Radiance

Rachel Perkins took on Radiance with a great deal of care, intelligence and humour. The three main roles of the ensemble cast shine through Rachel's direction which allows the actors to explore their characters through the range of emotions of experience. Deborah Mailman who, nominated for an AFI award for her performance, is outstanding as Nona the young kid both lost and assured of who she is and what she wants. Still both Rachael Mazza (Chressy) and Trisha Morton-Thomas (Mae) are oustanding as well, Nona's humour guarantees her as the audience favourite. What outstounds me about Radiance is that it is an Australian film - one which doesn't go pastiche with quirkiness (say Welcome to Woop Woop) or the propaganda rallying call of Ostrailya. Radiance, like Head On, exists as a film about characters and a story. Three Aboriginal women who react and change in each others presence without delivering any Certified Political Message (TM)... it "informs the characters" Rachel says in JJJ interview. Alcholism isn't an issue it's an experience; the Stolen Generation isn't an epitaph but a reality for the characters. In short I was quite taken by this film because of its intelligence, strength and humour and it most definitely deserves both an Australian and International audience.

I had seen this movie (I also got the DVD) and and I love it I enjoy the simplicity and humanity in the whole making of this film plus the cruel reality of some peoples lives. Is a funny, touchy, sad and realistic film. Is like to see our selves in the mirror without the masks. I congratulate the Director, writer, cast and production team you all did an excellent job. Thanks. 3 women, sisters, confronting reality and love for each other, what else you can expect in a family reunion?, love's always the winner and in this movie you will taste it with a big smile and a few tears. I will give to this film 10 out of 10 for honesty and simplicity and good acting, qualities expected in a good film. I did enjoy this film very much. There's not blood, bombs, electric sounds, just 3 women capturing the audience with each of their dramas and showing us that in real life things can be sour but family and love it's always there. Great film. Ta.

I was enchanted and romanced by three lovable wicked sisters. I love the one liners. I love the crude remarks. I love the clashes and I love the final outcome. You could say I enjoyed this film. The Luis Nowra play transported nicely onto the screen with the help of an observing eye from Rachel. Please throw more money her way, I can see this filmmaker maturing with every work she may create.

With the death of their mother, two sisters (Nona and Cressy) return to their childhood home in Northern Australia where their third sister, Mae, lived looking after their mother. The funeral happens and the three find themselves together in the house for the first time in years. With time to talk, drink and fight, past hurts are revealed and family secrets come out.

From the plot synopsis you will immediately know that we are on familiar territory when it comes to female driven movies. This one is pretty much in a well known mould and travels a familiar narrative thread but not really to it's detriment. Instead the film is sparky enough and the revelations/devices interesting enough to really hold the interest no problem.

The cast really help the material as each of the three women are strong in their roles, each for different reasons. They use the material well to create characters that are interesting and have room for the audience to find out more. Of course, the fact that the film is very dialogue driven and features only three people for the majority, leaves the risk that the film will feel like a stage play on film rather than a film. To avoid this the director does a good job of using very good internal sets as well as wide-open externals on the beach or the open road.

Overall you will have seen this sort of female soul searching/family secrets film before but that doesn't make this a lesser film for that. The cast are really good value and the material is involving and interesting enough to keep the film moving along really well. The direction uses the cast well to have all the strengths of film while also keeping the dialogue and intimacy of a play.

Three sisters are reunited by their mother's death. Having led separate lives, the girls seem to have little in common. The intense Mae stayed with Mum to the end. The brooding Chrissy has pursued a singing career overseas, the vivacious Nona is just becoming a woman. The funeral itself is a very sad affair. It seems reconciliation is still a long way off in this part of Australia. A single woman of dubious morality, and aboriginal at that, did not make for a large congregation of mourners. The girls get on with the grieving process as best they can, but it will come as no surprise that as well as Mum's ashes in the can, there are a few skeletons in this family's closet. A wonderful script gives credibility to this excellent drama with operatic overtones. Beautifully shot among the canefields on the Sunshine Coast of Queensland, this is a story, indeed an epic for any millenium.