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Jack is an aspiring writer struggling to finish his debut novel. To make ends meet, he takes up employment as a croupier at a local casino- a job for which he has some ability. Jack is drawn into the action-packed world of gambling like a moth to flame, to the detriment of his relationship with his girlfriend Marion. As he becomes more involved with the casino and its inhabitants, Jack's life becomes increasingly complex and dangerous. Surrounded by cheats, card-sharps and cads, will Jack be able to beat the odds and finish his book, or will the house win again; leaving him with nothing?

Directed by Mike Hodges from a screenplay by Paul Meyersberg, 'Croupier' is a stylish crime drama that- at its best- effectively harkens back to the golden age of film noir. Meyersberg's narrative is full of deception and uncertainty, while his characters are cynical creatures motivated by greed and ambition. He uses Jack's tale to explore the seedy underbelly of contemporary London, where everyone is trying to con someone, and nobody wants to lose. Like Fred MacMurray's Walter Neff in 'Double Indemnity', Owen's Jack is our nihilistic gateway and guide to this sordid city of inequity, and like with Neff, we know his story probably won't have a happy ending.

This is not to say that Meyersberg's screenplay is without fault, or that his narrative is thoroughly engaging, however. The third act drags quite a bit and features a 'twist' so obvious and unnecessary that it cheapens all that came before it. Furthermore, his secondary characters aren't developed particularly well, seeming like dimly defined background noise. Jack's father, for instance, is more of a plot device than anything else, with little to no personality or depth. A sub-plot involving a fellow croupier named Matt initially seems important, before fading into absolute nothingness. It seems Meyersberg wasn't sure what direction to take some aspects of the story; so just left them mid-stream to flounder.

'Croupier' fares better in terms of visuals, having atmospheric production design and cinematography throughout. Director of photography Michael Garfath's utilization of close-ups, zooms and alternate angles in the gambling sequences heightens the narrative tension, while his spirited, inventive use of shadows, low-key lighting, and tilted angles helps maintain the film's thematic links to film noir. Coupled with Jon Bunker's lush production design- which makes terrific use of contrasting lighting, spaces and colours- 'Croupier' boasts consistently strong visuals that linger in the mind long after the credits have rolled.

As do the performances, especially that of star Clive Owen. Cold, calculating, but not without a certain charm, he masterfully underplays the role of Jack. With his detached voice-over-narration and laid-back demeanour, he plays Jack as the classic noir anti-hero and has the audience on side from the get-go. Gina McKee, Kate Hardie and Paul Reynolds also shine in their roles, giving commendable performances that elevate their characters beyond the screenplay and Meyersberg's scant secondary characterization.

With its nihilistic, cynical tone and assured, stylish cinematography, Mike Hodges's 'Croupier' is a tense crime drama that entertains and intrigues in equal measure. Though it may have a few issues- particularly regarding pacing and the structure of Paul Meyersberg's screenplay, which lags in the third act- this strongly acted, atmospheric film is a must watch for fans of film noir or Clive Owen. If 'Rounders', 'The Gambler' or 'Casino Royale' didn't satiate your lust for gambling movies, then go look for 'Croupier;' it's a bet that's sure to pay off.

I was a croupier myself for the best part of 15 years and I expected to see the usual depiction of a casino. You know the scene - think of any Bond movie - the Roulette wheel spins so fast that you can't see the numbers, the dealers all have sticks and speak in French accents, the bets are all placed before the ball is spun and all straight up on the number.

Not so this movie. Anyone that has ever been inside a real casino would

recognise this place. The urgency of every punter trying to get the last bet on before the ball drops, the cheats, the sad, sad losers that wait forever to place their last chips.

This is the most realistic depiction of a casino I have ever seen.

Clive Owen is perfect. He has obviously had a lot of training - only one criticism of his technique - he looks in the wheel as the ball is dropping - a good dealer looks at the layout and watches for late bets, he should be the last person to know which number has come up - he must have eyes in the back of his head to

spot a cheat the way he deals!

For realism, you can't fault this film - every character, even the peripheral extras are real and believable - it's a tour de force of perfect character sketches - the plot is almost irrelevant - in fact, it is not quite up to the incredible atmosphere created - but it's good enough, the film is well worth your time. Hell, it's worth watching 2 or 3 times just to catch all of the great little cameos that you might have missed the first time

9 out of 10

CROUPIER (2000) *** Clive Owen, Gina McKee, Alex Kingston, Kate Hardie, Nicholas Ball. British director Mike Hodges returns with his trademark hands-on film noir twisting with Owen – part Connery/part Gibson – as a contemptuous struggling novelist who takes a job as a casino croupier with much disdain for its clientele and the razor's edge trundling of enjoying the afterhours lifestyle while struggling to maintain his identity from his story's semi-autobiographical character. Smartly written by Paul Mayersberg with its pulp fiction heart and soul on display works well until its unfortunately false ending. Owen gives a silky smooth enhancing performance of a man at odds with his life and makes it all look effortless.

I liked some things in this movie. One was that it was narrated in the 3rd person by the star (usually it's someone else who narrates in the third person), another is that I saw a world I didn't know about before. Sure, I know about casinos and bosses and workers, but I didn't know how it worked in Britain. In fact, I saw this as a British version of Casino (except without the mob and violence, though there is some violence). Also, Clive Owen makes a great lead as Jack, who goes through changes in his careers as a writer and a croupier. Possibly the best film to come from Britain this year (so far).

I vaguely remembered when CROUPIER was released in 1998 . It was a heist movie directed by Mike Hodges of GET CARTER fame and it`s a movie that brought Clive Owen to everyone`s notice , but it was a movie I never got round to seeing until a few nights ago when channel 4 broadcast it.

Right away I was convinced that I was going to be watching something that was influenced by CASINO , Hodges directing style of this movie screamed at me Scorsese , Scorsese , Scorsese but after the first ten or so minutes that struck me the movie might not be going anywhere it finally finds its feet . CROUPIER might not be the most compelling movie I`ve seen all year but it is a very interesting drama as we follow Jack Manfred a wannabe writer who works in a casino .

Two things I should point out though : First of all a lot of reviews I read when the movie was originally released is that they over stated the point about this being a " heist " movie when in fact it`s more of a drama . If you`re expecting something along the lines of OCEANS ELEVEN you`re going to be disappointed . Secondly if you have no interest whatsoever in what croupiers or frustrated writers do for a living you`ll probably have little desire in watching this movie . Like I said this is mainly a drama than a crime film and I must say that Hodges has perfectly captured the rather impersonal , empty and lonely atmosphere of London very well , and seeing as Clive Owen seems really at home in a casino wearing a tuxedo he wins my nomination as the next Bond . James Bond

I did start off this review by criticising the start of this movie so I`ll finish by criticising the ending . It`s not the worst ending I`ve ever seen in a movie but I can`t help feeling cheated by the last twenty minutes which sees an unlikely plot twist of Jack visiting a morgue along with some unlikely dialogue with a policeman . We`re also treated to Jack having a telephone conversation which does seem ridiculous almost as though the screenwriter didn`t know how to finish off the screenplay along with a faintly ridiculous final scene