Agrega una trama en tu idiomaA musician is plunged into a world of femmes fatales, espionage, deceit, state-ordered executions and trial by media.A musician is plunged into a world of femmes fatales, espionage, deceit, state-ordered executions and trial by media.A musician is plunged into a world of femmes fatales, espionage, deceit, state-ordered executions and trial by media.
- Premios
- 1 premio ganado en total
Daniel Edwards
- Made-up Woman
- (as Danny Edwards)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
The little-known and underrated Steven Mackintosh stars in this ambitious and complex British thriller which keeps you right on the edge of your seat until the end.
Sadly, the end is a little bit disappointing but when you watch this endlessly twisting conspiracy story you'll soon come to realise that it is just too clever for its own good. And while that's not exactly a compliment, at least this low budget attempt at North by Northwest proves first-time writer/director Julian Simpson is not given to compromise.
The story begins late at night in a Soho bar where unassuming thirtysomething musician Jasper (Mackintosh) is drinking alone until he's joined by stunning blonde, Sarah, played by Natasha Little. She seems very keen to go back to his place, crack open a bottle of vodka and spend the night doing whatever two broad-minded and drunk adults like to do. But at 2am there's a knock at the door and suddenly the pace of The Criminal picks up as Jasper gets a smack in the face and wakes up to find the blonde had been slashed to ribbons and he is the number one murder suspect.
Up steps Bernard Hill as a hard-bitten copper who effs and blinds his way confidently through some fairly ropey dialogue. Unable to come up with substantive evidence, he lets Jasper back on the street (pursued by bumbling police, naturally) and our hero immediately begins to unravel the very murky story behind the murder. Be prepared to pay attention very closely from this point onwards because The Criminal is not a movie for those suffering post-MTV attention deficit disorder.
Mackintosh, whose character probably seemed pretty flat on paper, is onscreen almost constantly and thankfully he's up to the job, rescuing what might otherwise be a celluloid disaster. You might not know his name, but if you've seen Lock Stock, Blue Juice or The Buddha of Suburbia, you'll know the face. There's a good role for Soldier Soldier star Holly Aird as Hill's sidekick but unwarranted top billing goes to stand-up comic Eddie Izzard, who pops up fairly unconvincingly for about ten minutes of screen time in a role that's perhaps a little too vital for someone so inexperienced. Comedy lovers should also watch out for Red Dwarf co-star Norman Lovett in a very brief cameo.
Pick it apart and The Criminal doesn't hold much water. But despite its faults (of which there are a fair few) you are going to find it very hard to switch off without finding out what happens in the end.
Sadly, the end is a little bit disappointing but when you watch this endlessly twisting conspiracy story you'll soon come to realise that it is just too clever for its own good. And while that's not exactly a compliment, at least this low budget attempt at North by Northwest proves first-time writer/director Julian Simpson is not given to compromise.
The story begins late at night in a Soho bar where unassuming thirtysomething musician Jasper (Mackintosh) is drinking alone until he's joined by stunning blonde, Sarah, played by Natasha Little. She seems very keen to go back to his place, crack open a bottle of vodka and spend the night doing whatever two broad-minded and drunk adults like to do. But at 2am there's a knock at the door and suddenly the pace of The Criminal picks up as Jasper gets a smack in the face and wakes up to find the blonde had been slashed to ribbons and he is the number one murder suspect.
Up steps Bernard Hill as a hard-bitten copper who effs and blinds his way confidently through some fairly ropey dialogue. Unable to come up with substantive evidence, he lets Jasper back on the street (pursued by bumbling police, naturally) and our hero immediately begins to unravel the very murky story behind the murder. Be prepared to pay attention very closely from this point onwards because The Criminal is not a movie for those suffering post-MTV attention deficit disorder.
Mackintosh, whose character probably seemed pretty flat on paper, is onscreen almost constantly and thankfully he's up to the job, rescuing what might otherwise be a celluloid disaster. You might not know his name, but if you've seen Lock Stock, Blue Juice or The Buddha of Suburbia, you'll know the face. There's a good role for Soldier Soldier star Holly Aird as Hill's sidekick but unwarranted top billing goes to stand-up comic Eddie Izzard, who pops up fairly unconvincingly for about ten minutes of screen time in a role that's perhaps a little too vital for someone so inexperienced. Comedy lovers should also watch out for Red Dwarf co-star Norman Lovett in a very brief cameo.
Pick it apart and The Criminal doesn't hold much water. But despite its faults (of which there are a fair few) you are going to find it very hard to switch off without finding out what happens in the end.
I saw the Criminal on Palm Pictures VOD and i must say, while at first I was skeptical, I thought it was a fantastic movie that unwounded perfectly with many twists and turns along the way. Each scene gets better and better and the story only gets more confusing but in a way that works towards its advantage rather than the opposite. Once the movie ended, I was just stunned, in almost awe of the film I saw, for everything will come unraveling at the end and doing so in a fantastic way to boot.
The acting I admit was a bit mediocre. The main character was decent, but his acting wasn't award worthy by any standard. The other cops do an okay job as well, with the male police officer being the best, but overall this won't win any awards for acting (note to director: the American girl was awful! She shouldn't be allowed to act ever again!). However, what really wins over is the plot. It does a good job revealing little hints throughout the movie e.g. Usual Suspects to provide the viewer with a grasp of what's going on. But viewer be warned, when you think you know it all, you'll be in for a real surprise. Believe me, i thought this movie was going to be a real cookie cutter noir film. It's much more than that, you just have to be patient with it.
Is The Criminal the film of the decade? Probably not. But it's one hell of a ride. After thirty minutes in you'll be so immersed in the story you might forget all about the mediocre acting. With a great plot, intense action, and unbelievable suspense, The Criminal is one of those surprise films that should get recognized more in the states but probably won't. It's definitely more refreshing than the usual Michael Bay garbage we're used to here.
The acting I admit was a bit mediocre. The main character was decent, but his acting wasn't award worthy by any standard. The other cops do an okay job as well, with the male police officer being the best, but overall this won't win any awards for acting (note to director: the American girl was awful! She shouldn't be allowed to act ever again!). However, what really wins over is the plot. It does a good job revealing little hints throughout the movie e.g. Usual Suspects to provide the viewer with a grasp of what's going on. But viewer be warned, when you think you know it all, you'll be in for a real surprise. Believe me, i thought this movie was going to be a real cookie cutter noir film. It's much more than that, you just have to be patient with it.
Is The Criminal the film of the decade? Probably not. But it's one hell of a ride. After thirty minutes in you'll be so immersed in the story you might forget all about the mediocre acting. With a great plot, intense action, and unbelievable suspense, The Criminal is one of those surprise films that should get recognized more in the states but probably won't. It's definitely more refreshing than the usual Michael Bay garbage we're used to here.
The Criminal is a suspense/thriller that unfortunately lacks much of either. It starts out well enough, with a guy named Jasper picking up a girl in a bar and bringing her home. A man bursts into his house and murders the girl. Jasper is on the run from the police as he tries to prove his innocence and find who the real killer is. The problem is that this has been so many times and this time it is only so-so. Acting is OK, except from the American girl who is just awful. Good opening, but everything just goes down from there and it gets to the point where it just isn't that engaging. Everything is just average. Not embarrassing, but not really worth watching. ** out of ****
'The Criminal' is an overlooked gem that I hadn't heard of prior to it showing up on cable. It captures classic noir in a modern framework with all the appropriate darkness and unsympathetic characters. The British have a knack for such crime drama, and I cringed throughout imagining what the Hollywood version would be like. (I'm surprised filming hasn't already begun.) The cast is brilliant from the top to the bottom of the credits, and the lead, Steven Mackintosh, is particularly outstanding as the trapped innocent attempting to piece together what he's fallen into. When it comes time to pull together the plot elements, writer/director Simpson makes a long stretch and comes up with something outrageous and a bit too easy, and some of the concluding twists feel somewhat contrived, but by this time, it really doesn't matter. The film's fast pace, great acting, and dark cinematography have already succeeded in making it a thoroughly entertaining noir.
Beware all the positive reviews. Reading that this film bears any resemblance to a Guy Ritchie film made me cringe.
"Contrived" never described a film as perfectly as it does this one.
From laughable bad-cop antics, to pointless paranoid schizophrenics and finally to an brief and amateurish handling of serious political issues, "The Criminal" promises to fail to engage the mind of the sophisticated movie-watcher.
That said, "The Criminal" isn't terrible. For the most part, the acting is better than average, and there certainly isn't a lack of action. However the writing and directing are marginal at best. 4 out of 10.
"Contrived" never described a film as perfectly as it does this one.
From laughable bad-cop antics, to pointless paranoid schizophrenics and finally to an brief and amateurish handling of serious political issues, "The Criminal" promises to fail to engage the mind of the sophisticated movie-watcher.
That said, "The Criminal" isn't terrible. For the most part, the acting is better than average, and there certainly isn't a lack of action. However the writing and directing are marginal at best. 4 out of 10.
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- Citas
Peter Hume: The refugees, genocide... they're just a sideshow, distracting everyone from the real agenda: power and influence.
- ConexionesReferenced in Best of the Worst: Our DVD and Blu-ray Collection (2019)
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Detalles
- Tiempo de ejecución
- 1h 39min(99 min)
- Color
- Mezcla de sonido
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