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Agrega una trama en tu idiomaUnderboss "The Bull" Gravano rises through the ranks of the Gambino mob. His brutal past catches up to him when he lands behind bars and faces the life-threatening decision to turn state's e... Leer todoUnderboss "The Bull" Gravano rises through the ranks of the Gambino mob. His brutal past catches up to him when he lands behind bars and faces the life-threatening decision to turn state's evidence against his former friend, John Gotti.Underboss "The Bull" Gravano rises through the ranks of the Gambino mob. His brutal past catches up to him when he lands behind bars and faces the life-threatening decision to turn state's evidence against his former friend, John Gotti.
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I saw this movie when I happened to catch it on CBS a few years back. I only saw part of it but I have always liked the subject since I was eight years old. I recently bought a copy and it has become one of my favorite films. The acting is good and they really did a magnificent job on casting, costumes, and locations. I thought Turturro's role was fantastic and Sizemore didn't do badly either though I think Assante was more realistic in Gotti. I would have liked to have seen Turturro as Gravano in Gotti it would have been a real treat to see him and Armand square off. This movie captures the backstabbing, badmouthing, lying, rip offs, and betrayal that goes on in the mob families just like Donnie Brasco did the only difference being that this was no "crazy messed up love story" as Depp put it. This is a movie that bluntly depicts the merciless killing of so called friends and the treacherous deceit that follows without any hint of feelings or "real" friendship as he would have you believe. Turturro's Gravano is a detached and pitiless killer who is as bad as the people he whacks and his rise like Gotti's is as meteoric as his fall. This film leaves you asking Gravano this question: If you killed cheaters, double crossers, dope heads, and people who broke the rules shouldn't you have been killed too? Witness to the mob gives you both sides of the story and lets you make the call.
All in all Witness to the Mob is superior to the HBO fairy tale called Gotti - but the former fails at what the latter did right: the portrayal of Sammy Gravano. Strangely, it seems that most filmmakers think they need a hero or at least a resemblance thereof. In HBO's Gotti it was Gotti, a charismatic, smart leader with comprehensible morals, whose downfall was the egoism of his underlings. In WttM, Sammy the Bull is portrayed as a misunderstood, dutiful voice of reason and overall goody two-shoes. Both portrayals are as far from the truth as it gets.
WttM shows Gotti the way he was: an egomaniacal braggart with delusions of grandeur. (I am at a loss as to how some folks can criticize Sizemore's take on Gotti which unlike Assante's is very close to the original.) A blend of these two movies would yield *the* authoritative adaptation of the subject. In direct comparison, though, WttM takes less liberties with the story, which is why I vastly prefer it over HBO's version.
On its own WttM is a very enjoyable LCN movie - even more so for those who are interested in the subject, provided they can generously overlook the factual inaccuracies.
WttM shows Gotti the way he was: an egomaniacal braggart with delusions of grandeur. (I am at a loss as to how some folks can criticize Sizemore's take on Gotti which unlike Assante's is very close to the original.) A blend of these two movies would yield *the* authoritative adaptation of the subject. In direct comparison, though, WttM takes less liberties with the story, which is why I vastly prefer it over HBO's version.
On its own WttM is a very enjoyable LCN movie - even more so for those who are interested in the subject, provided they can generously overlook the factual inaccuracies.
While arguably not as good as his book or podcast, Witness to the Mob is still a good adaptation of the life of Sammy Gravano.
An all-star cast comprised of the actors that basically acted in every mafia flick in that era, who most people will recognize from the Sopranos. Nicholas Turturro's acting skills are decent enough, but looks nothing like "the Bull." Not exactly a neutral telling of these events either, since this is adapted from his autobiography. Even taking those into account, this is still a decent-to-good film.
If you want Sammy's side of the story in movie form, this is pretty good, personally.
An all-star cast comprised of the actors that basically acted in every mafia flick in that era, who most people will recognize from the Sopranos. Nicholas Turturro's acting skills are decent enough, but looks nothing like "the Bull." Not exactly a neutral telling of these events either, since this is adapted from his autobiography. Even taking those into account, this is still a decent-to-good film.
If you want Sammy's side of the story in movie form, this is pretty good, personally.
This movie is tragically miscasted. And though many reviewers claim that this movie is closer to the truth than HBO's Gotti was, it is inferior in every way.
It all starts with Turturro. Someone here claims he looks the part of Gravano, but that just ain't true. He's far too dark skinned, and though he has Italian ancestors he has always looked more Mexican to me. It also has to do with his role in NYPD Blue. Turturro doesn't play the part of a made mafia man. He always looks timid, shy and a bit anxious (same for his role in NYPD Blue). The supporting cast is full with the usual suspects you see in mafia films, and most have got their known roles in the Sopranos. But that also makes it a problem, a supporting cast that clearly overshadows the lead role just doesn't work. I don't know about Tom Sizemore, I love the actor, and he does a decent job. But Assante was better, he really embodied Gotti.
It all doesn't work. And the story may be closer to the truth. But remember that 'truth' is a strange concept in this context. The truth is based on a single testimony and some investigative work. In my opinion movie makers have some freedom in interpreting such truths for their work. HBO's Gotti just works much better.
It all starts with Turturro. Someone here claims he looks the part of Gravano, but that just ain't true. He's far too dark skinned, and though he has Italian ancestors he has always looked more Mexican to me. It also has to do with his role in NYPD Blue. Turturro doesn't play the part of a made mafia man. He always looks timid, shy and a bit anxious (same for his role in NYPD Blue). The supporting cast is full with the usual suspects you see in mafia films, and most have got their known roles in the Sopranos. But that also makes it a problem, a supporting cast that clearly overshadows the lead role just doesn't work. I don't know about Tom Sizemore, I love the actor, and he does a decent job. But Assante was better, he really embodied Gotti.
It all doesn't work. And the story may be closer to the truth. But remember that 'truth' is a strange concept in this context. The truth is based on a single testimony and some investigative work. In my opinion movie makers have some freedom in interpreting such truths for their work. HBO's Gotti just works much better.
All mafia films seem to be excellent. They just have that edge, tension and suspense to them which bulids up during the movie and then which is all released at the climax. Witness to the Mob is no exception. However what was unusual, being a mafia film, was that I cant remember any swear word said during the whole film nor was there hardly any blood. Most of the killings were done with quick, clean silencers. Violence was very limited. But it did not detract much from being a good well done movie which will keep the viewer's interest from start to finish. Tom Sizemore is the highlight and is just great, especially when he loses his temper, and is perfect for his role. I would defnitely recommend Witness to the Mob to all mafia film lovers. 8/10.
¿Sabías que…?
- TriviaVincent Pastore, who plays Mikey De Batt, is introduced to Angelo Ruggiero, played by Johnny Williams. In Gotti (1996) Pastore plays Angelo Ruggiero. In El jefe de la mafia: Gotti (2018) De Batt is only mentioned, not seen.
- ErroresThe building purporting to be Sparks Steak House on E.46th is completely unlike the real place. Also the longer street shot which shows Grand Central Station appears to be the view from Park Avenue, not E.46th Street.
- ConexionesReferenced in Mafia Killers with Colin McLaren: Sammy 'The Bull' Gravano (2018)
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