John Shaft, sobrino del detective original de los 70, tiene la misión de asegurarse de que el hijo de un magnate inmobiliario es llevado ante la justicia tras un asesinato racista.John Shaft, sobrino del detective original de los 70, tiene la misión de asegurarse de que el hijo de un magnate inmobiliario es llevado ante la justicia tras un asesinato racista.John Shaft, sobrino del detective original de los 70, tiene la misión de asegurarse de que el hijo de un magnate inmobiliario es llevado ante la justicia tras un asesinato racista.
- Dirección
- Guionistas
- Elenco
- Premios
- 2 premios ganados y 13 nominaciones en total
Daniel von Bargen
- Lt. Kearney
- (as Daniel Von Bargen)
Opiniones destacadas
I went to see this movie expecting to see a big-budget remake of the original Shaft, and I got it.
This version is a lot more violent than the original, it didn't seem to be in Shaft's style. The pacing and editing in the first half of the movie were fast and smooth. John Singleton did a great job in establishing Shaft's character and the plot. During the second half of the movie (when the action really begins), however, the movie starts to lose it's original slickness.
Samuel L. Jackson is truly a great Shaft, he's probably the only actor out there (besides the great Richard Roundtree) who could pull this off, and he does an excellent job. This time around, though, we don't really see Shaft's "Ladies' Man" side, except for a couple of innuendoes with minor characters. Like I said, Jackson's Shaft is a little too violent (even for a desensitized, Tarantino fan like me). Christian Bale, after playing a cold,rich, psychopathic killer in "American Psycho", plays a...cold, rich, psychopathic killer. He's perfect in his ability to make us feel absolutely no compassion for him. It's impossible not to mention Bustah Rhymes in a small but great role as Shaft's driver/assistant. He provides some of the comic relief, taking some strain off of Jackson.
I thoroughly enjoyed Isaac Hayes' Oscar-Winning theme, which plays throughout the movie.
This Shaft is a great movie for anyone who's a fan of the original, Sam Jackson, or great action movies in general.
This version is a lot more violent than the original, it didn't seem to be in Shaft's style. The pacing and editing in the first half of the movie were fast and smooth. John Singleton did a great job in establishing Shaft's character and the plot. During the second half of the movie (when the action really begins), however, the movie starts to lose it's original slickness.
Samuel L. Jackson is truly a great Shaft, he's probably the only actor out there (besides the great Richard Roundtree) who could pull this off, and he does an excellent job. This time around, though, we don't really see Shaft's "Ladies' Man" side, except for a couple of innuendoes with minor characters. Like I said, Jackson's Shaft is a little too violent (even for a desensitized, Tarantino fan like me). Christian Bale, after playing a cold,rich, psychopathic killer in "American Psycho", plays a...cold, rich, psychopathic killer. He's perfect in his ability to make us feel absolutely no compassion for him. It's impossible not to mention Bustah Rhymes in a small but great role as Shaft's driver/assistant. He provides some of the comic relief, taking some strain off of Jackson.
I thoroughly enjoyed Isaac Hayes' Oscar-Winning theme, which plays throughout the movie.
This Shaft is a great movie for anyone who's a fan of the original, Sam Jackson, or great action movies in general.
I love this 1980s-style action flick, and watch it every time it is pops up on TV. Sam Jackson plays Shaft's nephew, a big-city cop trying to track down a reluctant witness to a racially motivated murder. The killer, played by a sinister, pre-BATMAN Christian Bale, is modeled on the New York preppie rapist (remember him?). He hires a low-level drug dealer (Jeffrey Wright) to track down the witness, a waitress (Toni Collette), and kill her. Shaft must find her before they do. Jackson is silky smooth, the action is right out of a DIE HARD or LETHAL WEAPON flick, and the landscape is populated by some great supporting players including Dan Hedaya as a corrupt cop and Vanessa Williams as a cop who has Shaft's back. The original Shaft, Richard Roundtree, even pops up a couple of times. This is one wild and funny ride that plays the way we prefer our action films to play. At times, it is a little thin on plot, but it keeps moving. No blood to speak of, just action, action and more action. And keep a close eye on Wright, a noted stage and screen actor. His soft-spoken drug lord tenderly holds a newborn baby at one moment and in the next pokes a knife into the neck of a terrified woman. He steals every scene he is in.
Shaft was a lot of fun and to make this movie work the new shaft is now the nephew of the former from the 70's and it does work well, even having the actor that originally took the mantle up being in it aswell. This time around though Samuel L Jackson plays him. His tough and wise cracking just like jackson is in most movies. Christian pale is the mean harvard bully character and also plays him well ever after seeing american psycho he has been kinda creepy but thats a good thing. But getting back to shaft the story was interesting and all the cast were great,overall it was a pretty decent and solid action movie that was well made by the late great John singleton.
I liked this one alot-fast moving, funny, crude, violent at times, has the same old 'sphagetti Western' shooting style where the baddie can't hit the broadside of a barn with 400 rounds while Shaft takes'em out one shot at a time, never misses. Enjoyed Jackson in this mucho, this is some fine work by a kinetic actor in his prime. Vanessa Williams is easy on the eyes and a smooth actress in her own right, plus you have to give this Jeffrey Wright guy credit for doing a bang up job as a Puerto Rican(!!) villain(with a heart, sorta...). Bale as the Menendez Brother from hell is effective too. I liked Richard Roundtree, Pat Hingle and Gordon Parks' cameos(look fast for him, as Mr. P in the bar!)
This one isn't meant to be taken too seriously, the car chases and shootouts are right outta anything Dirty Harry has done-but you know, John Singleton sez he intended for this to be a popcorn movie, and I agree, he has hit the bullseye with this.
And that Isaac Hayes score, gotta love it!
*** outta ****, go see it and have fun.
This one isn't meant to be taken too seriously, the car chases and shootouts are right outta anything Dirty Harry has done-but you know, John Singleton sez he intended for this to be a popcorn movie, and I agree, he has hit the bullseye with this.
And that Isaac Hayes score, gotta love it!
*** outta ****, go see it and have fun.
Thirty years is a long time to wait to make a sequel, especially when no one is clamoring for one. Director/Writer/Producer John Singleton decided it was about time. The result is a solid, but undistinguished crime drama. The elements of this story have been told so many times that they are becoming hackneyed. A tough, no-nonsense cop fights evil and corruption to bring justice to the streets while often disregarding the law. A spoiled rich kid is trying to get away with murder by hiring a drug dealer to snuff an eyewitness with the help of a couple of dirty cops. This is not vanguard material.
Singleton's direction is good in the action sequences (of which there are plenty) and adequate in the dramatic scenes. In this film, he doesn't bring much innovation to the screen, with very straightforward shots and mundane locations. In an overly reverent gesture to the original film, he brings back Richard Roundtree (the original Shaft) as the current Shaft's (Samuel L. Jackson) uncle and mentor. There is also a cameo appearance by Gordon Parks, the director of the original, and of course, Isaac Hayes theme song is back.
The film is elevated from mediocrity by the acting. Samuel L. Jackson is an outstanding actor and slips on the character of this tough, streetwise cop like a tailored glove. When he's bad, he's very very bad and when he is good, he's almost saintly. Christian Bale also gives a fine performance as the despicable rich kid who thinks his wealth puts him above the law. Jeffrey Wright is explosive as the egomaniac drug lord. The supporting actors are also excellent.
This is an entertaining film despite its lack of originality. I rated it a 7/10. Action junkies add a point or two. This film is extremely violent with a high body count.
Singleton's direction is good in the action sequences (of which there are plenty) and adequate in the dramatic scenes. In this film, he doesn't bring much innovation to the screen, with very straightforward shots and mundane locations. In an overly reverent gesture to the original film, he brings back Richard Roundtree (the original Shaft) as the current Shaft's (Samuel L. Jackson) uncle and mentor. There is also a cameo appearance by Gordon Parks, the director of the original, and of course, Isaac Hayes theme song is back.
The film is elevated from mediocrity by the acting. Samuel L. Jackson is an outstanding actor and slips on the character of this tough, streetwise cop like a tailored glove. When he's bad, he's very very bad and when he is good, he's almost saintly. Christian Bale also gives a fine performance as the despicable rich kid who thinks his wealth puts him above the law. Jeffrey Wright is explosive as the egomaniac drug lord. The supporting actors are also excellent.
This is an entertaining film despite its lack of originality. I rated it a 7/10. Action junkies add a point or two. This film is extremely violent with a high body count.
Samuel L. Jackson Through the Years
Samuel L. Jackson Through the Years
Take a look back at Samuel L. Jackson's movie career in photos.
¿Sabías que…?
- TriviaJohn Singleton planned a sequel, where Shaft battles drug lords in Jamaica. But the film's mediocre box office returns, and Samuel L. Jackson's disappointment with the film, stopped any plans of a sequel, at least until Shaft (2019).
- ErroresThe Trinidad and Tobago Flag hanging in Rasaan's apartment is upside-down (presumably because he didn't know any better).
- Citas
John Shaft: You know me. It's my duty to please that booty!
- Bandas sonorasTheme from Shaft
Written, Performed and Produced by Isaac Hayes
Courtesy of ILH Entertainment, Inc.
By Arrangement with Virgin Records America, Inc.
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Detalles
- Fecha de lanzamiento
- Países de origen
- Idiomas
- También se conoce como
- Shaft Returns
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 46,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 70,334,258
- Fin de semana de estreno en EE. UU. y Canadá
- USD 21,714,757
- 18 jun 2000
- Total a nivel mundial
- USD 107,626,125
- Tiempo de ejecución1 hora 39 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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