You Know My Name

Tilghman was the corrupt one in this story, not Wiley Lynn. Tilghman was extorting protection money from the casinos and bawdy houses in Cromwell. Lynn was the federal agent in charge of enforcing the prohibition of alcohol in the area. Tilghman had made public threats to kill him, but when he tried to as Lynn was raiding one of his client's businesses, Lynn was able to fire his weapon first and kill the corrupt marshal. He was tried for the killing and found not guilty, but the myth of the old "lawman" was stronger than the truth, and Lynn's reputation was destroyed and he resigned from his federal job. He became an alcoholic and eventually died in another shootout.

I'm disappointed that Sam Elliott would agree to make a movie like this, which is so obviously based on lies.

If a SMILE could be the star of a movie, Sam Elliott's inimitable smile would be the star of "You Know My Name." Elliott may well be the greatest leading man in westerns in the post-1970 period, and he is at the top of his game in this based-on-a-true-story oater set in Oklahoma in the early twentieth century. There have been better westerns, sure, but there have not been many better western star turns than this. Elliott makes you want to laugh and cry at the same time, ALL the time, and at the end you just do both.

Sam Elliott was made for the lead in this film, playing William Tilghman in his final weeks as a lawman in an Oklahoma "Oil Patch" town in the mid-1920s. He's simply over-powering in demeanor and gait and attitude. Pay special attention at the end when he bids farewell to his family. Oh, my!... Other mostly unknown actors are mostly okay, but Arliss Howard's drug-addled primary bad guy seems a tad much over the top (I reckon I cotton to heavies who are bad _and_ smart).... Best all is the production which features a roughneck oil town and mud and iron/steel workers and noise and mobs and blacksmiths and misery and saloons and cathouses and ... well, you get the idea.... As a bonus, movie buffs get to see reproductions of Tilghman's own silent movies about his exploits as a young lawman.... Thus, a many-dimensional treat for us hero-worshipers who grew up with the movies.

The true(?)story of Oklahoma lawman Bill Tilghman. Producer/star Elliott who is legendary for his characterizations of western lawmen and pioneers, falls flat on this project. Some one needs to explain to me why, WHY, when many of the original locations in the movie-Cromwell, Wowoka, and Chandler, Ok, are still much as the same as they were in the 20s-when this story takes place-did Elliott and crew feel it necessary to film in Canada?? Must be a NAFTA thing. And again, there is the attempt to make the west seem more like the present (large drug shipments parachuting into rural areas-reminiscent of the "Mena legend"!). .. my guess this is done to appeal to the Gen Xers. This is just another picture, made in the last three decades that gives proof to the adage "Western pictures have gone down-hill ever since Robert L. Lippert died!

This film essentially documents the real-life story of a famous American lawman by the name of "Bill Tilghman" (Sam Elliott) who rode with legends such as Wyatt Earp and faced down notorious outlaws in the process. Having retired from law enforcement his fame subsequently attracted the attention of Hollywood where he has starred in numerous silent films which further increased his popularity. And it's at this time that a prominent citizen from Cromwell, Oklahoma approaches him and offers him a position as sheriff in order to bring some law-and-order to the town. At first he declines but after further consideration he accepts even though his wife "Zoe" (Carolyn McCormick) tries to advise him against it. It's only later that he realizes that due to the Volstead Act--and the implementation of prohibition--that crime has become much more organized that it was in the 19th century and all of his skills and experience will be put to the test from that point on. Now rather than reveal any more I will just say that this was an interesting "transitional" film in that it managed to capture the impact of the changes brought on by the dawning of the Industrial Age quite well. To that extent, Sam Elliott put in a solid performance as a cowboy who finds himself becoming more and more obsolescent as time passes by. Be that as it may, while certainly not one of Sam Elliott's best films ever made, I found it to be enjoyable enough and for that reason I have rated it accordingly. Slightly above average.