Gregory's Two Girls

The good thing about this film is that it stands alone - you don't have to have seen the original. Unfortunately this is also it's biggest drawback. It would have been nice to have included a few of the original characters in the new story and seen how their lives had developed. Sinclair as in the original is excellent and provides the films best comic moments as he attempts to deal with awkward and embarrassing situations but the supporting cast is not as strong as in the original movie. Forsyth is to be congratulated on a brave attempt to move the character on and create an original sequel but the film is ultimately flawed and lacks the warmth of the original

Gregory's Two Girls is a sequel to Bill Forsyth's Brit-comedy Gregory's Girl (1981) starring the same John Gordon Sinclair as Gregory, and this time he is no longer in school as a student lusting after a classmate, but as an English teacher. Gregory still has a predilection for schoolgirls and he's got his eyes on Frances, a 15-year old "Celtic beauty" whom he teaches and develops an unusual bond with. As politically incorrect as this set-up sounds, Sinclair makes his character clumsy, insecure and likable and nothing feels racy, even when it tries.

This is a muffled Scottish drama-comedy that tries to be unusual and quirky, but truly lacks edge or humour of any kind. It also attempts more than one storyline, aside from Gregory battling his schoolgirl infatuation there is some sort of ethical dilemma going on with his best friend Fraser Rowan (Dougray Scott) who appears to be secretly selling interactive torture technology to third world countries. I have absolutely no idea what this storyline is all about or where it came from or who thought it would fit in in a film like this, but facilitates the relationship between Gregory and schoolgirl Frances as they both become involved in this dilemma.

Gregory's Two Girls is the kind of film that is relegated to a bad fate and panned by critics and I see why, but isn't an unwatchable experience -- occasionally nicely done, every now and then smirkworthy and above all, it TRIES. A for effort... but it doesn't really deliver. 5/10

He COULD never end a movie well...they always came to a grinding, heart-deadening halt.

But we forgive, given the actors, the characters, unselfconscious dialogue and charming natural feel. The wealth of talent from the Scottish theatre groups at the time.

The unsatisfactory phone box or Caracas sign marked a depressing end to otherwise enjoyable movies.

The original Gregory's Girl outpaced The Clash of the Titans. Perhaps deservedly so, but that movie had a structure...and a proper ending.

I think the fact that the deadening halt came quite early in this movie reveals its quality. Which is a shame given the quality of the actors. I believe Carly McKinnon stopped acting after this - I wish her well in Toronto - but she had that natural feel from earlier films and the makings of a very fine performer.

Add to this the uncomfortable - and uncomfortable in the 80s - creepiness of some of the themes and I don't think we have a winner here.

That, and the approaching-the-original "Weather Report on Diazepam" soundtrack, left me feeling entirely empty.

There are many things that can be said about Gregory's Two Girls but i'm afraid not too many of them are good. This film cannot be compared to the original Gregory's girl in any way. This film lacks the charm ,comedy and script that the first film has and the only thing this bore has in common with Gregory's Girl is that it stars the very average John Gordon Sinclair . In this movie he tries to be funny but with a lousy story only manages to look like a poor version of Mr Bean. Another problem about this film is the way the Gregory Character changes as the film goes on. At the start of the film he a such a crush on the school girl that he even has a wet dream about her ( did we have to see the wet patch?)as the film goes on he loses the urge to be with her to the extent that the film has no meaning whatsoever and turns into a stupid , dull story about fighting human rights. Yawn. 5 out of 10.

A shift in outlook is neccesary to enjoy modern British films, one that somehow allows them to be seen in their own right and for their own qualities rather than by the criteria that American films are judged. Britfilm has to try hard to be gritty and finds it hard to make it, but at warmth British films can lord it over their otherwise overwhelming competitor.

This film fails not in its content but only in attaching itself to the predeccesor, so allowing it to be all to easily seen as the work of star and director somewhere near the end of their tethers. It's a couple of decades later, Gregory teaching and this time with two girls on his mind. He teaches at his school railing against human rights abuses. When students he's fired up find abuses in their midst he must face whether he's just all talk.

This is a subversive film in that there's not the usual worldly character of any American movie that you expect to do whatever he does, but a naive man boy who may still put everything on the line for principles. Maybe. It's certainly no protest-by-numbers though, being too warm. Where U.S. film may seem realistic because they're urban and gritty, this and other British films of recent years - those that don't try to match America for visceral thrills - are real because British humour reveals truths.