Wild Iris

Fine movie about a mother-daughter relationship with Laura Linney and Gena Rowlands in the leading roles. Both actresses give an excellent performance. The story is nothing special but it's acceptable. We also see Emile Hirsch (the guy from "The Girl Next Door" and "Imaginary Heroes") as the son of Laura Linney. This is one of his first important roles and he gives a nice performance.

This is a movie from the same director as "Fort Apache the Bronx" with Paul Newman and Pam Grier ("Jackie Brown") in the leading roles. "Wild Iris" is of course something completely different but in general it is a good movie, nothing exceptional but it is entertaining and the acting performances are good.

Gena Rowlands and Laura Linney are two actresses who simply never turn in less than excellent performances no matter what the material they lend their astonishing talents to. "Wild Iris" offers them both a wonderful opportunity to display their craft. While the script is certainly above average, it does not quite make the grade to which they are so deserving. Ultimately these characters fail to convince, through no fault of the actresses, but rather to the writer's spurious characterisation.

While Rowlands and Linney are amongst the best performers of their generations, young Emile Hirsch shows much promise as a representative actor of his generation. He has a natural sensitivity and vulnerability which endows his portrayal with much conviction. He would reprise this role of a sensitive teenager anguishing over the death of a parent in a world that does not acknowledge his inner pain in "The Mudge Boy".

With three outstanding performances "Wild Iris" is certainly a movie to seek out, despite the deficient screenplay.

This flick, which aired on Showtime under the title "Wild Iris", tells of a grandmother, her adult daughter, and a teenage son/grandson who live together in a SOHO wedding dress boutique. In spite of the pasty, made-for-tv "feel", "...Iris" showcases two excellent performances. Rowlands plays a mother in denial about her diseased relationship with her daughter, avoiding the truth while placating conflict with platitudes. Linney plays the daughter who tries to cope with good old mom using brutally frank honesty and vodka has her weapons of choice. Kudos to the pair of female leads.

Good performances can't save this terrible script, larded with every cliche in the chick-flick book. Both main characters are deeply unsympathetic, and the scene where Laura Linney's character reminisces about sex with her dead husband in front of her teenage son -- which I think is supposed to be poignant -- is just horrifying.

Iris Bravard (Laura Linney) is an alcoholic mother and widow, living and working with her dominating mother Minnie Brinn (Gena Rowlands), due to the lack of professional and financial options. Iris has a sweet teenager son, Lonnie Bravard (Emilie Hirsch), who feels the absence of his father. Lonnie is divided by his feelings for his mother and for his grandmother. Minnie `builds' marriages through wedding dresses and parties, but ironically has destroyed her daughter's marriage. Iris` husband Ronnie Dale Bravard (Scott Gibson) had not supported the treatment spent by Minnie to him and committed suicide eight years ago. Iris dreams of finding a job and leaving her mother's home. Although having a very sad non-commercial story, this movie is excellent. First of all, due to the performance of Laura Linney and Gena Rowlands, which certainly are among the best actresses in the worldwide cinema industry. I believe that presently I am one of the greatest fan of Laura Linney's work, mainly since after watching `You Can Count on Me'. Gena Rowlands (from `Gloria') has always been a synonym of a good movie. Watching them working together, is a dream for a movie maniac like me. Then, because of the screenplay and director, who conducts the plot without being corny. Although having space for a melodramatic point of view, Daniel Petrie (from the marvelous "Rocket Gibraltar") conducts the dramatic story very honestly without any final redemption of the characters, except Iris. My vote is eight.

Title (Brazil): `Marcas de um Suicídio' (`Marks of one Suicide')