The Debut

Having grown up in a Cuban-American family I was surprised at how similar the cultures represented in THE DEBUT are to my own. Although I am aware of both countries' Spanish colonial influence, I think many Americans from ethnic backgrounds will find the same connection to this film.

I universal story that does not shy away from its roots, THE DEBUT is actually a great film. The actors may not be the most experienced but they certainly come across more honest than most of the "polished" teen stars today.

One of the many striking performances comes out of left field from the villain tough boy with the gun (I don't know his name). When he starts getting slapped around by mama his expression is priceless and the scene strikes a cord into memories of the "tough guys" of my youth.

A memorable independent film with a heart as big as Asia. With a little sharper editing this could have been MY BIG FAT PHILLIPINO DEBUT.

Set aside your preconceptions and enjoy.

I must say I did enjoy this movie. Not so much that it had Filipinos such as myself in it , but more because it was about Filipino youth growing up here in the USA dealing with their own ideas vs their parents. Why the medical field all the time?

Yes, it did generalize the different types of Filipinos that I come across but the story was deep enough to for even my parents to enjoy. Being born and raised in a normal west suburb of Chicago I did sense the conflict that Ben, the lead, had in this movie. However, I never found it to be a stuggle in life due to my heritage. Also, this movie will give my relatives in the Philippines a view of my world that they never really see.

No, this movie is not Oscar calibur but I give it a thumbs up for effort and conviction...

Thank goodness for indie films! Are you are sick and tired of stupid formulaic, cookie-cutter hollywood movies? Then this is a film you want to watch. If you're Fil-Am or have friends who are, you'll going to enjoy this immensely. It captures so many little facets of the Fil-Am culture clash/identity crisis that so many of us go through. I've read & heard about the great amount of difficulty it took to make this film (my daughter attended a Union City, CA screening where the director was present) and I'm not at all surprised that Hollywood displayed no interest in producing or distributing a film about `minorities'-not enough white faces in the film to attract a mainstream audience, right?

Thank you, Gene Cajayon, for making this film, and I wish you the best in your career as a director. Robert Rodriguez and Spike Lee started out doing small films, so I really hope this catches the eye of the industry. Maybe a screening at the Sundance? Perhaps the best thing this film will do is kindle interest in young Fil-Ams about their heritage, culture and history.

Do did you know that:

• before the Vietnam War, there was the Philippine `insurrection' that claimed 100,000 Filipino lives

• the .45 was developed specifically to kill the Filipino `insurgent'

• the slang term `boonies' or `boondocks' used to describe a place located way out in the countryside originates from the Tagalog word `bundok', meaning `mountain'

Filipinos are bit more interwoven in the American social fabric than we realize, and with this film, we're a little bit less invisible.

I saw "The Debut" with a festival audience in Los Angeles that was mostly made up of Filipino-Americans. As a Caucasian, it was really touching to hear everyone laughing at the Tagalog jokes, and appreciative cooing and spontaneous applause happened when shots of Filipino comfort food were on the screen during a banquet scene! I was really moved, not only by the film's tender story of inter- and intra-cultural conflict, but by the realization that I'd never seen a film by or about Filipinos in America (or by or about any Filipino anywhere, come to think of it!). I hope this won't be the last! Special attention should also be paid to Conrad Cimarra, in the role of NESTOR. He brought welcome comic relief to the picture every time he appeared as the 'new arrival', fresh off the boat from Manila. Let Conrad's performance reinforce a lesson to all young actors: "There are no small parts. Only small actors." Conrad was HUGE in keeping the laughs coming and providing a much-needed balance to the film.

The Good: This is the first step in hopefully many of Filipino-American movies. It showed the culture in a positive light, with the highs and lows of being a Filipino teen growing up in the states and trying to mesh the two cultures together. We get to see the son who is choosing to break tradition of doing exactly what is expected of a son and instead trying to find his own independent path.

The pacing of this movie was also very solid if not a little predictable. The jokes where also a lot of fun, but mostly if you are Filipino, otherwise they may need a little bit of explanation.

The Bad: I did see things as being a bit glossed over in this movie. I don't think I know of any Filipino family where going against the grain gets accepted as easily as this movie did. Every character except Ben Mercado is a very one-dimensional character. There is the (generic) cute pinay, who's friendly and timid, the (generic) hood-rat pinoy and his two lackeys, and the (generic) FOB, who's accent is way over done, I thought he was from Manila, but he sounded like more like an un-educated peasant. I also thought the ball game between Ben and his sister was getting a little too friendly for a sibling game. This movie is also limiting itself to a very hardcore Filipino crowd, rather than maybe trying to aim it towards a broader audience trying to make others understand the `whys' of the Filipino culture. This movie also adapted a little heavily from your standard American Teenie-Bopper flicks, primarily `Somekind of Wonderful' where you have Eric Stoltz deciding to go to art school against his father's wishes.

The Ugly: I understand that this is a small step in showing the culture, but I think a lot of things got denied in this movie, how many younger Filipino parties have we all gone too and ONLY three thugs showed up, they also made it seem like every teen got along with one another and ignored the cliques that are so common during any party. Why did the Auntie with the white husband also have to have the screwed up kid? Why was Ben, the only one with white friends also the only one who chose to go a different path then what his parents wanted? He's also the only one, it seems like, who didn't get the nice ride from the family, instead we see him getting rides from his friends (and if you say he wasn't the only one, take another look at the parking lot scene and give me a ratio count of cars to teens). Why, when the racer bragged about his Integra, did he just get the speech about how everyone is trying to keep down the pinoy, rather than, something more along the lines of just saying he's spoiled and should maybe try and earn his own?

And the Close: Even though my review may not seem like it, I did enjoy the movie, I just have high demands on any movie showing any culture, I believe movies like this should address issues rather than breeze past them just because they are complicated situations. I don't believe a movie should get high praises just because it shows `Pinoy Pride' any movie including this movie, needs depth too. 6/10

question? comments? complaints? villagemember@lycos.com