South Park: Más grande, más larga y sin censura

Nothing can prepare you for this film. It's a one off. Undoubtedly the best film I have ever seen. I truly laughed until I cried in the cinema showing, bought the video and the soundtrack - which I never do - and have watched it several times over. The political undertones are frighteningly poignant. The idea is brilliant. It's the antidisney. It's a fart in the face of those who wage war in the name of decency. It's a bunch of foul mouthed kids spewing profanity. It's better than good versus evil; it challenges us to asses the criteria upon which we judge good and evil. It pokes fun at everyone, white, black, Jewish, Christian - but particularly the stupid and the bigoted. by ridiculing the fuss that is made against profanity, the writers have safeguarded themselves against adverse publicity from complaints. It's what the film is about in the first place. My only complaint is that this film is so brilliant that it made Team America seem tame.

First of all, let me preface this by saying that I am not a huge fan of South Park the TV show. While I find the TV show amusing, I do not watch it more than once every few months. So I had doubts about the movie, but my brother insisted I watch it. So I did and ended up purchasing the DVD the next day.

All comedy aside, this is one of the most masterfully written movies I have ever seen. The songs are hilariously funny and the way that they incorporate all the individual songs into one masterpiece is sheer genius. Probably one of the best musicals I have seen.

As for the humor, don't watch this if you are easily offended, because you will be offended.

Funny, funny, funny. 10 stars.

In the quiet little town of South Park Stan, Kyle, Cartman and Kenny bride a tramp to sneak them into an R screening of the new Terrance & Phillip movie. They emerge foul mouthed and with attitude as a result of the movie and, while repeating a stunt in the film, Kenny is killed and sent to Hell. Kyle's mother leads a movement against the Canadian comedians that results in their arrest and sentencing to death. Meanwhile in Hell, Satan and his lover Saddam Hussain prepare for the killing of Terrance & Phillip – the sign of the coming of the new time where Satan will rise again to rule the earth. Can Stan, Kyle, Cartman and Kenny save the comedians, stop the censorship movement that blames society for bad behaviour and prevent Satan and Saddam from destroying the world?

I suspect those that hate this movie are generally those who hate the TV show, where those who liked it may not be those who watch the show. I'm a fan of the show but I not such a fan that I blind to the lack of consistency at times in the show – some episodes are dumb and lack wit, trading on swear words and forced jokes. However I fell in love with this movie from my first time seeing it. The film is funny in the same sort of silly juvenile way that the series is. It has the same strange sense of humour – witness Conan O'Brien having a `Judas' moment and throwing himself to his death!

However on top on this it is imaginative. How many other crude films would do it as a musical. I'm not saying that this makes it more worthy than gross out comedies like American Pie etc, but it is cleverer. The musical element adds to the film and helps it's stretched running time. The songs are all catchy and are better than some of Lloyd-Webber's stuff! They are choreographed well and just feel funnier due to the situation and the lyrics! For example Satan's song `Up there' is excellent but hilarious because of who's singing it and the sentiments he's expressing!

The irony of the film is not lost. The accusations levelled at the South Park Movie are those that the mothers in the film level at Terrance & Phillip. The story actually answers it's own critics while telling the story! It's not perfect and it does go a bit over the top and maybe begins to think that it is cleverer than it actually is.

The voice work is as excellent as always and Parker and Stone carry this the whole way home. Guest stars add some interest but really all I need is Cartman et al and I'm set!

Overall I am a South park fan and I really enjoyed this. Not just because of the elements of the show that are reproduced here but also how clever it feels (even if it isn't always as smart as it wants to be). This isn't a cheap TV spin off into a movie this is a film that is imaginative and funny. Haters of the show will hate this but this may win you over if you thought the TV show was juvenile and a waste of time.

South Park: Bigger, Longer and Un-cut is a great movie. Not only because the TV show (South Park) is one of the best animated shows of the 90's but also because of it's comedy, political and social satire, and though you can't see it right away, a look into censorship and what bad and good qualities it's doing to American life. And it also shows that Trey Parker and Matt Stone seem just like a bunch of comedy writers and composers, but that they could be truly freedom fighters by show-casing this film.

The story is about the four boys of South Park (Stan Marsh, Kyle Broflovski, Kenny McCormick, and Eric Cartman) and after they go into a rated R Terrence and Phillip flick, they start to use their new founded dirty words to excessive use. Since the film is Canadian, a war breaks out between Canada and America. Kenny dies (thats not a giveaway because on the TV show Kenny dies in every episode) and winds up in hell to find Sadaam Hussein and Satan as gay lovers. Both plot sides are very hilarious (depending on if you watch the show) and it's very satirical (if you don't believe me, just look at Bill Gates getting shot in the movie).

The Movie seems quite content in it's dirty foul-ness and funny comedy musical type way to make us laugh (not that thats a bad thing), but I think that Matt and Trey are tying to tell us something with this film. It is a wakeup call to America that if censorship doesn't change soon, we might actually go to war with a country over something as arbitrary as censorship and freedom. Or... it's just a good old fashioned comedy with fart jokes, sex humor, and a Winona Ryder playing ping-pong in her private area. Of course that's just my opinion, I could be wrong. Never-the-less, this film is one of the best of the year. A++

I was not a fan of South Park before I saw BL&U, nor was I a fan of movie musicals. Well, I'm still not a fan of musicals, but I'm a fan of *this* musical, and am grateful to Parker and Stone for demonstrating that it's still possible to make a great movie on one's own terms.

For this movie, unlike the usual feature-length adaptation of a pop culture phenomenon, not only lives up to its pedigree, it wildly exceeds it. Yes, the movie does recycle many of the show's jokes, but it does so in new yet relevant contexts that keep the material funny if you are familiar with the South Park world. If you aren't familiar with that world (as I wasn't before seeing the movie), the gags are simultaneously accessible yet often subtle.

Subtle? Yes, many of the gags are. Indeed, one of the pleasures of owning a copy of the movie is having the ability to review the movie, in slo-mo if necessary, and discover throwaway sight gags that one has missed in the delirium of watching this anarchic satire the first time through. (And if you have the DVD, you can add subtitles to catch many of the songs' often elusive lyrics.)

Then there's the music. What is it about movie musicals that attracts great satiric minds? Not since Pynchon's "Gravity's Rainbow" has a work of art so subversively exploited the conventions of the movie musical as South Park. From the droll opening strains of Mountain Town, to the Disneyesque "Up There," to the Les Miserables spoof, "La Resistance," South Park simultaneously sends up the genre while paying homage to it, and still finds room to use the songs to score delicious points against its myriad targets.

One last thing: this movie is not cynical. Beneath the scatological humor, the cartoon violence, the scathing portrayals of Wynona Ryder et al, and the backdrop of adult xenophobia, sexual repression and political opportunism, is a sensibility that exalts childhood as an island of honesty and idealism, if also of id-like impulse and frequent selfishness. In this they share space on the shelf of great satires with "Candide," "Gulliver's Travels," "Tom Sawyer" and especially "Huckleberry Finn"--classics that, like BL&U, also exposed the hypocrisies of the adult world "through the eyes of a child."

Elvis Costello once sang, "I want to bite the hand that feeds me/I want to bite that hand so badly/I want to make them wish they'd never met me." That BLU was shut out at the Academy Awards (having only garnered a nomination for the relatively tame "Blame Canada", which lost, appropriately enough, to the execrable Phil Collins) only vindicates the film's take-no-prisoners send-up of nearly everything that annoys in this suffociatingly focus-group-tested, PC-policed, cynically sentimental, violence-ridden, love-starved modern world. See this movie, and see the persistence of hope and possibility sparkling like a diamond amid the pop culture detritus of a quiet little red-necked, white-trash, strait-laced, mesuggeneh, US mountain town.