Slow Burn

This little budget film concerns a a couple of American young (Chris Mulkey and Benedetti) with a little girl named Trina are searching for a familiar heritage what were lost in a Mexican steam desert when their grandmother died . But the Trina's parents are mysteriously deceased and she (Minnie Driver) , one time grown , goes on the search a box of missing diamonds against the advice of Frank (Stuart Wilson), an old parents friend . Meanwhile, Trina looks around , the treasure has already been found by two escaped convicts (James Spader, Josh Brolin) and take Trina hostage and steal her car . When the car is crashed , Trina attempts to dupe both cons against one another and so she can catch the valuable stash of diamonds . Then they're forced to struggle for stay alive , with no water, in a desperate quest for survival.

This is a predictable adventure involving valuable diamond smuggling , it is an intriguing story that contains lust , ambition and betrayal . Packs suspense , thrills , ending twists and a little bit of action . Recounts the life survival story of a trio along a remote desert . But the director doesn't focuses totally on desperate quest for survival , choosing instead to focus on all aspects about ambition , lust and greed and including a brief psychological studio . The motion picture was middlingly directed by Christian Ford in his first and only one movie . He's usually writer for TV Sci-Fi movies (Star Trek : Deep space nine , Category 7: The end of the world , Final days of Planet Earth) and comedy (Kazaan). Rating : Average though entertaining .

The plot is not what brings your focus to bear with this film - it is the absolutely horrible acting performances of the players. James Spader's agent should spend significant resources to pass the rumour that he didn't have a part in this film (he's practically unrecognizable anyway); Minnie Driver's contribution is in the body part only league; and Josh Brolin should not give up his day job. In particular, the language accents taken on by Driver & Brolin are forced, stereotypical, and false. In fact, for me, the disastrous lack of some kind of sanity in the plotline coupled with loser performances of Driver and Brolin made the desert scenes the most interesting part of the film. Spader is a fine actor who just doesn't need this kind of drivel on his record. Scale of 0-10: a 2 for Spader and the desert scenes.

=== NO SPOILERS ==> Don't ya love movies that blatantly warn you how bad they are by their title? Here's a prime example. Oh... My... GAWD! It goes on, and on, and on, AND NOTHING HAPPENS! You feel like you're the one lost out in the desert. I only watched this for Spader and Driver. Spader is almost unrecognizable which is the only interesting thing about this movie. Unbelievably, this thing cost (according to IMDB) $10 million to make? So the backers got feel the burn as well.

Underrated indy film. Solid story and fascinating characters. Many elements obviously borrowed from forgotten Frank Norris classic, McTeague, first published in 1899. The Norris novel was the basis for 1925 silent classic Greed, directed by Erich von Stroheim. Greed is generally considered one of the best films ever though the nine hour original and witnesses are long gone. With respect to Slow Burn, I enjoyed watching one aspect of human nature, namely greed, play out under the blazing sun.

As a Minnie Driver fan, I couldn't believe the tawdry disaster unfolded in the telling of "Slow Burn." Produced in part by Two Drivers (Minnie and her sister, Kate), it gives the impression of two intelligent women based on self-destruction. For three generations, Minnie's forebears have been consumed with the search for her grandmother's remains, and with it, the diamonds with which she disappeared into the desert so many years ago. It has consumed all of Trina's (Driver's) life, from infancy into young womanhood. Now, only Trina and her older mentor (and Mom's former lover) are left. Trina has promised that this will be her final year of searching. After this season, she'll throw in the towel. Two bumbling escaped convicts, one a bit dim (but basically of good heart) - the other given to apparant glimpses of insight between fits of pique, literally stagger upon what three generations of desert veterans have been unable to find. One of the cons is played by James Spader, and I swear I didn't recognize him. (As Martha Stuart might say [as far as a career move is concerned], "This is a good thing." His agent would agree. In short, there are disabled trucks with runaway tendencies. Said trucks seem to appear meaningfully late in the movie, almost cluttering the set ... despite their mechanical devastations. With trucks like these, "OK! I'll take the kids!" There's a sterility in interpersonal relationships that makes evem Driver's character appear to be a cardboard cut out. Is this love in bloom, or heatstroke. There's even a touch of 'Marathon Man" here, for those with expensive "tastes." The premise should have been developed into a taut thriller. However, neither the viewer seeking justice nor the sophisticate in search of irony comes away satisfied. There's a lovely and colorful little bird to win your heart; but this is not the bird director Chrisyian Ford delivers to paying audiences. "Is it safe?" to see "Slow Burn?" Only if it's free and you're desperate for seeing Minnie Driver on the big screen.