En algún lugar de África

Having just watched one of the most visually stunning and beautifully acted pieces of cinema in my long and varied life, I can only find praise for every facet of this fabulous tale. All of the pieces came together with a genuine and sincere feel for the period and the people. No fair-minded lover of the cinema can fault this production, it is simply right in every category and every magical frame. The only film so far this year to earn a 10/10 from me. Highly recommended and a tribute to ALL those involved.

In 1937, the non-orthodox Jewish German lawyer Walter Redlich (Merab Ninidze), aware of the growing of the Nazi movement in Germany and how it would jeopardize the Jews in his country, moves alone to Nairobi, Kenya, to administrate a farm. His only friend is the also Jewish German Süßkind (Matthias Habich) and his African cooker Owuor (Sidede Onyulo). In 1938, his spoiled wife Jettel Redlich (Juliane Köhler) and their young daughter Regina (Lea Kurka / Karoline Eckertz) arrive. Regine easily adapts to her new lifestyle, but Jettel does not adapt to her new condition of poor expatriated woman in Africa. Along the years, bursts the Second World War, and the Redlich family experiences the most different situations until 1947.

Adorable, wonderful, delightful – I do not have enough words to express and describe how beautiful this tale about the life of an expatriated family in times of war is! The running time is 141 minutes, but it could be longer so lovely the Redlich family saga is. There is drama, action, romance, sympathy, love, hate, the most different sensations and feelings are transmitted to the viewer in this stunning movie. A must-see film indicated for the whole family. Congratulations to the writer, director, cast and the whole crew who have developed such a wonderful entertainment. 'Nirgendwo in Afrika' is certainly one of the best movies I have watched in the last years. My vote is ten.

Title (Brazil): 'Lugar Nenhum na África' ('Nowhere in Africa')

This film was a surprise. It presents us a family that escape the horrors they foresaw coming in Germany to an uncertain future in Africa. The film as directed by Caroline Link, based on a novel by Stephanie Zweig, presents us with a family of survivors who will cling to life by going out of their world into the great unknown and a continent away.

In Germany the Redlich family is upper middle class. The household is filled with people going about their lives in an elegant way. That is until Walter and Jettel Redlich decide to leave it all behind to start a new life in Africa, thus avoiding a certain death.

Walter and Jettel stick out like sore thumbs in the rural part of Kenya where they go. Walter has never done any kind of manual labor, or Jettel, for that matter. Little Regina, who is a sweet and curious girl, feels right at home from the beginning. Children will adapt more easily than grown ups.

The Redlichs are lucky when Owuor arrives. They employ him right away. He is kindness personified; he turns out to be indispensable for all of them. When Walter loses the first post, the family has to relocate to another farm helped by the benevolent Susskind; his attraction to Jettel is evident, but he is too decent to take advantage of the situation.

The many difficulties are overcome because Jettel turns out to be the strongest person in this family. She is played by Juliane Kohler with gusto. She makes us feel she is this woman in the midst of a harsh place fighting all kinds of obstacles in order to survive in the new country.

The setting feels like the Africa of the 30s and 40s when it was a white man's paradise. This is the Africa where genocides will occur later on, as different nations will try to gain independence and some governments will practice what made this family flee Nazi Germany in the first place.

There are lots of movies set in Africa. Few come anywhere close to showing the beauty as this movie does. But it is only a backdrop. The plot is captivating and the acting superb.

Having grown up in Kenya, I found the authenticity to be astounding. The use of appropriate languages was mind-blowing. There was not a word spoken that was in German for the sake of the audience -- If it would have been said in swahili, it was; English, in English.

Few movies make quite the impression on me as this one. I seldom watch movies with subtitles, so it took a bit to get used to it, but I think it was better in German than it would have been if it were dubbed.

Here is a grand epic in the scale of "Gone With the Wind", "Lawrence of Arabia", and "Fitzcarraldo". It is the best movie I've seen this year, and more than that, it was one of the most amazing film experiences of my life.

It is Caroline Link's "Nowhere in Africa", which won the Best Foreign Film Award when, in actuality, it was far better than the Best Picture of the Year. To call it a great or brilliant or majestic film is an understatement; in fact, I'm at a loss for adjectives to describe it.

The film tells the story of a German Jewish woman and her young daughter summoned to Kenya by her husband, circa. 1938. Adolf Hitler is on the brink of declaring his "final solution" of the Jews, and it is with great luck that Jettel and young Regina escape.

In Africa, they adapt slowly to their new rural life. While Regina befriends cook Owuor, Walter and Jettel's relationship threatens to destroy itself because of the hardships the family encounters.

I will not spend too much time going into detail, for watching this masterful story unfold is a treasure in itself. This film is based on an autobiography by Stephanie Zweig, and when it is available in English, I will certainly read it.

Also, the language in this movie is truly beautiful. I saw "Nowhere in Africa" again, just days after watching it for the first time, and spent more time ignoring the subtitles and listening to the beautiful spoken German.

And then there is one scene toward the end that I simply could not believe. It involves a locust invasion, and, quite simply, it was the first time I've ever seen something on the screen and asked myself aloud (as I did the first viewing), "How did they do that?"

The performances here are first-rate, too. Julianne Kohler, who was wonderful in the ultra-weird "Aimee & Junger" is perfect; we understand this woman fully, even when she doesn't speak. Merab Ninidze has some great scenes with Walter, the father; and Sidede Onyulo is simply magical as Owuor.

But the movie belongs to the two girls who play Regina. They look amazingly similar, and they are both stellar. Lea Kurka brings much hope as the adorable young Regina, and Karoline Eckertz is subtle and remarkable as the older Regina, particularly in a heartbreaking exchange with her father at her school.

It would be a shame to miss this film. No, it would be more than a shame. It would be downright wrong and discouraging. This film, along with the wonderful "Whale Rider" are two remarkable international films that bring beauty, grace, and majesty to the screen, and are perfect for adults and older children.