The Cater Street Hangman

I enjoy Anne Perry's novels, both Thomas Pitt and also William Monk (which would have also made good material for a movie). But I had in mind someone more like Alan Rickman in his younger days. Is there no one able to speak as he does, coming up in the ranks of actors? The character of Charlotte would have been better with someone a little stronger in ability to make Charlotte the determined character she was. I am sure everyone pictures their own ideals when reading a book, but changing the story a bit doesn't bother me as much as making the characters not fit the story. Thomas Pitt was described as having a beautiful voice and brown, not blonde, hair. Anyway. I do so wish they would try a movie using William Monk and his friend, a nurse from the Crimea. (By the way, AP's books have also become audio books, the best ones read by David McCallum, another gentleman with a talented and wonderful voice). I do believe they may have tried making this one because it is the first of the Inspector Pitt series. The stories get better as time progresses. Making one like Pentecost Alley, or Ashworth Hall would be much more entertaining. To have pitted the future of other dramatizations on this one book, was not a good idea as can be seen.

While liberties were taken with the original story by Anne Perry, the Cater Street Hangman was very true to the overall feeling of the novel. Eoin McCarthy did an outstanding job as Inspector Pitt - very believable. Keeley Hawes also did wonderful work as the much-oppressed, liberal-minded woman of Victorian times. I wasn't interested in Anne Perry's work until after I had watched this movie, and I hope to see more adaptations of this series in the near future.

While the Victorian social and moral notions are roasted as thoroughly as a movie can without losing sight of the murder mystery plot, I especially welcome the degree of detailed accuracy enforced in the wardrobe, the accessories and hair. The stiffness of the fabrics, the bustles, the cropped fringes and the minimal makeup reinforced the feel and look of the rising middle classes in 1880s Victorian London. Kudos to the staff and departments ruling those decisions. Thankfully that very realism makes this production very tricky to date so little of the movie's contemporary make-up and hair styling filtered through.That is too rare these days...that I had to look the date up.

Produced by June Wyndham-Davies, who also made the Jeremy Brett Sherlock Holmes series. This adaptation of the Anne Perry novels was titled as The Inspector Pitt Mysteries.

Heavily suggesting that it would form a part of a series. Only The Cater Street Hangman is a one off film.

With the recent deaths of several young women in Victorian London. Inspector Thomas Pitt (Eoin McCarthy) is under intense pressure to solve the murders.

He gets assistance from the feisty Charlotte Ellison (Keeley Hawes) who always seems to be defying her stern aristocratic and well connected father.

Suspects include her father who seems to have secrets to hide. As well as Reverend Prebble with his overzealous sermons.

Very atmospheric but I found it rather plodding. Some two dimensional shouty characters. I doubt Charlotte would had been constantly allowed to go out unaccompanied at night with a killer on the loose.

This is a well acted TV mystery movie. I have not read the book on which it is based, but it is a story about young women being strangled in London in the 19th century, and the circumstances surrounding the investigation of two of the murders. Several characters emerge from these investigations to jolly the story along.

However, I found the characters to be stereotypical and shallow. The movie's view of the 19th century is lightweight, and all the characters - dastardly males, entrenched class snobs, decent humble servants, rebellious daughters, caring professional policemen, etc. - are cardboard cut-outs. I found the story to be crushingly predictable and boring.

If you like easy dramas, you will enjoy this.