Agrega una trama en tu idiomaA desperate writer fights for survival when the Mexican mob involves him in murder.A desperate writer fights for survival when the Mexican mob involves him in murder.A desperate writer fights for survival when the Mexican mob involves him in murder.
- Dirección
- Guionista
- Elenco
- Premios
- 1 premio ganado en total
Enrique Renaldo
- Manuel
- (as Enrique Rinaldo)
Felicia Kamriani
- Louis' Wife
- (as Felicia Khoja)
Armando José Durán
- Federale
- (as Armando Jose Duran)
Alejandro Patiño
- Fruit Vendor
- (as Alejandro Patino)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
10lea-1
There are plenty enough reviews that summarize the plot and give the synopsis of the story but they rarely ever tell you about the movie itself and why you might like to see it. So, if you want to know what the movie is about read the plot outline, read some of the other reviews or read the back of the DVD box. If you want to know why I think this movie is really good, read on.
One of the things I like best about La Cucaracha is that nothing is revealed too soon. Like an intricately folded napkin in a fancy restaurant, the characters slowly unfold their secrets allowing glances at their true selves and in so doing, completely undo their original appearance. It is not until the very end that you know who anyone really is. Eric Roberts gives one of the most engaging performances and plays one of the most likable characters I've seen from him. He gives subtle urgency a whole new meaning. Don't be surprised if you find yourself leaning forward in your seat, your forehead furrowed as you listen to Walter coming clean with his true identity. You may even find yourself rethinking all those assumptions you've made about the people you've met in your past and the things you've done or have yet to do. The rest of the cast is spot on as well. Their characters are all dealing with the deep emotional impact and ramifactions of their own deeds and you feel their pain, you see it etched on their faces. Aspiring filmmakers can learn a lot from this one. The camera work and lighting are so precise that they work as unseen hands in helping the characters reveal themselves to us and each other. Audiences who just like watching a good movie with a good story and interesting characters will love it too. This movie shows the real magic and artistry of film-making.
James McManus wrote a really tight story with just enough humour to keep you from being drawn too deeply in the dark depression that is Walter's life. Jack Perez has once again proven his ability to pull an enormous and beautiful rabbit out of a very small hat. For a real treat and one of the best commentary tracks ever made, buy or rent the DVD.
One of the things I like best about La Cucaracha is that nothing is revealed too soon. Like an intricately folded napkin in a fancy restaurant, the characters slowly unfold their secrets allowing glances at their true selves and in so doing, completely undo their original appearance. It is not until the very end that you know who anyone really is. Eric Roberts gives one of the most engaging performances and plays one of the most likable characters I've seen from him. He gives subtle urgency a whole new meaning. Don't be surprised if you find yourself leaning forward in your seat, your forehead furrowed as you listen to Walter coming clean with his true identity. You may even find yourself rethinking all those assumptions you've made about the people you've met in your past and the things you've done or have yet to do. The rest of the cast is spot on as well. Their characters are all dealing with the deep emotional impact and ramifactions of their own deeds and you feel their pain, you see it etched on their faces. Aspiring filmmakers can learn a lot from this one. The camera work and lighting are so precise that they work as unseen hands in helping the characters reveal themselves to us and each other. Audiences who just like watching a good movie with a good story and interesting characters will love it too. This movie shows the real magic and artistry of film-making.
James McManus wrote a really tight story with just enough humour to keep you from being drawn too deeply in the dark depression that is Walter's life. Jack Perez has once again proven his ability to pull an enormous and beautiful rabbit out of a very small hat. For a real treat and one of the best commentary tracks ever made, buy or rent the DVD.
This is a top favorite Robert's film for me!
It's an odd casting for Roberts for some, but in 2023 it just shows how capable he is in practically ever genre! I'd love to see him do more of this!
THIS film is very quirky, dramatic, humorous at times ( thanks to roberts comedic talent) and a lot of not what you would expect. I'm not sure why but, I got wonderful smidgens of those wonderful old Sergio Leone films melded with modern expressionism. It's very different to describe this one because it doesn't fit neatly into a 'box'! It's part western, part drama, part comedy and a lot of surprise.
Well worth a watch if you like all above.
It's an odd casting for Roberts for some, but in 2023 it just shows how capable he is in practically ever genre! I'd love to see him do more of this!
THIS film is very quirky, dramatic, humorous at times ( thanks to roberts comedic talent) and a lot of not what you would expect. I'm not sure why but, I got wonderful smidgens of those wonderful old Sergio Leone films melded with modern expressionism. It's very different to describe this one because it doesn't fit neatly into a 'box'! It's part western, part drama, part comedy and a lot of surprise.
Well worth a watch if you like all above.
Hoping to flee a life of all-American banality, Walter Pool (Eric Roberts)begins anew in Mexico with the aim of writing a novel. He only succeeds in becoming an alcoholic loner, as he lacks the drive and verbal polish to become a writer. His routinized escape from routine does take on a new twist when he becomes involved with shady characters who do have drive (a willingness to deceive and kill to meet their ends), and verbal polish (speaking in over-the-top purple prose to justify their crimes.)
*La Cucaracha* unveils the hollowness of cultivated words and calculated appearances (e.g. the crime king in Armani suits speaks of the ennobling power of suffering, sheds copious tears and makes spectacular shows of philanthropy); however, actions ultimately reveal character. As Pool, Eric Roberts succeeds in playing a man whose verbal inarticulateness painfully reflects his moral inarticulateness. Even though he can't find his writer's voice, does he still have a voice of conscience? Does he have the will to transform his life through action, whether corrupt or heroic? Not since *Bring Me the Head of Alfredo Garcia* have I seen the "loser in search of redemption in a tragic, corrupt world" theme played so well.
Although Eric Roberts' acting is superb (especially the scene in which he finally meets and breaks down before the woman he had so idolized), *La Cucaracha* is definitely not for everyone. There is no morally unambiguous hero, and the violence is somewhat heavy, though not mindless--the consequences of violence are frequently the subject of deliberation and remorse. Some might find the dialogue a bit stilted, although it might be more fairly compared to older noir films rather than the quick, punchy dialogue in a lot of recent crime films. If you like noir, character studies of ex-pat drifters, *and* Eric Roberts (his *Coca-Cola Kid*/*Star 80* caliber performances, as opposed to the *Best of the Best Series*), then this could well be for you.
*La Cucaracha* unveils the hollowness of cultivated words and calculated appearances (e.g. the crime king in Armani suits speaks of the ennobling power of suffering, sheds copious tears and makes spectacular shows of philanthropy); however, actions ultimately reveal character. As Pool, Eric Roberts succeeds in playing a man whose verbal inarticulateness painfully reflects his moral inarticulateness. Even though he can't find his writer's voice, does he still have a voice of conscience? Does he have the will to transform his life through action, whether corrupt or heroic? Not since *Bring Me the Head of Alfredo Garcia* have I seen the "loser in search of redemption in a tragic, corrupt world" theme played so well.
Although Eric Roberts' acting is superb (especially the scene in which he finally meets and breaks down before the woman he had so idolized), *La Cucaracha* is definitely not for everyone. There is no morally unambiguous hero, and the violence is somewhat heavy, though not mindless--the consequences of violence are frequently the subject of deliberation and remorse. Some might find the dialogue a bit stilted, although it might be more fairly compared to older noir films rather than the quick, punchy dialogue in a lot of recent crime films. If you like noir, character studies of ex-pat drifters, *and* Eric Roberts (his *Coca-Cola Kid*/*Star 80* caliber performances, as opposed to the *Best of the Best Series*), then this could well be for you.
This is an interesting movie. Not the normal type of role for Eric Roberts but as usual, he does a perfect job.
Things start off interestingly with Walter running for the local cantina for some beer and it gets even more interesting from there.
Robert's character Pool seems a bit shallow at times and leaves me wondering about his wanting to be a writer. I wonder what he would have written?
Good movie - don't miss it.
Things start off interestingly with Walter running for the local cantina for some beer and it gets even more interesting from there.
Robert's character Pool seems a bit shallow at times and leaves me wondering about his wanting to be a writer. I wonder what he would have written?
Good movie - don't miss it.
i bought this film close to three days ago because in england you can't catch eric roberts films everyday. I was interested in this film not only because i am a massive eric roberts fan but the idea of the film was unique. the first thing you immedietly notice with this film is that it is very low-budget, but so many independent films are, and once you give the film the initial five to ten minutes you will start to enjoy the very twisted plot. The plot is an american man gets hired to do a hit and with many twists and turns the film will unravel. beware if you don't like a film set entirly in mexico with mexican music do not get this film, believe me i am a massive eric roberts fan but the whole mexican thing got very annoying later on in the film. OVERALL a good solid eric roberts performance with the odd laugh, the odd killing and the certainly odd plot. i must finally say that joagim de almeida puts in a stunning bad guy performance even topping his portrayal as "bucho" in desperado.
¿Sabías que…?
- TriviaThe shooting schedule was 18 days, and the budget barely allowed for scenes to be re-shot; for the festival scene, there were only enough fireworks for two takes.
- Bandas sonorasSouth of the Border (Down Mexico Way)
Written by Michael Carr and Jimmy Kennedy
Performed by Patsy Cline
Courtesy of MCA Records
By Arrangement with Universal Special Markets
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Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- También se conoce como
- La cucaracha
- Locaciones de filmación
- Chatsworth, Los Ángeles, California, Estados Unidos(rural exteriors)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 3,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 14,692
- Fin de semana de estreno en EE. UU. y Canadá
- USD 14,692
- 25 abr 1999
- Total a nivel mundial
- USD 14,692
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