El señor de los anillos: El retorno del rey
Gandalf y Aragorn lideran el Mundo de los hombres, e intentarán atraer la atención de Sauron para darle a Frodo la última oportunidad de completar su misión y así tratar de evitar sucumbir a... Leer todoGandalf y Aragorn lideran el Mundo de los hombres, e intentarán atraer la atención de Sauron para darle a Frodo la última oportunidad de completar su misión y así tratar de evitar sucumbir a las continuas tentaciones del Anillo.Gandalf y Aragorn lideran el Mundo de los hombres, e intentarán atraer la atención de Sauron para darle a Frodo la última oportunidad de completar su misión y así tratar de evitar sucumbir a las continuas tentaciones del Anillo.
- Dirección
- Guionistas
- Elenco
- Ganó 11 premios Óscar
- 215 premios ganados y 124 nominaciones en total
- Elanor Gamgee
- (as Alexandra Astin)
Resumen
Opiniones destacadas
"Return of the King" is 4 hours of payoff, a third act in a gigantic epic rather than a mere film of its own. As such it is intensely dramatic and dynamic and you can very much sense that though peter Jackson spared no effort on the previous episodes, this is clearly his favorite. the film floats by at a thunderous pace, taking us through unforgettable moments such as the battle of Minas Tirith itself, a marvel of seamless animation and epic film-making, it demands to be seen, as it has too many jaw-dropping moments to choose from. The quieter character moments keep gaining in potency and the full weight of the stakes and their heartbreaking consequences is never in doubt.
The cast of these films have played their parts to perfection and again Jackson deserves overall credit for choosing actors that so perfectly match Tlolkien's creations: Ian McKellen and Christopher Lee are their own usually excellent selves, and the hobbits remain endearing, but of all the uniformly great cast, the true standouts are Viggo Mortensen and David Wenham as the tragic Faramir, whose relationship with his brutish father is the most traumatic of the film. Jackson pushes them even further by having them sing at a few key moments (a practice employed to powerful effect by Tolkien in the books), a daring undertaking that works wonders. And though he may offer one ending too many, he does have the decency to show off each surviving character with the appropriate screen time and respect.
Now that the trilogy is complete, it can be viewed as one big film, as it should be. After 8 years, Jackson has done the impossible: he has taken Tolkien's huge legend and made films that stand on their own and have revolutionized film-making, setting the new benchmark for cinematic epics. Changes have been made to Tolkien's source novels, but they make for better, more fluid films, more faithful in spirit to Tolkien's myth than anyone had the right to hope for.
A masterpiece, whether as part of a bigger whole or on its own. Well deserving of all the high praise thrown at it, and then some...
Return of the King is the greatest of the Tolkien trilogy by New Zealand director Peter Jackson. Although I've seen the other two and read the book, I felt it would also stand alone well enough for people who hadn't done either.
The storytelling is much more professional that the first one - which maybe laboured to introduce so much information - or the second one - which has little let up from the tension of long battle scenes. In Return of the King, there is an emotional sting at the start, as we watch the transformation of Gollum from warm, fun-loving guy to murderous, mutated wretch. The movie then moves deftly between different segments of the story - the sadness of the lovely soft-focus Liv Tyler as fated Arwen whose travails and woman's love succeeds in having the Sword that was Broken mended, the comradeship of Sam and Frodo (Sean Astin & Elijah Wood) that is tested to the limits, the strong commanding presence of Gandalf (Ian McKellen) who keeps an eye on things whilst turning in an Oscar-worthy performance, the ingenious and very varied battle scenes, and the mythical cities of that rise out of the screen and provide key plot elements.
This is a fairy story of human endeavour, the defeating of power cliques and the triumph of the human spirit that could almost be compared to Wagner's Gotterdammerung. It is a fairy story without any sugary sweetness, a fairy story the likes of which hasn't been told so well before, and is even unlikely to be done so well in the future. The haunting scream of the Nasgul stays with you, the physical attractions are not airbrushed, and the battles are about as far from pantomime characters waving wooden swords as you can get. The ingenious monsters keep you on the edge of your seat. The whole narrative maintains the spirit (if not archival, detailed accuracy) of the original and makes you want to read the book (or read the book again!)
The worst I can say about it is that it is maybe a tad long - but not that you'd notice . . .
After the armies of Isengard have been defeated due to an allegiance between Theoden (Bernard Hill), the king of Rohan, and the elves, the main threat to middle earth is now concentrated in the kingdom of Mordor, controlled by the dark lord Sauron. Sauron has turned his eye towards the realm of Gondor, the last free kingdom of men, and the wizard Gandalf (Ian McKellan) must warn Denethor (John Noble), Steward of Gondor of the impending attack, while Aragorn (Viggo Mortenson), heir to the throne of Gondor, and Theoden gather men to aid against the armies of Mordor. The dark lord Sauron needs only to regain the one ring of power to conquer all of middle earth, and two hobbits, Frodo (Elijah Wood) the ring-bearer and Sam (Sean Astin), must continue their journey, directed by Gollum, to Mount Doom, the only place where the ring can be destroyed. Got all that? If not, you need to bone up on your `Lord of the Rings' before expecting to follow this film.
Since all three epics were filmed simultaneously, each individually has the feel of being part of a larger picture - except for this one. `The Return of the King' is just too big, the most epic of a set of epic films. Now that director Peter Jackson has brilliantly constructed the characters and plotlines throughout the first two films, he puts them to use.
All of the characters have their best moments within this film. The pair of mischievous hobbits, Merry (Dominic Monaghan) and Pippin (Billy Boyd), are no longer the tree ornaments they were from `Two Towers,' but are split-up, and take their characters in completely new directions. Aragorn, played with an unmatched sense of honor by Viggo Mortenson, is about to meet his destiny as the future king of all men, while Andy Serkis continues his expert portrayal of Gollum (Serkis' provided not only the voice of Gollum, but also assisted during production by acting out the scenes of the computer-generated character with his fellow actors).
However, the real acting triumph of the film is Elijah Wood as Frodo Baggins. He continues his descent into corruption with an incredible talent that many could not pull off. Wood's performance is so critical to the film because it determines the ring's power to corrupt, which, needless to say, is absolute.
The first two films established Jackson as an incredible visionary, shooting vast landscapes from his native New Zealand. With `Return of the King,' Jackson really gets a chance to show off. With, hands down, the most beautiful visuals of the trilogy, Jackson makes `Return of the King' a gorgeous feast for the eyes, while never resorting to McG level over-the-topness. Jackson stays very grounded in his characters, not letting the effects tell the story, but only assist the wonderful dialogue and characters. Think of `Return' as a mix of `Fellowship' and `Two Towers,' with enough action and character development worthy of ending a film event of this magnitude.
The bottom line, fans of the films will not be disappointed. Hardcore Tolkien lovers might be upset by plot changes and interpretations made by Jackson and the other writers, however, it is unrealistic to expect a completely true adaptation of the novels, being that film is an entirely different medium. Despite the alterations, Jackson consistently stays true to the major themes and ideas from the original text, while adding some of the finest filmmaking ever put to screen. `The Lord of the Rings: The Return of the King' is one of the most finely tuned and cinematically perfect films ever made. Not only the best of the trilogy, but a crowning achievement in epic filmmaking.
My only slight disappointment is the ending, it does feel overlong and bloated for me, almost as if there was more than one ending filmed. That said, what does make the ending at least watchable for me is the way it is shot, the marvellous score and the performance of Gollum.
Despite this minor discrepancy, Return of the King is extremely good and in my view one of the better Best Picture winners last decade. Peter Jackson's direction is very impressive here, and the scope is massive and just dazzling to watch. All three films of the trilogy are very well made, but Return of the King defines the term epic. The cinematography is mind-blowing, the scenery is superb, the costumes and make-up are well tailored, the effects are superb and don't distract too much and the lighting is authentic.
The score is phenomenal. Fellowship of the Ring had some ethereal, rousing, haunting and charming themes, whereas Two Towers was somewhat darker and more complex. Return of the King merges these together and the result is a perfect mixture of charm, darkness, etherality and complexity. The story is compelling with themes of friendship, strength and loyalty, the screenplay is well-written and literate and while the film is very long the three hours or so fly by seamlessly. The characters are engaging, Aragorn is even more interesting here than he is in the previous films while Gollum continues to steal every scene he appears in.
The acting is very good. Orlando Bloom(who I can find dashing yet uncharismatic and bland) and John Rhys-Davies are given less to do but do carry their parts very well, and Elijah Wood is likable enough. Sean Astin captures Sam perfectly and provides the heart of the picture, and Viggo Mortenssen is at his charismatic best here. Ian McKellen is perfectly cast, while the design of Gollum is still superb and Andy Serkis is equally phenomenal. I was slightly disappointed by the lack of any Sarauman, but I was more than I was satisfied with the final result.
All in all, an outstanding entry to a great trilogy. 10/10 Bethany Cox
Oscars Best Picture Winners, Ranked
Oscars Best Picture Winners, Ranked
¿Sabías que…?
- TriviaSince John Rhys-Davies suffered constant rashes from wearing the Gimli make-up, the make-up department gave him the opportunity to throw his Gimli mask into the fire on his last day of pick-up photography. He didn't hesitate a moment to grab and burn it.
- ErroresWhen Denethor catches fire, he is in the Hallows of Minas Tirith, yet he plummets off the prow of the city, which is "... about a mile..." away. Peter Jackson admitted this in the DVD commentary.
- Citas
Aragorn: Hold your ground, hold your ground! Sons of Gondor, of Rohan, my brothers! I see in your eyes the same fear that would take the heart of me. A day may come when the courage of men fails, when we forsake our friends and break all bonds of fellowship, but it is not this day. An hour of wolves and shattered shields, when the age of men comes crashing down! But it is not this day! This day we fight! By all that you hold dear on this good Earth, I bid you *stand, Men of the West!*
- Créditos curiososAt the end of the credits, a very long list of names from the Lord of the Rings Fan Club whom the authors want to thank to is displayed. The name of Elijah Wood is in that list.
- Versiones alternativasThere are four versions available. Runtimes are: 1) "3h 21m (201 min)"--the original theatrical release; 2) "4h 23m (263 min) (Blu-Ray Extended Edition)"; 3) "4h 14m (254 min) (Special DVD Extended Edition)"; 4) "3h 12m (192 min) (DVD Widescreen Edition)".
- ConexionesEdited from El señor de los anillos: La comunidad del anillo (2001)
- Bandas sonorasInto the West
Words and Music by Howard Shore, Fran Walsh, and Annie Lennox
Performed by Annie Lennox
Annie Lennox appears courtesy of BMG Ariola Munchen GmbH
Selecciones populares
- How long is The Lord of the Rings: The Return of the King?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idiomas
- También se conoce como
- The Lord of the Rings: The Return of the King
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 94,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 381,878,219
- Fin de semana de estreno en EE. UU. y Canadá
- USD 72,629,713
- 21 dic 2003
- Total a nivel mundial
- USD 1,138,585,547
- Tiempo de ejecución3 horas 21 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1