The Love Letter

Aside from the fact that this movie was filmed mostly in Rockport MA, which is a beautiful town where my mother once rented a small storefront and I spent many a pleasant summer as a child, it is fun and cute little film.

I must admit that I had no desire to actually see this movie even though I have a weakspot for romantic comedies (I don't know why). The trailers I saw were not appealing, the cast did not look that interesting and I had no idea what the plot would be about. In the end I found it to be an interesting meditation on relationships and family. I thoroughly enjoyed myself and must admit that I thought that this film was one of the most overlooked gems of last year. I am disappointed that so few people seemed to have enjoyed the very "human-ness" that this movie presented the viewer with.

I have read many bad reviews of this film, and must admit a certain level of shock at the cynicism that is prevalent in them. As a grad student I consider myself to be quite cynical, but this was a beautiful little film that deserves much better than it got.

'The Love Letter' is quite a gentle breezy sort of romantic comedy- drama. It's about opportunities that are missed because people aren't more forward about their feelings. The humour isn't wacky like in most American films. Assuming the director's seat, Chan does quite a good job of portraying the small dockside town and introducing its quirky characters. The story interestingly intertwines the lives of the characters through a love letter. The dialogues are pleasant and the acting is quite good. Kate Capshaw does a good job of carrying the film and maintains a good chemistry with her co-stars. Tom Everett Scott fits the part.It was odd to see Danner play Capshaw's mother because the age difference did not seem believable enough. Tom Selleck was alright. Ellen Degeneres and Geraldine McEwan are scene stealers. In addition, I was amazed by the whimsical soundtrack that flows beautifully with the film, pumping some energy into it and would work well as a standalone score. IU felt the film would have benefited more had their been more comedic situations. At times it gets too serious and that needed to be toned down a little. I liked how it ended without showing the two lovers kissing (as has been evident in x number of rom-coms) but instead suggesting a promising future for them together. 'The Love Letter' was a pleasant watch, a kind of slice of life film.

Helen (Kate Capshaw) owns a bookstore in the sleepy, coastal town of Loblolly by the Sea. Divorced, Helen has a young daughter who is going to camp for the summer, giving mother a bit more freedom. Working at Helen's store are the manager, Janet (Ellen DeGeneres), a man-crazy village-gossip girl who has eyes for the handsome fireman, George (Tom Selleck), and two young college students, Jennifer (Julianne Nicholson) and Johnny (Tom Everett Scott). One day, Helen stumbles across a romantic, tender love letter and she suspects that Johnny has written it for her. Throwing caution to the wind, Helen and Johnny begin a small-time "thing". But, the letter subsequently lands in others' hands, including Janet's, who thinks George has sent it to her, and Johnny's, who imagines Helen has penned it for him. And, on and on the letter goes. But, in truth, George possibly has eyes for Helen and Jennifer has fallen hard for Johnny. The town's museum curator, too, may have a secret love. Will tangled affairs like these ever straighten themselves out? This is a cute movie with a gorgeous setting and capable stars. Each of the main actors gives a pleasing performance, including the addition of Blythe Danner and Gloria Stuart to those mentioned previously. Then, too, the coastal scenery is most lovely, the costumes quite well-chosen, and the photography very nice indeed. There are a few surprises, including a subtle gay plot development, which may not please all viewers. But, for those who love romantic comedies, this one should be included on any list of good choices for the genre.

An exceptionally well-done film. Not Hollywood-ish, thus some mixed reviews. But I've viewed this 4 or 5 times, and love it. The editing and pacing are unusually synced to produce the feel of a special film. the music is a big plus. This is a gem to recommend to people who love good film, not those who want yet another blockbuster. Allow yourself the time and focus to move to the same pace, and you'll be rewarded. And the fact that the locus is a bookshop, the home of books which are similarly low-tech and rewarding is a fine match

Wow! I'm surprised to see so many negative and lukewarm opinions on this movie, which I had never heard of (apparently it was not highly promoted by the studio) but which I luckily stumbled upon on an international flight. I so thoroughly enjoyed it that now I'm interested in more by director Peter Chan and screenwriter Maria Maggenti. I did not know there was a book, either, but I've made a note of it for future reading, too.

I admit I feel a bit defensive now, in the face of the other comments here on IMDB. So, what did I like and why did I like it? First of all, unlike some other viewers, I thought the movie WAS very funny. It takes sort of a Steve-Martinesque view of the tender absurdity of humans and their feelings about each other (OK, OK, I just saw a stage production of Picasso at the Lapin Agile, and the tone reminded me somewhat of this). Although there is physical humor, too, what I liked most were light touches, like how Ellen DeGeneres' character instantly, wordlessly went back to working for her boss (played by Kate Capshaw) as soon as she got the apology she felt she deserved -- after insisting with great finality that it was all over.

I also felt this film was a celebration of the beautiful but almost lunatic breadth and diversity of the kinds of feelings we group together under the heading of "love": everything from young (and older) wide-eyed lust, to slow steady enduring commitment. As well as friendships, coworker relationships like the one just mentioned, family bonds . . . the list goes on.

Most of all, I guess I appreciated the fond, loving tone of the movie. The artists seem really to like, and love, people. Yes, there ARE quite a few characters, and they're all different ages and different sexes, they're about different trials and tribulations, but they're all treated with light-hearted love and respect, for the sometimes silly but vulnerable beings we all are.

So, if YOU like people, I think you'd like this movie.