The Caesars

I don't agree with the previous comments comparing The Caesars and I Claudius. Both series are masterpieces of casting, interpretation,dialogs and filming.

Someone referred to Suetonius "12 Caesars" and seems to believe that this work , I read, is a reliable source on the way Rome was administered at that time.

I will try to translate as closely as possible what is said in Wikipedia's French article concerning the Roman writer:

"The amount of archives consulted by Suetonius is often a matter of discussion and generally considered less important than believed, says Andrew Wallace-Hadrill and Luc de Coninck.

Suetonius bears very little interest to the history and administration of th Empire; he is interested in the acts and personalities of the Caesars and particularly in their vices and misbehavior; this lead commentators to consider Suetonius, as stated by Alexis Pierron, to be an anteroom pedlar! Of reporting rumors which authenticity were often dubious.

As Pierron said,"Suetonius was listening behind doors but did not hear carefully what was said"...

I will say personally that I would consider him as the people magazine writer of that time. Interesting but unreliable.

In conclusion it is impossible for us to this day to be certain of the facts as well as of a great part of the historical events which are presented in full details in both series. We should not consider both series as historical testimonials.

They are just fantastic playwrights, beautifully brought to the screen, each with the means and possibilities of Television of their times of shooting. Color Television in 68 was at its debut with an American standard which deficiencies was so obvious that the NTSC acronym was translated as "Never The Same Color"!!! Probably today if a new version was made, it would put the accent on special effects,sex and violence not to say gore as it seems to be the dangerous habit of our XXIst century.

I will buy the 68 edition hoping that the DVD has a better quality than the youtube version I've just watched.

I shall assimilate this version to the fantastic Shakespearian broadcasts of the BBC of the same period. Actors of superb diction, not overplaying and punching you through the screen with their unsurpassed talent!

I rarely give any production 10 out of 10 but this series, made in black and white in the 1960s, believed lost for many years, deserves it. 'The Caesars' focuses mainly on the reigns of two Roman Emperors, Tiberius (Andre Morell) and Caligula (Ralph Bates), although it touches on others along the way (Claudius, an excellent performance of someone playing the fool for survival from Freddie Jones; a regal Augustus; a vain Sejanus; and a foolish Germanicus) to make up the six episodes. Female characters also register strongly, with performances coming through clearly from the likes of Caroline Blakiston and Nicola Pagett.

A script of power, superlative acting, restrained depiction of reigns of terror (compare this Caligula with the one enacted by Malcolm McDowell in the 1970s film) makes this series still watchable without it having been dated. The end of the episode 'Sejanus' is excellent and extremely moving, and the standard remains high throughout the whole of the series.

Welcome to DVD and well worth watching.

I've just seen this on DVD and it is a superb telling of the early days of the Roman Empire. We arrive at the conclusion of the reign of Augustus and focus on the rules of Tiberius (André Morell) and of his insane megalomanic nephew Caligula (Ralph Bates). Sonia Dresdel is suitably imperious as Augustus' wife Livia and Freddie Jones stands out too, as the supposed halfwit Claudius. I think it rather pointless comparing this series (6 hours & monochrome) with the later adaptation of Robert Graves' "I Claudius" books by the BBC (12 hours & colour) that covers a similar territory, but this is certainly well worth watching in it's own right even if the production is really rather stilted and theatrical - the lighting could have done with some extra wattage too! It is still a fascinating, intelligent, review of the glory, ignominy and megalomania at the top of the Roman World at the start of the rule of the Caesars.

The only reason it is I Claudius, and not The Caesars, that people remember and fawn over today is The Caesars is in black and white and did not get nearly as much hype in its day.

It is a damn shame, as The Caesars is a superior show to I Claudius, from the acting to the choice of actors, to the portrayal of the main characters, it is simply far better.

Augustus, Tiberius, Germanicus, Claudius and Caligula are excellently portrayed here as believable human beings, with human motives, not like the tiresome 2d grotesques and borderline psychotics in I Claudius. Tiberius's character especially moved me.

If only it had been made in colour, it would be vastly more known and have the respect that is due to this wonderful show.

Instead of remaking, I Claudius, THIS should be remade with the same script. It is miles ahead.

Buy it or steal it, you are missing out.

I've seen both the 1968 and 1977 versions of the life of the Caesars and there is no doubt in my mind that the earlier version is superior. A great song and dance was made at the time, about the 1977 version, but it has several historical inaccuracies and it didn't pack the same punch nor contain the same intensity of feeling/quality of acting, as the '68 version.

There were many moments that moved me very deeply in the '68 production. The scene where the new Commander of the Guard: Macro, was breaking the news to Tiberius after the trial and death of Sejanus, was to me, the most painful and wonderful scene of all. Tiberius (Andre Morell) is seated, and Macro is stood before him, informing him that Livilla & Sejanus had poisoned Castor, Tiberius' only son, to help secure Lavilla's own son's (Gemellus')procession to the throne. I was literally shaking and almost in tears, at Mr Morell's powerful acting and at the sheer emotional intensity and power of the scene. Mr Morell's performance, undoubtedly, brought out the best in the supporting cast, because they all seemed to be extraordinarily involved and emotionally affected. This is acting at its best.

The murders of Posthumus, Germanicus and Drusus were deftly handled, especially Germanicus' poisoning at the hands of "that witch, Plancina".

John Hurt's Caligula was very different to that of Ralph Bates, who tragically left us at the age of 51 in 1991. The part where Caligula (Bates)says that he makes love to the moon, was. to me, most revealing about Caligula's vulnerability, madness and general inability to cope with the demands made on him as emperor; being irrational, weak, helplessly hedonistic, narcissistic and ineffectual, one can hardly hope to hang on to the highest office! With Mr Bates' performance, Caligula's deranged character seemed to grow organically, from the moment he becomes emperor, being relatively "normal" at Tiberius' dinners, for example, to monstrously grotesque, vicious, volatile, manicically out of control and highly sadistic by the time he is killed by the guards. Mr Hurt doesn't look quite right from the start, indeed, we see the young Caligula setting fire to the house at about the age of 10. This implies that Caligula's unbalanced temperament and character were embryonically at fault and that he simply went from bad to worse. Mr Bates' interpretation suggests that it was absolute power, which he couldn't handle on becoming emperor; both these psychologival profiles are of course, tragic, but in very different ways.

I really enjoyed the exchanges between Tiberius and his mother: the ageing Livia, with cut-glass English accents and first-rate acting.

I would advise and recommend, that anyone interested in this period of history, should first make the effort to watch the '68 production. It's only by doing this, will you see just how lacking the 1977 version is.