CALIFICACIÓN DE IMDb
6.1/10
1.1 k
TU CALIFICACIÓN
Agrega una trama en tu idiomaThe story follows 20-year-old Griffith caring for his sick aunt after losing his family matriarch. A stranger's arrival changes Griffith's life as he struggles with responsibilities, grief, ... Leer todoThe story follows 20-year-old Griffith caring for his sick aunt after losing his family matriarch. A stranger's arrival changes Griffith's life as he struggles with responsibilities, grief, and dreams of leaving Pine Apple.The story follows 20-year-old Griffith caring for his sick aunt after losing his family matriarch. A stranger's arrival changes Griffith's life as he struggles with responsibilities, grief, and dreams of leaving Pine Apple.
- Dirección
- Guionista
- Elenco
Dan Montgomery Jr.
- Griffith
- (as Dan Montgomery)
Jo-Ann Robinson
- Customer in shop
- (as Jo Ann Robinson)
John Mese
- Bill Thomas
- (sin créditos)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
If you enjoy being spoon-fed at the theater or in front of your television, then this movie isn't for you. If you are offended by a subtle gay storyline however non-offensive it may be, then perhaps a night out at Hooters would be better suited for you. But if you think you might enjoy a movie with interesting Southern characters, set amidst some fine beauty from the southern part of the U.S., then this flick might be for you. The direction IS just fine and I was pleasantly surprised at how much I liked the characters. Karen Black is a real treat here.
Red Dirt is a story with two main themes: claustro- and agoraphobia, literal in the case of our protagonists' dotty Aunt Summer, and more abstract in the portrayal of cousins Griffith (desperate to escape town) and Emily (resigned to sharing her female relatives' fate of never leaving); and the difficulty and pain of expressing love, and changes in love. When a stranger, Lee, comes to stay at their farm, he acts as a catalyst that eventually brings all their secrets out of the woodwork, and it hurts as much as it sets everyone free.
In today's world of determinist sexuality and identity politics, it's clear why this film goes down like a ton of bricks with some people - many won't find it satisfying to watch a story of people falling in (and out) of love with no neat labels that can be attached to their desires. Even more disturbing to some will be the hint that love and sex are not the same thing. Yet this is exactly what I found so moving about this film, and such a welcome change from the teenager-coming-out stock of gay films that, despite being of some value to those that need them, have become tedious to those that no longer do. Fond as I am of man-on-man action, and not being much of a romantic, I was therefore very surprised to be so moved by a film simply about love, and not to have to suffer through another truckload of big-city gay clichés.
The acting, cinematography and photography are all superb - I could have done with a little less of the weepy soundtrack but really that's a tiny quibble.
In today's world of determinist sexuality and identity politics, it's clear why this film goes down like a ton of bricks with some people - many won't find it satisfying to watch a story of people falling in (and out) of love with no neat labels that can be attached to their desires. Even more disturbing to some will be the hint that love and sex are not the same thing. Yet this is exactly what I found so moving about this film, and such a welcome change from the teenager-coming-out stock of gay films that, despite being of some value to those that need them, have become tedious to those that no longer do. Fond as I am of man-on-man action, and not being much of a romantic, I was therefore very surprised to be so moved by a film simply about love, and not to have to suffer through another truckload of big-city gay clichés.
The acting, cinematography and photography are all superb - I could have done with a little less of the weepy soundtrack but really that's a tiny quibble.
"Red Dirt" is not quite like any film independent or otherwise to have come out in some time. Some seem to have been disappointed that this wasn't a great southern "romance" either straight or gay and others seem to have been unable to connect with the characters.
While the premise is easily recognizable and perhaps, predictable even, what Purvis did was take a standard situation - and give it a spin all its own with fresh, inviting characters.
I feel Mr. Purvis captures perfectly a small town in the deep South. Deadly silence punctuated by birds, wolves, crickets, locust, rain. Then there are the crazy southern women (all 4 women in this showed signs of madness) always with deeply hidden and long held secrets. All of these women exhibit a wondrously wide (and wild) range of emotions from instability to madness to wise.
One of the most touching elements of the film was the bonding connection between Emily and Aunt Summer, with Em's final "goodbye" an arrestingly beautiful film moment.
The gay repression angle works perfectly here, both men quiet about it, but Griffith actually socially naïve and stunted enough into thinking what is going on between he and Lee is strictly friendship. His unhinging and rage were moving.
Comments about Karen Black's being "all over the place" are correct, but this is not a bad thing. Her character is just that emotionally unstable, a lifetime of guilt over her secret which is what is driving her mad. We see that pent up madness within her coming out in her dramatic loony-tune sequences and her escape into music makes perfect sense.
To those who complained about a lack of romantic ending, I can't imagine a more classically "romantic" then this; rage, revelation and confusion subsiding into sadness, forgiveness, self-awareness and acceptance . . . as the sun streams down on a glorious southern evening.
Physically, as well, this is a stunning film, the photography breathtaking, the colors vivid and true.
I did not, quite honestly, expect to enjoy this film at all. Instead I found myself drawn in, touched watching these self-imposed alienated characters trying to connect with another human, and ultimately I found myself deeply moved.
p.
While the premise is easily recognizable and perhaps, predictable even, what Purvis did was take a standard situation - and give it a spin all its own with fresh, inviting characters.
I feel Mr. Purvis captures perfectly a small town in the deep South. Deadly silence punctuated by birds, wolves, crickets, locust, rain. Then there are the crazy southern women (all 4 women in this showed signs of madness) always with deeply hidden and long held secrets. All of these women exhibit a wondrously wide (and wild) range of emotions from instability to madness to wise.
One of the most touching elements of the film was the bonding connection between Emily and Aunt Summer, with Em's final "goodbye" an arrestingly beautiful film moment.
The gay repression angle works perfectly here, both men quiet about it, but Griffith actually socially naïve and stunted enough into thinking what is going on between he and Lee is strictly friendship. His unhinging and rage were moving.
Comments about Karen Black's being "all over the place" are correct, but this is not a bad thing. Her character is just that emotionally unstable, a lifetime of guilt over her secret which is what is driving her mad. We see that pent up madness within her coming out in her dramatic loony-tune sequences and her escape into music makes perfect sense.
To those who complained about a lack of romantic ending, I can't imagine a more classically "romantic" then this; rage, revelation and confusion subsiding into sadness, forgiveness, self-awareness and acceptance . . . as the sun streams down on a glorious southern evening.
Physically, as well, this is a stunning film, the photography breathtaking, the colors vivid and true.
I did not, quite honestly, expect to enjoy this film at all. Instead I found myself drawn in, touched watching these self-imposed alienated characters trying to connect with another human, and ultimately I found myself deeply moved.
p.
This film is getting a lot of (-) comments, and I can see their point of view, BUT, it's better than the're saying. True it's slow moving, but that captures the essence of the story. These are frightened and careful people, trapped in a backwater, and, though unstated, the brutality of Conservative Christian bigotry has great influence on their behavior. The love between the two guys didn't come from nowhere: from the first time they saw each other there was an electric current between them. The shower scene was almost explicit: Griffith COULDN'T KEEP HIS EYES OFF LEE!!!!. and the gay shop-keeper knew instantly there was something. And while the ending was overtly disappointing, I believe that, down the road (pun intended) they're going to get together. Acting was mostly good, but Walton Goggins was HOTTTTT. Watch him on "The Shield" and see what a good actor he is. All in all, I enjoyed the film, but WHAT WAS that short on the DVD?
watching this movie a few times with friends etc, we agreed upon that although it takes place in modern times it seems like the characters were uptight in showing their true feelings because of belief systems instilled upon the characters upbringings. This movie has beautiful scenery with some sordid entanglements but it brings to light that as Love of the heart goes it can find its way through the most stubborn of circumstances! Dan Montgomery is drop dead gorgeous and so is Walton Goggins, One just wishes the outcome would have been a little more romantic than it was! I bet a lot of people who are trapped in society's little headgames who cannot truly display their affections might wish for a Walton to come into their life and start living. The film does not by any means make a straight person feel uncomfortable at all by watching it, in fact it makes them think! I loved this movie and I wish it well!
¿Sabías que…?
- TriviaKaren Black and Walton Goggins are in Rob Zombie's House of 1000 Corpses.
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- How long is Red Dirt?Con tecnología de Alexa
Detalles
- Tiempo de ejecución1 hora 50 minutos
- Color
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By what name was Red Dirt (2000) officially released in India in English?
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