Maya ha sobrevivido a un exorcismo y ayuda a los sacerdotes en otros casos. Pero descubre que el mismísimo Satanás está a punto de apoderarse de la tierra y tiene un plan en el que está impl... Leer todoMaya ha sobrevivido a un exorcismo y ayuda a los sacerdotes en otros casos. Pero descubre que el mismísimo Satanás está a punto de apoderarse de la tierra y tiene un plan en el que está implicado Peter Kelson, un joven escritor.Maya ha sobrevivido a un exorcismo y ayuda a los sacerdotes en otros casos. Pero descubre que el mismísimo Satanás está a punto de apoderarse de la tierra y tiene un plan en el que está implicado Peter Kelson, un joven escritor.
- Dirección
- Guionistas
- Elenco
- Premios
- 2 nominaciones en total
- Mental Patient
- (as Robert Clenendin)
Opiniones destacadas
The problem I have, however, is that we do not really get to know Maya Larkin very well throughout the movie. We watch her in her quest but we do not understand her well and we doubt her motivations. She is not believable as a person of faith with the necessary experience and background dealing with the 'evil' at hand.
The film starts well creating a dark foreboding atmosphere but stays at a level of a suspenseful thriller without any theological or philosophical implications. One would think that if so much is at stake then something more should be needed in order for us to root for her the way we did for Fathers Merrin and Karras in the 'Exorcist'.
Ryder, whose eyes have always been a vehicle for her acting, uses them chillingly in the scene in which she murders Father Lareaux. Studying Ryder's evolving facial expressions as Maya finds out that the Father won't support her delusions, takes action, and then gloats at the outcome will convince anyone she's crazy.
An incredible performance. Or the way she handles the scene in which Kelson, her intended victim, casts back to his past to test if he really could be the devil. Kaminski bolsters it with the imagery of a deer caught in the headlights of an oncoming car unknowingly escaping, for the moment.
Adding up the body count just bolsters the psycho killer interpretation. By her own hand, she kills: the murderer George Viznik, brain dead; Kelson's girlfriend, Claire Van Owen; Father Lareaux and Kelson himself. Murders at her instigation: the investigator, John Townsend; Kelson's uncle/father; and Kelson's brother.
Take a second look. Watch Maya's eyes. Ask yourself at every turn, is this about the devil, or is this about the here and now, a psycho killer walking invisibly among us.
This is a subtle religious horror flick that I have to assume people rejected because of the lack of scares and gore. However, the performances, direction and cinematography are all top notch. Though Lost Souls was marketed to look like a demonic scare-fest, I would compare this film to the likes of The Exorcism of Emily Rose. In fact, I would not be surprised if the makers of that film borrowed quite heavily from this one, both in style and effects.
The premise is relatively simple: A small religious sect believe the coming of the anti-Christ to be near, sitting dormant in a human body.
The biggest praise that I can bestow upon this film is that over 12 years later, this film still looks like it could have been made yesterday. In fact, it looks uncannily more modern than a large majority of recent horror efforts. Lost Souls simply does not age.
Another popular factor in why this movie is so poorly rated and received is the fact that audiences just did not like the ending. I feel sorry for those that do not. The ending is original, and though it did not satisfy blood thirsty Hollywood horror fans, it is very much appropriate for this film. To put it simply without spoiling anything: faith is the central core to Lost Souls, those with it and those without. That is what this ending plays off of, and I think it's perfect. Please do not let any of these negative reviews divert you from seeing this film.
This is not End of Days or Stigmata. Lost Souls is not camp in the slightest. It is a dark, beautifully shot and well acted film that is significantly ahead of it's time.
7/10
¿Sabías que…?
- TriviaThis movie was initially supposed to be released in October 1999. Its trailer was in theaters in Summer 1999. However, due to a flood of "end of the world" movies coming out at the same time (El día final (1999), Estigma (1999), et cetera) the decision was made to delay the release. Its new date was February 4, 2000. However, it got moved again after the popular "Scream" franchise staked out that date for Scream 3 (2000). The final release date of October 13, 2000 was finally decided upon, which also happened to be the same day as the re-release of El exorcista (1973).
- Errores(at around 2 mins) The film opens with a caption purporting to be a Bible verse: ". And the world as we know it will be no more. (Deuteronomy 17)" In fact, there is no such passage in any part of the Bible.
- Citas
Maya Larkin: You're about to become the Antichrist who is born unholy and becomes the door to eternal suffering in this world.
- Créditos curiososThe initial credits appear as numbers morphing into letters plus a reversed shadow.
- Bandas sonorasTijuana Lady
Written by Ian Ball, Paul Blackburn, Tom Gray, Ben Ottewell (as Benjamin Jo Attewell), Oliver Peacock (as Oliver James Peacock)
Performed by Gomez
Courtesy of Virgin Records Limited under license from Virgin Records America, Inc.
Selecciones populares
- How long is Lost Souls?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- USD 50,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 16,815,253
- Fin de semana de estreno en EE. UU. y Canadá
- USD 7,954,766
- 15 oct 2000
- Total a nivel mundial
- USD 31,355,910
- Tiempo de ejecución1 hora 37 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1