El apostador

Unsettling story of a loser addicted to gambling who is hired as a runner by a sadistic man well aware that his new hire will never be able to follow a single rule: no gambling.

Ron Eldard does a wonderful job as Edward Carrington, making his character believable, sympathetic and infuriating all in a single breath. You root for the guy when he pulls himself out of a hole he's dug for himself and then feel like taking him aside and beating the crap out of him when he digs himself right back in. Never have I felt so helpless and uncomfortable watching a character's life fall to pieces on screen.

John Goodman and Courtney Cox are also very good. John Goodman's sweet guy disposition is nowhere to be found here, tucked away to allow an intimidating brute of a man to surface. Courtney Cox shines and shows the kind of range that has only been hinted at on "Friends".

Definitely worth seeing and not easily forgotten.

Vegas and gambling have never looked less glamorous.

Yes, there have been quite a number of films ranging from drama's to comedies on the subject of gambling. But, The Runner is a cut above the rest. Beautifully photographed and stylishly produced the films direction is fast paced from start to finish. John Goodman talents come through full force as Deep Throat, an unseen played who, with the help of many his runners, has a foot hold or should I say a throat hold on the entire gambling scene. The entire cast does an excellent job with their various characters. However, Courteney Cox shines through as the films brightest star. From one of the films eariler comedic moments " The runner has a serious problem of a gastric nature" on his first date with Cox to her near death- birth of their child. Courteney Cox's work in this film was indeed a treat for anyone who wishes to see a talented actress on screen.

Maybe the acting is a little rude, maybe the directing is a little anonymous, maybe there's a little too much "Leaving Las Vegas" influence on the story (which maybe is not the worst thing you can say about the script). But, if only all the (many) films about gambling had been so honest about the abysses of horrors where gamblers live every second of their lives, then maybe people would have a more realistic, less charming idea of them.

The story is so honest about the losing that I really think the writer talks about personal experience. I do.

Like many others, I came across The Runner by accident. In my case, I just happened to turn to the Mystery Channel on cable here in Tokyo as it started. I was intrigued enough by the title to see who was in it. Then the opening shot that draws the viewer into Las Vegas drew me into the movie. I had no idea what a "runner" is, but I soon learned a few things about Las Vegas I had never imagined. And then I got caught up in the story of the loser that keeps getting another chance. Of the many fine points about this movie, the one that stands out for me is the script. In particular, John Goodman's "insights" into the dilemma faced by fathers as their little girls grow up will probably stick with me the longest.

John Goodman is a supporting actor in this movie the same way that Atlas supported the Earth in Greek mythology. First, let us dispel any notion of realism. Goodman plays a sport gambler who beats the house so often that he has his own cadre of runners and soldiers. (In real life such men ARE the casino sport books). Instead of examining this fascinating character, we are thrust into the lives of the pretty boy/girl leads Arquette and Ellard. The end result was an obvious "producer's instrument" designed to advance young cinematic careers as much as make a buck. The Runner (Ellard) should have been The 'Sportwonk' (Goodman). Missed exciting themes were How does he beat the books? How does he get his info? Is he mobbed up? What is the life of a winning sports gambler like? Still, the finale is very exciting and worth the price of rental. If you like OC, buy it.