No Lady

Contrary to the previous review Lupino Lane was very much a film star.He made 76 films,the majority in Hollywood.He appeared in The Love Parade for Ernst Lubitsch.He gave up making films because he preferred the stage.In 1939 he scored his biggest ever hit with Me and My Girl.The first 16 minutes are quite funny.Lane with domestic strife with his wife and stepchildren.The scene then switches to Blackpool,where there is a lot of location shooting,a lot of it shot silent.The rather silly plot involving Sari Maitza then comes into play.However the best parts of this film are the silent sections where clearly his expertise as a silent screen performer and director came into play.There is a sequence where he is on a folder which is as poor a process as you will ever see.

A very early British talkie (hence poor sound quality but on the version I saw on TPTV there is sound all the way through). Starring the talented Lupino Lane - a master of timing and slapstick. What elevates it above many comedies of the period is the amount of external shots (of Blackpool) at the beginning of the 1930's - not just a lot of cheap interior sets with two dimensional acting. The actors show carryover influence of both silent movies and theatrical stage. The baddies are stereotypical in the extreme and come from a fictional European country with silly hand signals as greetings - two years before Hitler came to power. There must have been a reasonable budget given the number of actors and dancers involved even if some were roped in holidaymakers. It isn't very sophisticated, especially the dance routines, but you can see why audiences enjoyed it at the time. Basically a comedy with some good touches, not to be taken too seriously and in context, and a fascinating view of Blackpool.

There just may be some (very) senior citizens still alive in Blackpool who remember the film crew at large on the front making this zany comedy (described by Rachel Low as a "badly directed, under-rehearsed and distasteful film") that for much of it's running time looks like (and probably is) a silent film with an effects track rather than a true talkie.

The enemy agents our hero tangles with come from a foreign country called Ptomania, pronounced the same way as the country Adenoid Hynkel later became the great dictator of.

"Pog" (Lupino Lane) is the rather hen-pecked patriarch of a family who heads off to the seaside with his wife and offspring for their annual summer holiday. Once there, he is mistaken for a criminal mastermind and is soon embroiled in the nefarious activities of a gang of spies and crooks. Can he extricate himself from their dastardly schemes? Essentially, this is vehicle for a stage and silent film star who looks completely ill-at-ease in front of a camera into which, this time, he is expected to speak. The drama itself is the thinnest and the familial malarkey with wife (Lola Hunt) and the celebration of Britons on deckchairs wearing bowler hats eating ice cream comes across more scathing than ridiculous. There's some room for a bit of uncomplicated drag, and even some aeronautical antics at the end but this is really only watchable now as a curio of what we watched almost a century ago, what made us laugh and who tickled our fancy.

Just watched No Lady on Talking Pictures and I must confess that I enjoyed it. True the story is silly but the film was far better than I expected. There was little evidence that it was made just four years into the talkies and Lupino Lane was a superb acrobatic comedian. This production did him justice.