Agrega una trama en tu idiomaTwo young thugs kidnap a young girl and keep her in the basement of an old warehouse where they forcibly make her their sex slave.Two young thugs kidnap a young girl and keep her in the basement of an old warehouse where they forcibly make her their sex slave.Two young thugs kidnap a young girl and keep her in the basement of an old warehouse where they forcibly make her their sex slave.
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The Defilers (1965)
** (out of 4)
Friends Carl (Byron Mabe) and Jameison (Jerome Eden) have a lot of great things going for themselves and especially when it comes to women. They've slept with most of the ones in town but when they meet Jane (Mai Jansson) they have different plans for her. Those plans include kidnapping her and forcing her into a warehouse where they're going to hold her as a sex slave. THE DEFILERS often gets called one of the best "roughies" from this period and I will admit that it's a notch or two above most but it's still far from a "good" film. I've always found these roughies to be a rather strange genre but what's even stranger is how popular they were back in the day. The female abuse here is all over the map but there's an early scene where a woman doesn't behave so the guy pulls her panties down right there and spanks her very violently. There are a few other scenes of women being slapped around but there's nothing overly graphic here. The rape sequences all take place off camera so there's nothing like that either. There is plenty of female nudity all around as every woman in the cast takes her clothes off at some point. The performances aren't all that bad and there are a few good touches from the director. THE DEFILERS isn't the greatest film in the world but it's certainly not the worse either. Fans of the genre should enjoy it.
** (out of 4)
Friends Carl (Byron Mabe) and Jameison (Jerome Eden) have a lot of great things going for themselves and especially when it comes to women. They've slept with most of the ones in town but when they meet Jane (Mai Jansson) they have different plans for her. Those plans include kidnapping her and forcing her into a warehouse where they're going to hold her as a sex slave. THE DEFILERS often gets called one of the best "roughies" from this period and I will admit that it's a notch or two above most but it's still far from a "good" film. I've always found these roughies to be a rather strange genre but what's even stranger is how popular they were back in the day. The female abuse here is all over the map but there's an early scene where a woman doesn't behave so the guy pulls her panties down right there and spanks her very violently. There are a few other scenes of women being slapped around but there's nothing overly graphic here. The rape sequences all take place off camera so there's nothing like that either. There is plenty of female nudity all around as every woman in the cast takes her clothes off at some point. The performances aren't all that bad and there are a few good touches from the director. THE DEFILERS isn't the greatest film in the world but it's certainly not the worse either. Fans of the genre should enjoy it.
Two sociopaths, Carl (Byron Mabe) and Jamieson (Jerome Eden), kidnap, torture, rape and beat up young innocent Jane Collins (Mae Johnson). Why? For kicks.
Badly done and boring when not downright sickening. Most of the beatings are staged (badly) and heard but not seen, but Johnson's screams and crying sound way too realistic. The scene where she submits to Eden sexually is haunting--the look on her face will never leave me. She's not the only one tortured--many other woman are bitten (!!), slapped, beaten and in one truly disgusting sequence, a woman has her bare bottom hit again and again and again...To make the scene worse, she likes it and willingly has sex with the man who beat her!
Mabe is just dreadful as the lead psycho. His laughing and overacting quickly got annoying. Eden was actually quite good as the other one. He showed some good acting ability and actually gave credibility to some lousy dialogue. Johnson wasn't that good acting but, as I said, she was very realistic while being tortured. There's also tons of gratuitous female nudity (mostly topless) and a blaring score which gave me a headache.
Sick, pointless and dull--a truly terrible film.
Badly done and boring when not downright sickening. Most of the beatings are staged (badly) and heard but not seen, but Johnson's screams and crying sound way too realistic. The scene where she submits to Eden sexually is haunting--the look on her face will never leave me. She's not the only one tortured--many other woman are bitten (!!), slapped, beaten and in one truly disgusting sequence, a woman has her bare bottom hit again and again and again...To make the scene worse, she likes it and willingly has sex with the man who beat her!
Mabe is just dreadful as the lead psycho. His laughing and overacting quickly got annoying. Eden was actually quite good as the other one. He showed some good acting ability and actually gave credibility to some lousy dialogue. Johnson wasn't that good acting but, as I said, she was very realistic while being tortured. There's also tons of gratuitous female nudity (mostly topless) and a blaring score which gave me a headache.
Sick, pointless and dull--a truly terrible film.
This is a great DVD package from Something Wierd with two early sixties exploitation classics ("the Defilers" and "Scum of the Earth"), two great short subjects, three drive-in intermission promos(if you don't believe this world is gone forever, check out the butter-and-red-meat saturated 'refreshments' offered by the friendly drive-in snack bar!) , a great commentary track by David Friedman tracing the history of West Coast poverty-row movie production, and a dozen cool trailers for such masterpieces of cinema as "Banned" and "Sex Killer"! The folks at Something Wierd should be commended for a great job of packaging which captures the time period better than a thousand pretentious documentaries! For fans of the genre, I would give the DVD an eleven!
Of the two features, "the Defilers" is the'better' of the two, almost artistic in some sections, and although it's very tame by today's standards, I personally think it is a thousand times more sensual and interesting than the pro-forma 'erotic thrillers' the industry turns out today.
Of the two features, "the Defilers" is the'better' of the two, almost artistic in some sections, and although it's very tame by today's standards, I personally think it is a thousand times more sensual and interesting than the pro-forma 'erotic thrillers' the industry turns out today.
Although quite tame by todays standards, this early roughie produced by the king of Exploitation David F. Friedman, and Directed by Lee Frost (Director of such drive-in classics like Love Camp Seven, and Chain-gang Women) is still enjoyable to watch if your a fan of Exploitation films. The story goes The Defilers are two hedonistic young men who, just for kicks, abduct a sexy blonde (Mai Jansson) as their own personal sex toy. They keep her in a litter, graffiti infested basement room, and when she does not go along with their plan, they beat her unmercifully until she submits. There is not much nudity this film (or Defiling as the title suggests), too risky for those innocent times when nudity on the screen was a big deal. Even the violence in the film is just downright cheesy in this day in age. But fun nonetheless to watch. The Opening sequence with a cool Jazz score is so cool!! They do not make films like this anymore. A lost art.
Saw this on DVD (along with SCUM OF THE EARTH) and was actually expecting it to be even sleazier after reading about it. The main character is a complete sociopath but this was fairly well-made. Good music some of the time and the acting was decent, especially Byron Mabe (who directed some films). The lead girl looked perfect and was completely believable (not from acting; just being the type). A 5 out of 10. Best performance = Byron Mabe.
This would have been completely unwatchable in color, but B/W lends itself to this kind of material. The barbarous freedom of the two young men is pretty frightening (especially in '65). I've seen a number of 60's "exploitation" flicks and this one scores some points (acting, mood, cinematography) and slightly better than most. THE AGONY OF LOVE is one of the better ones with Pat Barrington.
This would have been completely unwatchable in color, but B/W lends itself to this kind of material. The barbarous freedom of the two young men is pretty frightening (especially in '65). I've seen a number of 60's "exploitation" flicks and this one scores some points (acting, mood, cinematography) and slightly better than most. THE AGONY OF LOVE is one of the better ones with Pat Barrington.
¿Sabías que…?
- TriviaShot in five days.
- ErroresAs Carl and Jameison drive away after dropping Jane off in the Valley a boom microphone shadow is plainly visible on the car and road.
- ConexionesFeatured in The Laughing, Leering, Lampooning Lures of David F. Friedman (1992)
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- How long is The Defilers?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- USD 11,000 (estimado)
- Tiempo de ejecución1 hora 9 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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What is the French language plot outline for The Defilers (1965)?
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