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An almost completely satisfying 85 minutes; I'd have a hard time coming up with five minutes of the movie I'd like to see cut out. The movie starts off slow but intense, and gradually builds to fast and even more intense. Both leads are, of course, great. There are a lot of plot holes and logic jumps, but that's almost a given in a conspiracy-themed movie. Aside from that, there are really only a few small complaints to make; the action ending seems a little contrived. Some of the Foley work is pretty weak. A major character meets his/her demise in an extremely unsatisying manner. There's a couple of sloppy edits towards the end. The establishing shots are stolen from NYPD Blue. But really, when I'm so desperate for downsides that I'm nitpicking the EDITING, you know it's a great movie! Patrick Yau is well on his way to becoming one of the best directors in Hong Kong.

Tony Leung Chiu Wai is cast against type as the corrupt and violent Police officer in this Noir thriller. He gives his most deepest and powerful performance since playing the mentally tough protagonist of John Woo's Bullet in the Head(1990). In the tradition of the pessemistic noir pictures of the 1940s. A complex and thrilling story with surprising plot twists. Mixture of Martin Scorsese, Fernando Di Leo, John Woo, and Takeshi Kitano.

Another fabulous movie from Patrick Yau with his tight and taut direction. Has Patrick Yau done anything recent as it seems he hasn't done anything since Expect the Unexpected(1998). The most talented director from Hong Kong of the late 1990s. Involved in the production was Johnny To who is known for his dark and grim action and crime thrillers. The sequence in the warehouse is stunning.

Ching Wah Lau is terrific as the cool and enigmatic stranger. The whole gangster poltics in the movie echos the ideas of Martin Scorsese's mob flicks and Fernando Di Leo's Italian Crime movies especially Il Boss/The Boss(1973). The gunbattle between Tony Leung Chiu Wai and Ching Wah Lau reminds me of the best of John Woo. The final scene reminds me a lot of the final sequence from the Takeshi Kitano movie, Violent Cop(1989). The Longest Nite(1997) is more closer in tone to Takeshi Kitano than John Woo.

Lau Ching-Wan continues to amaze me with his transformations into his character. This was a great acting vehicle for both Lau Ching-Wan and Tony Leung. The story was good, and the direction was tightly wound and suspenseful. Unfortunately, all the tension unravels into an extremely unsatisfying ending.

The Longest Nite follows Tony Leung as a corrupt detective struggling to keep his head above water when he ends up caught in a crossfire between two gang rivalries. Meanwhile a mystery begins to unravel where Leung faces some serious career-ending dangers in which he must take specific actions to avoid. Lau Ching Wan plays a riddle in an enigma who hides in the shadows to conduct and puppeteer the actions of many other characters. Leung is consequently one of many mice who must compete to stay alive through what might possibly be "the longest night" of his life. This is a very strongly written thriller with moody cinematography throughout the nighttime streets of Hong Kong, an excellent film of Johnnie To's one of his best. The performances by Leung and Lau are great as well they really make great adversaries like you'd expect from the cover. Although the reason I don't rate this thriller higher are some erratic moments of absurd bloodshed which are almost comical in execution. "R-rated Looney Tunes styled death sequences". They only last but seconds, regardless they were enough to take me out of the film. Another detractor is the sense of limited closure on specific characters which I would have liked to see more development on in the conclusion. Besides a few minor complaints I still love this movie, and will enjoy watching it again. -8/10

Pic probably tops all Hongkong films in presenting triad warfare intrigue, and the horror and intricacy of a well-oiled set-up. The scripter and director weave a clever interlocking plot complete with tense and heart-stopping atmospherics. Tony Leung's bad cop performance is a class on its own, particularly when he finds out that he's been set up and is now in an untenable situation. But pic's originality is in the end let down by the final shoot out in a dilapidated warehouse, which is both shop-worn and pretentious.