Cuando El Cielo Cae

From the opening scenes this film brought back the memories of shocking headlines from the recent past through which we have lived. Fictionalised maybe, but very close to the reality. Each scene struck home. These were our headlines. This was Dublin in the grip of drug barons. This is how it was. A wonderful cast brought it all to life again. If I have a minus note it is that the names were changed. I wonder why, but I suppose there may have been legal reasons. We in Dublin know the real names. The criminlas are now behind bars. This is a story of our time. It should be compulsory viewing for all. For the lawless that they be warned. For the lawful that they may never forget. It was a great American who said that the price of freedom is eternal vigilance!

'When The Sky Falls' is one of those violent, hard-hitting films that the UK does so well on TV. And indeed this feels like it should have been a 4-hour miniseries, not a 2-hour film. The subject matter is fascinating, the acting excellent and the themes raised very potent.

Problem is, 'When The Sky Falls' can't seem to make up its mind whether it wants to be a straight thriller, a celebration of one woman's triumph or an examination of the aftermath (or continuation) of the Troubles in Ireland. Given a longer duration it could deal with all the matters effectively, not leave the viewer gasping for breath as he tries to unravel all the various elements of the complex plot. The film is also cursed with the kind of weak, rather dull ending often associated with 'true-life' movies; and the sickening violence seems somehow out of place in so serious a project.

All this aside, 'When The Sky Falls' is a gripping, intriguing piece of drama; it's just not half the film it could have been.

(2000) When The Sky Falls THRILLER/ DRAMA

Initially a made-for-TV movie, now available on DVD starring Joan Allen as Irish crime-investigating reporter Sinead Hamilton, investigating the death of a person named Martin Shaughnessy, and his connection to the IRA as well as other unethical practices regarding drugs being sold to minor children. Although, it's based on an actual person, at least 75% of the movie has been fabricated, particularly the scenes how some of Dublin's police are being treated by the criminal public. In this movie, people can be assaulted and still get away with it, since it's the ridiculous my-word-against-yours sort of thing. And women are allowed to get assaulted by men with criminal records for trespassing, for the movie is so ludicrous, we don't even get to witness the court proceedings about how some people are able to get away from it- only that they're able to beat the system. If it wasn't for Joan Allen's acting this movie would've been too unbearable to watch.

The name Joan Allen, so often associated with high quality, is used to attract innocent video renters to this film. They will be disappointed. What is alleged to be the story of a brave Irish journalist is instead a two-part mystery: a) why did Joan Allen agree to do this film? and b) what were all those people with thick brogues saying? Not only was a good deal of the dialogue unintelligible, but the film seemed like it began in the middle of the story, which was disconcerting - among so much that was disconcerting. A very dissipated Patrick Bergin, a long way from Sleeping with the Enemy, plays a frustrated cop. There's enough graphic violence, swearing with Irish brogues and skeevy looking characters to make three more films. No, thanks, one was MORE than enough.

Based on the life and shocking murder of real Irish crime reporter, Veronica Guerin, Joan Allen gives a solid performance as gutsy Sunday Globe hack Sinead Hamilton.

John Mackenzie's film remains largely faithful to its real life inspiration's story and does not hold back on the brutality of the Dublin underworld. Nothing is spared from the slaying of Pete Postlethwaite's Martin Cahill style character Shaughnessy to the chilling death of a young heroin addict in a Dublin nightclub. Funded by Rupert Murdoch's Sky Movies channel in the UK, the movie sometimes struggles to overcome its tight budget and the made for television feel. However in 'The Long Good Friday' director's capable hands, it often succeeds particularly with a spectacular car chase through the centre of Dublin.

Where the film really scores is in its supporting performances - most notably, Jimmy Smallhorne as Hamilton's underworld confidante, Ruairi Conroy as a heroin addict, Liam Cunningham and Postlethwaite as old school crooks and particularly, Gerard Flynn as Hamilton's nemesis Hackett and Gavin Kielty as the skinhead, Tattoo. Mackenzie also somehow manages to wring out decent performances from Patrick Bergin as the frustrated cop, Mackey and Jason Barry as his partner.

If there are drawbacks it is the flatness of the relationship between Hamilton and her husband (Kevin McNally) - oddly reminiscent of the relationship between Lacey and her husband in Cagney and Lacey. The newspaper scenes are also a bit hackneyed - bearing little resemblance to real life newsrooms.

A superior film to Dublin crime pics, Ordinary Decent Criminal and The Vicious Circle, it still falls short of the visual, narrative and performing heights of John Boorman's The General. Nevertheless, When the Sky Falls is still good entertainment and one of the more honest biopics you are likely to see in cinemas this year. It will be interesting to see how this film travels beyond Ireland where Guerin's death caused so much outrage.