Shiryô no wana

Very very minor spoiler.

Plot summary: A TV crew get lured to a disused military installation and get stalked by….a killer.

After being introduced to Ikeda-san's work by his abysmal 2001 effort "Shadow of the Wraith" I had zero expectations for this, especially after I found out he also directed one of the later Meiko Kaji-less instalments of the "Female Prisoner Scorpion" series.

How surprised I was then, to see just what a solid film "Evil Dead Trap" is. The film certainly doesn't mess around; introducing the characters and setting up the plot in about fifteen minutes, all perfectly spliced around a videotaped Fulci-esquire eye slicing scene. The plot, initially owing much to Videodrome, takes a back seat as the TV crew get down to the business of walking backwards, running further into darkened warehouses when they should be going outside and having sex when they should be watching out for the psychopathic knife-wielder.

The ripped off plot and horror clichés aside, the film scores its points with an array of violent, gruesome and inventive deaths, with an abundance of blood, nudity and maggots. Whenever I thought the film was regressing into conventionality, it always surprised me by turning back on itself, usually with an aforementioned brutal killing. However the ending was what most shocked me; what seemed to be a conventional explanation for the "mystery" of the killer eventually culminated in a horrific gorefest that probably got David Cronenberg wondering if he'd misplaced a script.

This is mainstream 80s J-horror at its best, taking influence from the greats such as Cronenberg and Fulci. It makes up for its shortcomings with a shocking amount of violence and gore, the occasional graphic sex scene and a brilliant conclusion.

A must for all gorehounds and horror fanatics.

SPOILERS

Nami Tsuchiya is an ambitious young reporter who hosts a late night public access show. One day she returns to her office to find a mysterious tape sitting on her desk. She watches it only to see the directions to an abandoned factory where someone kills a young woman. Nami recruits several friends to go to the factory in effort to finally get the news story she's been needing to become famous. Once they arrive at the factory someone, or something, systematically picks off all of Nami's friends without mercy in a game of cat and mouse. Nami then meets a mysterious stranger that claims to be looking for his brother and knows the way out of the maze-like factory.

The first half of this film is outstanding. The gore is great, the plot is great and the pacing is great, but then after all of Nami's friends are killed and she meets the stranger the pacing just sort of dies up until the climax. It goes from being one of the best horror movies I've ever seen into a film that becomes, well, boring. There are several long sequences, of like three or four consecutive minutes, where we just have Nami walking around in a field sulking over her dead friends. I rarely say this, but The Evil Dead Trap would have really benefited by cutting about ten minutes off the runtime. Then it picks back up at the end for a rather twisted ending very reminiscent of the work of Larry Cohen, in sort of a mix between It's Alive and God Told Me To.

As I mentioned, the gore in this film is excellent. The opening murder scene features an example of eyeball violence and brutal close-ups that rival even the best of Fulci. As soon as the television crew arrives to the factory you get the feeling of a great 1980s slasher film, containing both spine chilling suspense and good gore once the killer makes his move.

Overall this was a great film surrounded by a decent amount of material that didn't need to be there. Had the pacing of the whole film been what it was in the first half then this would go down among my all time favorites, however it gets too dull and pointless to earn that honor. Instead, in my opinion it goes down as a good slasher film that I am glad I purchased but didn't live up to my expectations.

MY GRADE: B

Now before you ask that question, this is NOT associated with the Sam Raimi classics. This is a pretty whacked Japanese horror movie of evil monster fetuses with bad attitudes. Not a really outstanding movie by any means, but I kept feeling like I was watching an older Italian slasher flick, especially with the GOBLIN-esque musical soundtrack pumping in at the action sequences. If you've ever seen any of Dario Argento's impressive horror movies, then you'll know exactly what the impression is I'm referring to. I also kept thinking to myself that there's just something strangely odd about the girls in this flick. And come to find out, they were actual AV Idol Pornstars. WOW! Japanese pornstars in a horror movie getting naked and getting "offed" in glorious deep red ways...Well, it makes this worth the money already!

Sure, the soundtrack borrows from Goblin, the ending is pretty nonsensical, and there ain't much plot, but it's definitely one of the best slashers I've seen. There's a lot of good camera work, plus some of the goriest, most brutal kill scenes ever. The eyeball bit makes me squirm every time. The film takes a turn for the worse at the end when a supernatural element is introduced, but I just laugh.

Gorehounds will appreciate the bloody kills, but this is purely an exercise in style over substance. Enjoyable cult movie if you're in the right frame of mind...

If Dario Argento, David Cronenberg, and Lucio Fulci had gotten together to create a horror movie then this is what the result might me. Shiryo no Wana/Evil Dead Trap(1988) would be responsible for ushering a new era in Japanese horror that would become big during the 1990's and early 21th Century. This is one of the films that help make Japan the top foreign market of horror features. Its about a reporter who goes to investigate an empty warehouse after receiving a snuff film. It has nothing to do the Evil Dead movies except for a few camera effects. The first half of the movie is in the tradition of Dario Argento and Lucio Fulci. The second half dives into Cronenberg territory.

Toshiharu Ikeda emerages from the feature film as one of the best directors of the Japanese gene film. Shiryo no wana(1988) is a mixture of European style and Japanese Philosophy. There are four scenes that stand out. First, the murder and torture scene at the beginning of the feature. Second, the murder of the young woman by impalement. Third, the revelation of the murderer and the secret that the person contains. Fourth, the shocking ending.

The death scenes have the elaboration of an Argento murder sequence with the gory and violent outcome from a Lucio Fulci movie. This is the best film that David Cronenberg never made. I wonder how long it will take before Hollywood will remake this into a waterdown American version. The film is a Japanese take on Argento's Profondo Rosso/Deep Red(1975) and Opera(1987). The eye violence seen at the beginning of the movie recalls the infamous eye penetration sequence of Lucio Fulci's Zombie(1979). Some parts of this motion picture echoes David Cronenberg's Shivers(1975), The Brood(1979), and Videodrome(1981). Shiryo no wana(1988) is an example of why horror films from aboard are superior to most horror films made in America.

What I enjoyed about Evil Dead Trap are the awesome camera movements, cool visuals, and heavy atmosphere. It was written by Takashi Ishii who would later direct the "Beat" Takeshi Yakuza vehical Gonin(1995). This is probably the film that opened the floodgates for such features as The Wizard of Darkness(1992), The Ring(1998), and The Ring 2(1999). I have a feeling that Kevin Williamson must have seen this movie when writing I Know What You Did Last Summer(1997). The outlook of the killer looks as if it would play a major influence on the appearence of the fisherman from IKWYDLS. Its a Japanese giallo with supernatural overtunes. The film also deals with the relationship between Parents and their children in Japanese culture.