The Best Man

I was very impressed with The Best Man. As an avid moviegoer, this was the very first Black movie made in recent decades that was done right. As a first major endeavor for Malcolm Lee, my hat is off to him for portraying young, successful, upper-middle class African-Americans in a solid storyline that was at once heart-warming, funny, serious at times, but light at others. Overall... simply very well done. The character's development was executed eloquently and, at times so subtly, I nearly missed some things. The cinematography, costumes and sets were all as they should be: done with class.

This young, successful, upper-middle class African-American says thanks for finally doing it right.

This was the first time in as long as I can remember where the lead characters, though African-American and male, were not tragedies. No drugs, alcohol problems. Each man had a job, neigh a career. It really reminded me of my friends. I know someone that represents each of those characters. Not too long out of college and working our way towards "making it." It really sent the message that African-Americans are able to achieve without a rap video and we certainly don't all sell drugs. It was not a typical "black" movie. It was just a movie about a group of friends, irrespective of the color of their skin. We have brains and know how to use them. This is a more accurate representation of us anyway since what the media shows is a very small percentage. Great job, Spike!

Enjoyed film. Strong, young cast.

Touching at times. Hilarious at other times.

Well written story. Excellent first direction for Malcolm Lee.

Audience at TIFF reacted well to the film. The director was very gracious in responding to questions after the presentation.

Verrrry nice. I think this is the first good black movie I have seen that didn't need to be but simply was. Well-known, medium-powered Black actors and actresses in a movie that didn't focus on the Black experience. The BEST part... the whole movie was done with thought-out class. The story wasn't about brothers from the 'hood trying to make it in the White Man's world or some racially-charged Spike Lee joint. Think of a great episode of the Cosby Show re-written for an adult audience, bearing a PG-13 rating and you know how you'll feel when you leave the theater. It's about time.

The Best Man is a very entertaining romantic comedy. The ensemble cast clicks and clashes with one another at just the right moments. Taye Diggs's character, Harper, is charming and charismatic, but WHY would he write a book that causes pain to those close to him? Is it to enlighten his friends or to reveal his own frailties? Perhaps, a little of both.

There is a good mix of very funny and also intense emotional moments and the audience is captured; cheering some of the cast and hissing others. It's quite uncanny that transformation occurs for certain characters especially when it's needed. Terrence Howard's character, Quentin, is a prime example. At the beginning of the film Quentin is basically a guy who lacks direction and propriety in his behavior. Over the course of the film, he becomes the voice of wisdom and the glue that holds it together for those closest to him.

Malcolm Lee's directorial debut is quite admirable in this well paced, universally appealing film. Don't miss it.