Antwone Fisher, un joven marino, se ve obligado a ver a un psiquiatra después de tener un violento arrebato contra un compañero de tripulación. Durante su tratamiento, se revela un pasado do... Leer todoAntwone Fisher, un joven marino, se ve obligado a ver a un psiquiatra después de tener un violento arrebato contra un compañero de tripulación. Durante su tratamiento, se revela un pasado doloroso y comienza una nueva esperanza.Antwone Fisher, un joven marino, se ve obligado a ver a un psiquiatra después de tener un violento arrebato contra un compañero de tripulación. Durante su tratamiento, se revela un pasado doloroso y comienza una nueva esperanza.
- Premios
- 19 premios ganados y 22 nominaciones en total
- Berta Davenport
- (as Salli Richardson)
- Kansas City
- (as Kenté Scott)
- Reverend Tate
- (as Ellis E. Williams)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Along the way he gets a girlfriend who helps him and encourages him to find himself, and search for his roots.
One of the coolest endings in a movie. I get teary-eyed every time.
AWESOME movie!!!
The film takes us on a journey of Luke's life, one marked by periods of intense loneliness and sadness while being driven by a constant search (an obsession) for family. It is through Luke's life that we learn that perseverance can carry us through the periods of darkness and eventually deliver some form of happiness
By counseling and befriending Luke, Washington enables him to deal with his lifelong sadness and move on. When the film wants to grab at your heart, it succeeds with good writing and convincing performances by Luke and Washington. In a graphic abuse scene from Luke's childhood, Washington artistically and gutterly insures that we not only empathize with Antwone, we personally experience his helplessness. This scene, which showcases Washington's directorial skill, places Luke in a full frontal position, trembling, with the whites of his eyes looking directly at the camera (the viewer). Anyone watching the screen can't help but be mesmerized by the abject fear in Luke's eyes.
As the film progresses, Washington, the director, introduces two minor twists to the plot. The first highlights Luke's reluctance to trust as he begins dating for the first time. This sub-point is purposeful and displays the infinite lingering effects of Luke's childhood on his adulthood. The second involves martial (family) problems within the psychiatrist's life which, while ironic, is never developed.
Much like his performance as a compassionate lawyer in Philadelphia, Denzel Washington's screen presence in Antwone Fisher commands our attention and emotions, leaving few dry eyes in the theater. This film's writing, direction and acting exposes our souls and grabs our hearts.
Denzel Washington directorial debut and the finished product have nothing to envy other films about the same theme by more accomplished directors. The film has a very professional look. It shows that Mr. Washington has learned a lot being on the other side of the camera. He brings a different angle to this film.
One of the best things the film has is, without a doubt, the fine performance by Derek Luke. He is an actor who, with the right guidance, will go far, no doubt. His take on the troubled young man, at this point of his life, in turmoil and suffering for a bad hand life, up to now, has dealt him, is very true. His Antwone is a fine portrait of a man in pain who is basically very good and has so much to give, but no one seems to see that side of his character.
At the worst time of his despair, Antwone is sent to Dr. Davenport, played by Mr. Washington, in a very sober, if somehow subdued manner. Because of the angst within Antwone, he misses the opportunity of opening himself to this man, who wants to help, but because of the constrains placed on his office, just have three sessions and then has to dismiss his patient.
Things work out, as Antwone is able to convince the doctor to keep on working with him. Antwone's past is revealed in detail. The abuse he suffers at the hands of Mrs. Tate, his foster mother, is brutal, to say the least. The attempt at the hand of an older woman in the Tate's household of a sexual molestation, gives Antwone a bitter taste that stays with him throughout his adult life, as he has been scarred by the shame he carries with him.
Antwone finds love at last with Cheryl, who is patient enough to make him see a different world by the love she and support she gives him.
The lead performances are very good indeed. Denzel Washington's Dr. Davenport has his own problems too. He is not a happy camper either. He can help Antwone, but he cannot help himself, or his relationship with an adoring wife.
The talent in the film is incredible. Joy Bryant makes a fine Cheryl. Novella Nelson, who is a fine actress is superb as Mrs. Tate, the abusing foster mother.
The reunion of Antwone with his unknown family is a bit too sugary and sentimental, but of course, if one is to believe that Fisher finds happiness at last, one has to accept that part of the film as well.
The story is really formidable and the overall cast is formidably impressive. The theme of redemption is solidly and beautifully expressed through the interaction of the characters. The flashback reminders of the tyrannically abusive past of young Antwoine work well to help explain the rage, lack of confidence and misbehavior of Antwone Fisher. The on screen chemistry between Washington's Dr. Davenport and Luke's Antwone, and between Antwone and Joy Bryant's Cheryl is captivating. Novella Nelson's Mrs. Tate is certainly a terror to meet. I was also impressed by young Cory Hodges' terrific performance. Overall, the cast presents their characters in a very believable manner. I find myself associating some of the characters with those from the writings of one of my favorite authors, James Baldwin. Unfortunately, with the exception of the Antwone, the D. Davenport and the Cheryl characters, many of the talented actors seem to ooze in and out of sight without solid positioning. I could sit and watch the melodrama of the last Thanksgiving scene over and over again.
The flow of events set forth the pace of behavioral and mental development of Antwone. They may seemingly appear as events flatly thrown in as mere excuses to show Antoine's faults, but succeeds in giving reasons and offering solutions to the problems faced by the Antwone character. I love the way they are presented, almost in a hurried pace as if to raise spontaneous questions in the audience's minds as they analyze the young sailor's attitude! The film does portray a sense of emotional parallel between Antwone and Davenport, both waiting for the correct moments to burst out with their hidden deep-rooted emotions. That `poem-reading' session is a definite highlight of the film. Derek Luke has a unique charismatic charm that will surely warm the hearts of many.
This is great family film that expounds on the battle of a man `under a rock' in his attempt to fight his internal demons. Yep, there are a lot of visual moments of traumatic pains and sufferings as there are many instances of emotional victories. And Mychaela Danna's music scores contribute wonderfully to the intensity of the moods of characters. Truly an inspirational film to watch! Thoroughly enjoyable!
Title (Brazil): 'Voltando a Viver' ('Returning to Live')
¿Sabías que…?
- TriviaAntwone Fisher was working as a security guard at Sony Studios. Studio executives began hearing about his life story and offered to buy the rights. But Fisher refused, insisting that he write the screenplay himself. Fisher wrote 41 drafts, until he sold it to 20th Century Fox.
- ErroresThe character of "Antwone Fisher" is shown reporting to his psychiatrist while on restriction. Any military personnel on restriction (or, confinement) is not allowed to wander freely from their assigned duty station while on restriction unless escorted by another person of a higher-ranking paygrade, including medical appointments.
- Citas
Antwone Fisher: It don't matter what you tried to do, you couldn't destroy me! I'm still standing! I'm still strong! And I always will be.
- Créditos curiososThanks to Commander, Navy Region Southwest; Commander, Naval Air Force, U.S. Pacific Fleet; Navy ships USS Tarawa (LHA-1), USS Belleauwood (LHA-3), USS Nimitz (CVN-68), USS Constellation (CV-64) USS Peleliu (LHA-5).
Selecciones populares
- How long is Antwone Fisher?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- También se conoce como
- El triunfo del espíritu
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 12,500,000 (estimado)
- Total en EE. UU. y Canadá
- USD 21,078,145
- Fin de semana de estreno en EE. UU. y Canadá
- USD 210,013
- 22 dic 2002
- Total a nivel mundial
- USD 23,367,586
- Tiempo de ejecución2 horas
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1