Via Satellite

This tale set in Wellington, New Zealand suburbia (Tawa -home of the renowned Tawa College) is McCarten's first feature.

With a contemporary New Zealand flavour Via Satellite abounds with absolutely hilarious situations which develop in the (adult) family context. At the same time it manages to invoke intense emotions of sadness and despair.

One of the most moving and humourous movies of the year - not to be missed!

I think Via Satellite is one of the best New Zealand made movies around. I loved the way the movie delt with all the characters within the entire movie. It was brilliant, and a heartfelt movie.

A well made movie, one which I will always remember, and watch again.

Like a cross between Secrets & Lies and the Australian comedy The Castle, this film puts an "ordinary" (but dysfunctional) suburban family under pressure and under scrutiny, and then lets us sit back and watch what happens. It's a stylishly shot budget film with some excellent moments, and a few real laugh-out-loud scenes.

True, the film's a bit slow in the middle, and there are some small lapses in continuity, but the beginning and ending are good, and the actors all perform well throughout. Danielle Cormack does a particularly fine job as Chrissy/Carol, and Tim Balme is wonderfully quirky as the frustrated and frustrating Ken. This is writer/director Anthony McCarten's first feature film, but no doubt we'll see more of his work.

Incidentally, while walking out of the theatre, I chatted with another viewer who said, "When my daughter was competing in the Olympics, and the tv crew came to film my family, it was nothing like this. It was really exciting. I'm sad this film didn't capture that kind of excitement and good feeling that we all felt watching her compete." Her comment may truly reflect surburban life, but that's not what Via Satellite is about, and McCarten's story explores more interesting issues.

Anthony McGarten has adapted his play, Via Satellite, and directed the best comedic film to come out of New Zealand for a long time. Chrissy Dunn (Danielle Cormack) is a drop-out. She hasn't achieved much in her latter years and has grown resentful of her family since her father's deathbed confession. Her twin sister, Carol (also portrayed by Danielle Cormack) is basking in the media limelight as she represents New Zealand in swimming at the Olympics. A middle-aged, desireless and desperate director (Brian Sergent) and his good-natured cameraman - who is also Chrissy's one-night stand from the night previous - Paul (Karl Urban) film the Dunn family's proudest moment; watching Carol swim to victory. This wouldn't be so bad but Chrissy's family is the epitome of embarrassing. First of all there is the matriach of the Wellingtonian Dunns, Joyce (Donna Akerston). She makes fairy cakes and cocktail sausages for the all-important film crew and refuses to change the way she is. Her oldest daughter, Jen (Rima Te Wiata) is desperate to be something more than common. She has a nice home (with bedroom walls painted "Blackberry sorbet"), expensive tastes and a nasty parasitic attitude to match. She is also nearing 40 and desparate for a child. Her husband, Ken (Tim Balme) is an electrician and forces himself on jobs that don't need doing...as well as doing jobs that need to be done, ie Jen. The middle daughter, Lyn (Jodie Dorday - who won Best Supporting Actress at New Zealand Film Awards for this portrayal)is a "knocked-up" tart who has a dubious history with Ken. Both older sisters clash, the mother is in a state, Ken is as bad a ToolTime Tim Taylor, Carol is fuelling her Olympic desire and Chrissy is aware all of this is to be splashed on national tv - why shouldn't she be embarrassed? It is great to see some famous New Zealand faces perform in the suburban comedy that has witty lines to spare. I loved the sparring between Jen and Lyn. One is like an adult Mona-my-biological-clock-is-ticking-away, the other a narcisstic tramp who has what her sister desires - a bun in the oven. Climax of the film is quite sentimental and is nicely done. The performances are a treat and the film works perfectly. A great way to spend an hour-and-a-half.

A disappointing film.

The story established our protagonist as Chrissy, a 'young', rather sullen individual drifting, not doing much. Actually she does very little to move the narrative along so it didn't surprise me to see the focus shifting on her relatives. It's a pity though, Chrissy seem like interesting character.

Story was predictable and at times felt quite formulated. So the question now is, when are we going to see the Campions, Jacksons, and the Tamahori's breaking ground with compelling, cinematically-told stories that will inspire, rather than entertain for the toll of two hours?

Technically, a disgusting shot film.