City of Ghosts

City of Ghosts is a exotic mystery that positively oozes atmosphere. The Cambodian setting really amounts to another character in the film, and it's obvious that Matt Dillon has a real love of the country and the people. Dillon's direction and Jim Denault's cinematography do a marvelous job capturing the quirky and sometimes mystical nuances of this part of the world. Little details are woven into the scenes that really reminded me of what it's like to travel there.

Dillon did nearly everything right in tackling his first directing project. He picked an underused and exotic locale, a good production crew, and surrounded himself with top-notch, veteran acting talent. Depardieu, Caan, and especially Skarsgard do a terrific work bringing to life their shady characters. Newcomer Kem Sereyvuth does a nice job playing Dillon's taxi driver/savior Sok. Dillon's character Jimmy, ironically, is probably the least interesting of the bunch. But Dillon as always gets through on his amazing good looks, and has enough acting chops to not embarrass himself. The same can be said for Natascha McElhone who is so gorgeous it doesn't really matter what she's saying anyway.

The film moves at a somewhat slow pace, giving the story and characters lots of time to develop. Occasionally this can be an issue - sometimes time was spent on sequences that didn't contribute much to the final story. For example the opening New York scenes could have been trimmed down quite a bit and nothing would have been lost. But this film is clearly about establishing mood, and on the whole that's exactly what it accomplishes. The mysterious music and long, lingering shots of Asian street and country life are may seem indulgent to some but I thought they worked really well.

The only part of this film that I could take any real issue with was the script. Written in the film noir who-can-you-trust style, I think it would have been better if it had been simplified a bit. Credit Dillon with making the complexities mostly work, but a few less red herrings and a more dramatic final twist would have really elevated the film. However, I enjoyed City Of Ghosts quite a bit, Dillon has distinguished himself and clearly has some interesting directorial work ahead of him if he keeps at it.

I'm not necessarily saying it's as good as "Casablanca", but I'm saying there are some interesting parallels. "Casablanca" is probably one of the most atmospheric and characteristic films of the 20th century. It was one of the first films to sink itself into a dreamlike setting, drawing heavily on its location: a forgotten waterhole in the desert where Western exiles slog through their lives waiting for who-knows-what. "City of Ghosts" is filled with the same dreamy, surrealistic feeling but with a layer of grime and sweat that gives it an air of realism at the same time. Hats off to rookie director Matt Dillon for not only having the guts to attempt it but to succeed.

You may hear people, including Roger Ebert, calling the plot preposterous. A white collar hustler (Dillon) flees the USA and ends up in Cambodia searching for his enigmatic mentor who seems to be neck deep in bok choi himself. Sounds sorta like "The Color of Money" meets "Apocalypse Now", huh? Why not. Even Roger Ebert said the plot is not nearly as attention grabbing as the impressive setting, cinematography and mood.

"Cityu of Ghosts" is reportedly the first major motion picture to be shot in Cambodia since the 1960s, and Dillon & his filmmaking crew didn't skimp on finding the best settings. The locations can best be summed up by a line from the film when James Caan, who is occupying the ex-governor's estate, says "What do you think?" To which someone answers, "Could use a coat of paint" and Caan fires back, "The entire country could use a coat of paint." In other words, the locations are full of majesty and grandeur but with a raw, unkempt appearance that only add to the charm.

Some of my favorite scenes were at the tavern and hotel of innkeeper Emile (Gerard Depardieu), again reminding me of Bogart's "Rick's" in Casablanca. Depardieu plays a curious character, a tough guy who kicks thugs' butts while holding a baby under one arm. Among his staff is a trained monkey who steals from the patrons while Depardieu feverishly denies the monkey's existence. Haha, pure magic! Dillon himself plays a tough but clueless American who learns the ropes fast, while Caan plays a wiser type who seems to be on the verge of insanity with his delusional ideas. Both actors deliver.

The soundtrack is also worth noting. Subtle yet memorable, particularly a recurring piece called "Dear 5" by Peter Whitehead. Look it up on Youtube if you get a chance, it will give you a decent idea of the moody, atmospheric show that's in store for you.

Like I said earlier, don't expect to be blown away by the plot. Heck, even Casablanca had a pretty linear storyline. But what matters in this film is the presentation. In addition to "Casablanca" I would compare this film to "Witness in the War Zone" (with Christopher Walken) and an excellent Taiwanese gangster/zen flick called "The Drummer".

After reading some of the comments left by IMDB users I wasn't sure if I should actually waste a couple of hours by watching this film. After watching, though, I thought the comments were a little harsh.

Criticism's included under developed characters, thin plot, unexplained actions, and a poor performance by Matt Dillon. I am not, and never will be, a film studies student so I guess I am not 'qualified' to comment on any of the above, but in my own humble opinion the film progressed nicely and if people cared to watch carefully each action was easily understood.

If you can get over your immediate 'Matt Dillon, no thanks' attitude you may end up enjoying this film.

Dillon plays with a neat neo-noir style that harkens back (in a good way) to Carol Reed's "Third Man" (post-Khmer Rouge Cambodia this time instead of post-WWII Vienna). Like Reed's masterpiece, the set is littered with charmingly seedy eccentrics (Stellan Skarsgård and Gérard Depardieu--in one his best roles)--although James Caan is no Harry Lime (hard as they try with the belated enterance). I really liked the unpretentious FEEL of this movie. The suspense is there (atleast until the end) and I liked how it holds its focus despite all the subplots and chaos. The score is suitably offbeat (again, nostalgic of Anton Karas' "Third Man" zither). Cool movie.

This is one of the few sleazy films that I've seen more than once and will continue to watch every couple of years. Perhaps it's just because I love the colors in here and it's a strange movie, a strange story in an exotic locale: Cambodia. Exotic, but you wouldn't want to live there, at least the parts shown in this film!

Although showing a lot of dingy city scenes, the Cambodian scenery was fascinating. I found the story to be, too, only if to find out what was in store next for the lead character played by Matt Dillon. There are so many bizarre characters in here, nobody that you can really trust, that it keeps you on edge.

Another odd thing about this film: it's quite a mixture of international actors: Dillon and James Caan, both from the United States; Natasha Melhone from Great Britain, Gerald Depardieu from France, Stellan Skarggard from Sweden and Kem Sereyvuth from Cambodia. The latter is the only truly nice person in the whole movie, playing Dillon's faithful guide, "Sok."

The movie, which plays like a film noir, gets a bit ugly at the end but is well worth your time.