Razia Sultan

'Razia Sultan' stands out as that one gem made too behind of its times! If Amrohi Sb had made the film just a decade or two before he actually did, it would have perhaps been a major success! Exquisite in style, taste and language, the film is a soulful and sensuous, respectful look at one of history's favourite daughters - one who historians can't really decide where to place!

Hema Malini in one of her most controlled performances - full of grace and integrity, Dharmendra proving once again, his looks are as much a killer as his talent.

The ensemble of music, sets, costumes and design works amazingly well. Recommended highly for lovers of history, romance and drama, as also those of good music - gems galore - 'Ae dile nadaan' has to be one of Lata's all time greats, and 'Aayi zanjeer ki jhankaar' does not have another song or voice to compare to in Hindi film music. 'Jalta hai badan' and 'Choom kar' as also 'Hariyala banna aaya re' are greats in their own right!

Well, as the title says, it is infact the most underrated movie ever produced by Indian cinema. Its all about the un-riped, non matured persona of Indian movie viewers of that time, which rejected a sheer classic just because it was not in common man`s language, but indeed had the magical sense of poetric Urdu and Hindi combination. The story is all about the first ever female Indian ruler of Delhi sultanate time, Razia sultan. Though the movie played a little bit with the history, which though in itself is doubtful and confused, it dealt with the concept very intelligently. Sultan Iltutmish wants to hand over is throne to his daughter Razia, who is most eligiable for the post among all his heirs. However it wasnt that easy in the medieval period of indian history and many chiefs stood against her, whom she successfully suppressed and gained her empire. The story along with all these historical element, also deals with the persnale side of Razia, that is, her love affair with a slave, who later was rewarded with freedom by the Sultan Iltutmish, owing to his bravery and loyality. Now as this love affair which wasn`t approved by any of her chiefs, they revolted against her and she eventually died fighting. Now history says something else, which by the way isnt to be discuss here. The movie by Kamal amrohi (Pakeezha and many more), was a total treat for the eyes with its huge sets of medieval times. The art was the most outstanding part of the movie and a phenomenal amount of money was spent on them ( 15 crores in 1982). These sets almost took us in those times with glittering diamond jewellery, the wepaonry and costumes. Dharmendra and Hema looked perfect in their roles and carried them with a delicacy indeed required according to the time period, movie dealt with. The music (Khayyam) and lyrics were superb and totally matched with the story requirements. Who can ever forget the melodious and shivering voice of Gabban mirja in "ayyi zanjeer ki jhnakar" and "tera hijra mera naseeb" and the sweetness of "Ae dile nadan" by Lata. The writing credits goes to Kamal amrohi who also directed the film. The language was so poetric and complex that it became the main reason of its failure at the box office. And we say that the classics are not rememeberd by their collections but their chrams which still haunts the viewers, Razia sultan will be remembered as a historical classic, which depicted the art of movie making, while dealing with the subjects, centuries old, but which haven`t yet lost their beauty.

Razia Sultan, a visually extravagant yet underappreciated Indian period drama, strives to immortalize the story of Razia Sultan, the first and only female ruler of Delhi (1236-1240). Directed by Kamal Amrohi, this ambitious film stars Hema Malini as the trailblazing monarch and Dharmendra as Yakut, her loyal Abyssinian slave and rumored romantic interest. Despite its grand vision and sumptuous production design, the movie stumbled at the box office, leaving viewers divided over its uneven execution.

One of the film's most celebrated aspects is its evocative music. Composed by Khayyam, the soundtrack features timeless melodies, with "Aye Dil-e-Nadaan" standing out as an emotional masterpiece. The song poignantly captures Razia's internal conflict between her royal responsibilities and personal yearnings-a central theme of the narrative. While the music remains a highlight, it wasn't sufficient to elevate the film's overall reception.

Visually, "Razia Sultan" dazzles with its richly detailed sets and costumes, offering a vivid glimpse into medieval India. However, while the cinematography successfully conveys the era's opulence, the film's pacing feels slow and cumbersome, making it challenging for contemporary audiences to remain invested. Moreover, the on-screen chemistry between Hema Malini and Dharmendra-though anticipated-falls short of delivering the emotional intensity required to make their forbidden love story truly captivating.

The film does shine in moments that feel remarkably progressive, even by today's standards. One such scene features Parveen Babi and Hema Malini in a bold and striking sequence. Unfortunately, these instances are sparse and fail to offset the film's larger flaws.

I've awarded the film 7 stars primarily for its audacity and ambition in tackling such a monumental story in 1983. While it may not have succeeded entirely, it remains a noteworthy effort worth revisiting for its artistic merits and historical significance.

Good songs, art direction, Direction by Mr.Kamal Amrohi. He had a flair for rich, powerful storyline movies. Have watched the movie which is totally different from the genre of Hindi movies. Especially, as told by one of the users "Ay Dil e Nadaan" song is a very melodious tune and song and beautifully pictured. Also other songs are rich with music and a treat to hear. Hema Malini has got a good character role along with Dharmendra and they do justice to their role. The sets of the movie are terrific and reminds us of the Sultantate age. It is a good movie for lovers of history and also of the times. Wonder when such powerful directors will appear in Hindi film world.

This film should have everything going for it - directed by Kamal Amrohi, lavish palace sets, costume design and loosely based on an true story from the era of the Turkish sultanates in India. Razia trained in combat by her Ethiopian slave Yakoot (who suspiciously looks like a blacked up Dharmendra!) proves herself a more worthy heir than her brothers. After the death of her father Razia assumes control of the sultanate to become the first female Muslim leader in South Asia. But Turkish nobility enraged at her relationship with a black man start a power struggle for the throne.

The Turkish sultanate era is nicely brought to life but despite having topics such as gender, politics, history and race on offer the film has a major problem - its coma inducing lack of pace. I can watch a slow film but this takes some effort. Although made in the eighties it tries very hard to recreate the feel of the old epics so there's a lot of silence, overacting and shouting which grates after a while.

However... the whole film is saved by the truly beautiful song 'Ay Dil-e-Nadaan' (My Innocent Heart). With a video to match we see Hema Malini, looking every inch the Turkish princess, wandering through the desert at sunset lonely and frustrated at her inability to express her love for Yakoot.

Worth a watch if you're into slow romantic epics, the history or the girl power angle but you could just read up on real story of Razia Sultan and save yourself three hours. Perhaps ripe for a serious remake?