that made the cut. Perhaps that's why the main characters seem so natural and likable-it's like watching Butch and Sundance do NYC, but we hope they'll meet a kinder fate. Rent it and see.

This film is about two hit men that are assigned to do a number of jobs, but meanwhile realize that the lives they lead are not the lives they always wanted to have. They want to quit murdering and start a less complicated life.

The on itself not even extremely boring plot line is carried out horribly. The intention to create a dynamic duo a la Vincent Vega and Jules Winfield of Van Dien and Fox fails completely because of the worthless dialogues. This fact on itself dominates the unpleasant character of the film and thus makes the end result to a complete disaster. The acting performances are truly horrible, but it must be said, that is not so much because of Van Dien or Fox but more because of the emptiness of the characters they must enroll.

This film was total crap and I wonder what more I could've done in the 90 minutes of my life I spent watching it. My god...everything would be more satisfying then watching The Collectors. It is a miracle how this production raised the small amount of money that was needed for producing this film.

Van Dien and Fox (of the L.A. Lakers and Vanessa Williams' other half) come off as mismatched hit-men in this off-beat drama. Oxenberg out of her element as an English-born detective sent from Louisiana to put an end to their reign of "terror" (?). This movie had me wondering halfway through it...WHERE THE HECK WERE THEIR SOUTHERN ACCENTS??? Maybe lost with their talents in the script.

The current IMDb rating is rather poor. That's a shame. I just finished watching it on cable and found it enjoyable. It's not the top of my list, but the ending left me with mixed emotions: on the one hand, I got liking the characters enough that I had my own set of hopes for them, on the other I had my sense of "do something that's not a cliché." I won't say which won.

The film has a good sense of its own plot. I trace that to the one line where -- after a nearly implausible plot twist -- A.K. mutters "I should have bought a lottery ticket." (or something like that; I'm going by memory)

If you get a chance to catch the film, and don't mind a little tittie exposure (from the adult club scenes), it's no waste of time.

I had a boring Saturday night to watch this and "Sniper" and I think the IMDb scores for the films should have been swapped. I had trouble caring for the lead characters in "Sniper," but I found myself pulling for A.K. and Ray. I think the bad reviews came from trying to compare this to Tarantino films. If you don't, it works just fine.

I rented this on the "recommendation" of several other reviewers.. little did I know they were all 13 year olds. That's literally the only group of people who could think that this movie was worth 90 minutes of their life. The whole movie has the feel of a porn movie but with no porn, It's got the bad acting, the bad script, the crappy music, the scenes that make no sense and don't develop the story, everything! It's even got as one reviewer so perfectly put it, "the tittie action at the beginning". For those people who think these 2 goobers had "screen chemistry", what kind of life do you lead? Do you talk to your friends delivering one line at a time with pauses between each line? Are you all on drugs? Also, for those who wonder where the "southern accent" went, you've obviously never been to New Orleans. The only thing approaching an accent there is closer to Brooklyn than the south. They sure as heck don't pronounce it New Or-leens though.. the director has obviously never been there either. I wish I had never been near this movie.