CALIFICACIÓN DE IMDb
3.9/10
8.2 k
TU CALIFICACIÓN
Agrega una trama en tu idiomaThe Candyman is back, trying to convince his descendent, an artist, to join him.The Candyman is back, trying to convince his descendent, an artist, to join him.The Candyman is back, trying to convince his descendent, an artist, to join him.
- Dirección
- Guionistas
- Elenco
Wade Williams
- Samuel Kraft
- (as Wade Andrew Williams)
Jsu Garcia
- David de la Paz
- (as Nick Corri 'Jesu Garcia')
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
I saw this movie and I couldn't help but laugh. It was sooooo pointless and dumb. What a waste of money, time, etc. Why couldn't they just have Candyman die in the first one?! No, they had to go ahead and make two pointless sequals. In this movie everything changes from the graphics to Candyman's hook which made me laugh at the movie even more. It was a flop as well as a joke which is no wonder it came out straight to video. The main character in the movie is a Baywatch dumb blonde who can't act or even act like she's acting. She even has sex with Candyman which made me laugh I almost peed my pants. DON'T WASTE YOUR TIME UNLESS YOU WANT TO LAUGH ALL NIGHT LONG!! I give it one star out of ten!! *snickers*
The Candyman returns once again to torment and kill a distant relative for further undisclosed or vague reasons.
This time it's Baywatch alumni Donna D'Errico taking the lead and boring the hell out of us for the films 90 minute duration.
Granted this is a marginal step up from Farewell To The Flesh (1995) but still spotlights why the Candyman franchise died such a death.
I've never understood how Tony Todds Candyman became so iconic, how do people place him alongside the likes of Freddy, Leatherface and Jason when he had just 3 rather mediocre films to his name.
I'd like to see Candyman reborn, whether a 4th film or a reboot I don't mind but we a) Need Todd to remain the titular role and b) New writers.
The Good:
Wade Williams
Donna D'Errico is far better here than I've seen her before
The Bad:
Plot is still pretty messy
Things I Learnt From This Movie:
Remaking the origin scene and making it different makes about as much sense as nipples on men
Donna D'Errico is allergic to bra's
This time it's Baywatch alumni Donna D'Errico taking the lead and boring the hell out of us for the films 90 minute duration.
Granted this is a marginal step up from Farewell To The Flesh (1995) but still spotlights why the Candyman franchise died such a death.
I've never understood how Tony Todds Candyman became so iconic, how do people place him alongside the likes of Freddy, Leatherface and Jason when he had just 3 rather mediocre films to his name.
I'd like to see Candyman reborn, whether a 4th film or a reboot I don't mind but we a) Need Todd to remain the titular role and b) New writers.
The Good:
Wade Williams
Donna D'Errico is far better here than I've seen her before
The Bad:
Plot is still pretty messy
Things I Learnt From This Movie:
Remaking the origin scene and making it different makes about as much sense as nipples on men
Donna D'Errico is allergic to bra's
Did this film really have a chance at beating the hook stabbing prequels? I was pleasantly surprised at how good the follow up to the first was, however the third...well.
After avoiding this movie for ages, not wanting to be disappointed, I finally popped by my local video shop ( I may have gone to see it at the flicks if I had been given the chance ). Sat down with a mate who hadn't seen the others and watched him squirm, not from the horror but from boredom.
A poor low budget remake of the others this certainly was. A gripping glorious gore fest this was not.
We now find that Candyman had time to do a couple of sketches of his voluptuous lover (he's no Picasso) during his slave(?) days. Thankgod the writers kept his horrible demise the same.
Well I wasn't expecting the Earth, but how about a complete self parody instead of this, at least we could have laughed aloud in the correct places, like Scream. Was it supposed to be funny?
Some good ideas: an insensitive lover who had to get it, a subway scene that didn't stand a chance against 'American werewolf' but was still enjoyable, a great cop death and plenty of honey.
Okay it was bearable. Just. Maybe they'll repair the damage with another; until then I'll conveniently forget this one. Watch the others again instead.
After avoiding this movie for ages, not wanting to be disappointed, I finally popped by my local video shop ( I may have gone to see it at the flicks if I had been given the chance ). Sat down with a mate who hadn't seen the others and watched him squirm, not from the horror but from boredom.
A poor low budget remake of the others this certainly was. A gripping glorious gore fest this was not.
We now find that Candyman had time to do a couple of sketches of his voluptuous lover (he's no Picasso) during his slave(?) days. Thankgod the writers kept his horrible demise the same.
Well I wasn't expecting the Earth, but how about a complete self parody instead of this, at least we could have laughed aloud in the correct places, like Scream. Was it supposed to be funny?
Some good ideas: an insensitive lover who had to get it, a subway scene that didn't stand a chance against 'American werewolf' but was still enjoyable, a great cop death and plenty of honey.
Okay it was bearable. Just. Maybe they'll repair the damage with another; until then I'll conveniently forget this one. Watch the others again instead.
For some reason, the third part of a trilogy always disappoints me, if only slightly. And that's just what Candyman 3: Day of the Dead does: slightly, not heavily, disappoints.
It seems that Caroline (the now-grown-up daughter of Annie from the second film) is on her in LA. She owns Daniel Robetaille's (the Candyman) paintings which she has chosen to show at the gallery of an aspiring artist.
Tempted by her friends, she says the Candyman's name five times because she feels she'll be doing him justice by proving his supposed non-existence. Although nothing happens while she is at the gallery opening, her life later begins to unravel as she finds the vengeful spirit slaughtering everyone around her (he killed her mother years before), with only Caroline appearing to be suspect.
Co-produced by Tony Todd, this somewhat hokey (and hopefully FINAL) entry to the Candyman films is not that bad. Although I consider anything to outwit its bland and tepid predecessor, this is not much better with acting (Donna D'Errico's Caroline is a shrieking wimp at best), and our heroine seems to exist only to scream, fill out a tank top, and see her friends slaughtered in extremely gory fashion.
The Latin "Day of the Dead" festival has almost no relevance in this film, as its concept is only used in one scene I can think of, but then again, it wouldn't have been wise to just call this entry "Candyman 3" and leave it at that. Let's hope after this fairly decent entry that film makers will do what they should...leave it at that.
Rating: **1/2 out of ****
It seems that Caroline (the now-grown-up daughter of Annie from the second film) is on her in LA. She owns Daniel Robetaille's (the Candyman) paintings which she has chosen to show at the gallery of an aspiring artist.
Tempted by her friends, she says the Candyman's name five times because she feels she'll be doing him justice by proving his supposed non-existence. Although nothing happens while she is at the gallery opening, her life later begins to unravel as she finds the vengeful spirit slaughtering everyone around her (he killed her mother years before), with only Caroline appearing to be suspect.
Co-produced by Tony Todd, this somewhat hokey (and hopefully FINAL) entry to the Candyman films is not that bad. Although I consider anything to outwit its bland and tepid predecessor, this is not much better with acting (Donna D'Errico's Caroline is a shrieking wimp at best), and our heroine seems to exist only to scream, fill out a tank top, and see her friends slaughtered in extremely gory fashion.
The Latin "Day of the Dead" festival has almost no relevance in this film, as its concept is only used in one scene I can think of, but then again, it wouldn't have been wise to just call this entry "Candyman 3" and leave it at that. Let's hope after this fairly decent entry that film makers will do what they should...leave it at that.
Rating: **1/2 out of ****
First off this had a couple of things going against it(no philip glass score, not released theatrically, baywatch babe in lead role) but it is a pretty good movie. Sure Donna D'Errico just stands around and screams terribly when she should be running for the doors but she holds up in SOME scenes. The movie's score is at first crappy for a candyman movie(it sounds like a rap beat or something) but when candyman appears in the subway its all good. Other characters are kinda underwritten and some of the movie is a little bit to much the same as the first but the writer and director try to merge the best of the first two and for the most part do a good job but it's a nicely edited and well photographed movie that should hold up for fans of the first 2.....it's a movie that is well made and is more theatrical than direct-to-video.....nice n gory too.
¿Sabías que…?
- ErroresIt's against police procedure for detectives with no security barricade to transport prisoners. They would radio for a standard squad car to transport her.
- Citas
[repeated line]
The Candyman: Join me in Death!
- ConexionesFeatured in The Kill Count: Candyman 3: Day of the Dead (1999) Kill Count (2019)
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Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- También se conoce como
- Candyman 3: Day of the Dead
- Locaciones de filmación
- Productoras
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