Samehada otoko to momojiri onna

My main impression with this movie is that something, somehow, has got lost on the way.

It might be that the script has been adapted from a manga; some situations and some of the characters antics, dragged out from their context, look so wacky they end to be grotesque. Nonetheless, one of the strongest point of the movie are the characters themselves - Yamada in particular.

The plot is the weakest one, it doesn't really make sense and I ended up suspecting that some elements has been simply cut because they didn't fit in the run time.

However, I've seen this movie in Japanese with subtitles, so I really can't comment about the "witty dialogs" which are supposed to be another strong point.

This movie is occasionally entertaining, but fails to leave a mark: it reminded me somehow of "I Went Down" (1997), which is definitely more entertaining than this one, tough.

Kimie Shingyouji is amazing as is Tadanobu Asano and Shie Kohinata. Brilliant film, great performances. A quirky classic and a precursor to films such as Kill Bill, though the film was surely inspired by Pulp Fiction first.

Sharkskin Man... makes me want to go back to the French New Wave again. It is cinematic ally liberating, fresh yet retro, new and exciting.

Seijun Suzuki is another filmmaker that has accomplished something similar I think, with Pistol Opera, the re-make of his own "Branded to Kill," made 35 years prior.

Kohinata's performance is nothing short of perfect. She is a true star and I love her work. This film should be mandatory viewing.

I give Sharkshin Man and Peachhip Girl the highest rating possible for originality and entertainment value as well as a great ensemble cast and innovative script.

After reading the other comments, then actually seeing the film, it simply doesn't measure up.

The first 1/3 of the film is quite a blast, with nearly everything the reviews mention - fast editing and sassy dialogue, wacky characters and, for good measure, perhaps cinema history's shortest explicit sex scene (about four seconds).

But after this part, it loses most of its puff and all of its potential originality. A bit like getting on a rollercoaster, having a ripper ride, but the machine slowing to a crawl just before the first big dip, and crawling home slowly.

In conclusion, it does have good stuff, mostly at the beginning. Looks like it wanted to be a weird take on Pulp Fiction but got seriously lost.

Shark Skin man and Peach Hip girl is a quirky little film based on a short manga series. The premise is that shark skin man is on the run from a gang he was a part of after running off with a load of money. On his path he meets peach hip girl who has run away from the hotel owned by her awkward pervy uncle and they decide to run away together. The film its self is a mixture of dark Miike humour with many offbeat moments of awkward silences. The henchmen are very slapstick and cartoonish like in many manga adaptations. Unfortunately, it suffers from having so many characters as they appear quite 2-dimensional besides the two protagonists. I also found some of the scenes were poorly lit which was quite annoying and there wasn't much in the way of shootouts besides maybe two. What it fails in plot it makes up in humour not everyone will take to it but i found it quite fun to watch and it paces itself extremely well so avoids getting dull. so overall id say give it a watch at least once it's worth your time but its not as amazing as the hype says would benefit from a few sequels maybe. Violence 3/5 Plot 2/5 Humour 4/5 Acting 4/5 Music 3/5

A man called Samehada ("Shark Skin") steals some money from his Yakuza boss, and goes on the run. He crosses paths with a girl called Momojiri ("Peach Hip", or "Peach Ass" if you prefer) who is fleeing from a hotel manager who doesn't treat her well. They decide to throw their fortunes in together and try to escape the Yakuza and an assassin.

The credit sequence introduces you to the cast of the characters you are about to meet, and it was very worrying... so many characters, I thought "it's going to get real confusing", but this is not the case at all. Even though there are a lot of characters, each one is well developed and unique - no problem following who they are and what their relationships are. It's one hell of a set of characters too... "colourful" hardly seems sufficiently descriptive, but they are all brilliantly conceived and portrayed. The main focus of the movie is the interplay between all these characters, with lots of sharp and witty dialogue throughout, and a generally black humour in the situations they get into and the way they get out of them.

The movie is fast moving... very well paced in fact, and beautifully filmed & edited too. There's a little bit of violence, but nothing that's going the slightest concern to anybody who's seen some Kitano or Miike. Almost wholesome in fact

It's difficult to say what makes the movie so good - it's not really any one thing - it's basically just an all-round clever, funny and exceptionally well made movie. Recommended!