Mifunes sidste sang

Sorry I don't think it was any thing special. I thought Festen was great but his movie is just mediocre. With dogma the movie rest on the strength of the story and acting, (and the directing although they say other wise). Just another "guy falling for the hooker with a heart of gold" story to me. The plot was sort of dumb and silly and not all that believable and characters did things that made no sense to me at all. I'm not saying it was horrible, just that it wasn't all that great.

This was the first film I had seen from the Dogma series and I didn't know quite what to expect. Mifune is actually a very moving and personal insight into the life styles of a small handfull of characters. The acting in the movie is superb and it follows the rules of dogma down to a tee (natural lighting, no sound effects etc.). The film at face value is also very funny, although the source of comedy is rather disturbing. This is a film that will stay fresh in your mind long after you leave the cinema. 7/10.

Mifune is a surprisingly easy film to watch, delightful in many respects and certainly original. The comedy is in many ways unique; nothing hits you in the cinema, but you still leave with a smile on your face. The acting is, in my view, superb, the locations fitting, and the plot; well, original and refreshing. If you need cheering up or it's a rainy day then I recommend this film. Very refreshing indeed.

I've always been a fan of European cinema, mostly because it has something more to offer than Hollywood's mass production. Don't think that I hate every movie that comes from Hollywood or that I love all European films. As well in Europe as in America, they have made some excellent movies as well as awful ones.

If it isn't a better story or more profound characters, than it is the style of filming that makes European cinema a little different from the American. And this movie has it all. The story is very good and original and the characters are very recognizable. I really got the feeling that I got to know them better, even though their lives are sometimes completely different from mine. But most important is the way everything is shot. For those who aren't familiar with the rules made up by Dogma yet, I'll give a small explanation: the director promises not to use extra light, special effects, extra sound effects... They want to make the story speak for itself and show everything in a natural and realistic way. To some this may seem like the most boring concept ever. I guess many people who like movies like The Lord of the Rings, Star Wars, Spiderman,... movies that are full of special effects, huge scenes and nice visual effects, may not be blown away by this movie. I know that many people may hate the concept, that many people don't want to see this kind of movies, but personally I find this a very welcome concept in a world where everybody seems to feel the need to copy what works, without being original.

Kresten has moved from a small Danish island, where his parents farm is, to Copenhagen in order to pursue an excellent career and unconcerned life. He marries his boss's daughter and is sure that he'll become the new boss as soon as his father-in-law decides to retire. But on his honeymoon he gets a phone call that his father died and that he'll have to return home. The only problem is that he has never told his wife that he had a father and a retarded brother, living together on the family farm. Once he arrives at the farm, he sees that much hasn't changed or been done since he left and he decides that they will need a housekeeper to clean up the mess. He sends an advertisement to a local newspaper and he immediately gets a reaction from Liva Psilander. Liva is a prostitute who wants to start a new life. She wants to escape from an anonymous psychopath who harasses her by phone and needs a lot of money to pay her brother Bjarke's school tuition. When Kresten's wife discovers the truth, or at least what she thinks the truth is, she breaks off the marriage and makes sure that Kresten will lose his job at her father's company and that he'll never get it back. Now Kresten will have to live together with his brother, with Livia and her little brother in the old farm on the island...

I can assure you that you'll have to get used to the way of filming at first. Perhaps you'll need two viewings to fully appreciate this movie, but once you can see past the style of filming, you'll see that this movie has a very beautiful and hearth warming subject. Personally I really liked it and that's why I give this movie at least an 8/10, even an 8.5/10.

Despite the Dogme trappings, there is a story here. It is about lying and its consequences.

Kresten, a young go-go company man is marrying the boss's daughter, but hides, then fabricates his country past. He doesn't get away with it for long and ends up shamed and divorced. Likewise, a young prostitute, Liva, tries to flee her surroundings, but they follow her and in the end visit - literally - wrath on her new home.

The only spiritually pure character, content in his surroundings, too innocent of wit to lie, is Kresten's retarded brother Rud. It seems that everything he says, no matter how far-fetched, turns out to be true. He is also the teacher of kindness who, since he is inarticulate, can only teach by example.

Actually, I think the most unambiguously satisfying relationship here is between Rud and Liva's beastly little brother Bjarke. It is Bjarke who can't handle the truth about himself and his sister. Quickly, the stereotypes he has learned to brutalize in the social Darwinian hell of boarding school confront him with their humanity and teach him that life doesn't have to be the daily exercise in cynicism that he and his sister suppose.

There is atonement for all three, visited in different forms, but ultimately redeeming and providing a hopeful ending to the story.

Unfortunately, there are a few problems in Mifune which marred my viewing. A major one is the text, which is badly abused in translation to English. For some reason, the translator has seen fit to turn words which in Danish mean "damn" or "hell" into "f**k". Perhaps he or she thought it would give the dialog more impact. He or she was wrong.

Another problem is the unresolved and perhaps unnecessary character of the ugly and despicable Gerner, whose purpose I'm not exactly sure of, other than as a kind of agent of punishment - perhaps a devil - descending on the hapless Kresten. In any case, we need at least to know more about him, or perhaps even have him whacked or otherwise disposed of for dramatic purposes.

Anyway, as with most European movies, "Mifune" is more about character than story. I strongly recommend that you meet Kresten, Rud, Liva and Bjarke. I think you'll like them in the end.