Enigma

The movie concerns upon an investigation team in the Bletchley Park mansion with the aim to decipher communication keys of German submarines during second world war.

In the squad there are a wise nut-head (Dougray Scott) , an ugly and outcast girl (Kate Winslet) and another rush and beautiful (Saffron Burrows), and yet a clever investigator (Jeremy Norton).

The movie mingles mystery , action , a love story , thriller and it's quite amusing.

The flick is paced to nick of time , as they ought to figure out the clues by means of the Enigma , a mechanical device before that an Allied fleet was found by German subs .

One of the motivations behind shooting this picture was the indignation of many British World War 2 veterans over the movie U-571 , in which the capture of the Enigma was shown to be done by American navy soldiers .

Michael Apted direction is nice , he creates enough suspense , we're very interested in the events , besides being based on real deeds.

Final feature film with a full music score composed by John Barry , his music is fascinating likeness to "Dancing with wolves" and a lot of hits during his long career thirty years ago .

It was such a thrilling movie that had a great success in box office.

The film will appeal to emotions enthusiasts and suspense fans.

Rating: 7/10 above average .

"Enigma" blends fact with fiction as it tells a carefully crafted story about the unseen and unsung heros of British WWII code-cracking who decrypted the infamous "Enigma" code which Germany used to command it's U-boat armada in the North Atlantic putting allied convoys in peril. With plenty of history and super-secret code cracking to feed the left brain and a dramatic tale of a top code-cracker and his surreptitious affairs of heart and mind for the right brain, "Enigma" has something to offer everyone. The film manages it's intricate plot well, offers solid performances, blends intrigues with lots of WWII crypto-speak, and moves along swiftly while staying real and avoiding the usual excesses of filmdom. A smart flick for smart minds. (B+)

Firstly: no, it's NOT a scandal that Alan Turing isn't mentioned. He couldn't be mentioned without being made into a character and given a role in the story - which would mean, among other things, placing him on the list of suspected traitors, at least temporarily, which would either be a slur, or (assuming it wasn't a slur because we'd immediately know him to be innocent) a constraint on the mystery. Throwing in a clearly fictitious genius was the right thing to do. (Turing was the most important, but not the only, genius involved.)

The main problem with "Enigma" is that emphasis is badly misplaced. I was interested in (a) how the war effort was going, (b) whether Bletchley Park would come up with solutions in time, (c) HOW the process of breaking codes was actually carried out, and (d) when Tom would get over his idiotic infatuation with that annoying blonde chick and fall, as any sensible person would, for the dynamic and twenty-times-more-attractive Hester (Kate Winslet). I won't swear that I was interested in these things in that order, but I WAS interested in them to the exclusion of everything else; the mystery subplot involving Claire that for some reason becomes THE plot, was a distraction. Its twists and turns (they come along like clockwork every fifteen minutes) are of the kind you don't even bother trying to follow. You just wait for the next confrontation between Dougray Scott and Jeremy Northam, of which Stoppard's (or Harris's) mechanical sleight-of-hand is just a means of providing. A pity he couldn't have found some other means - or moved Northam's character to a different movie altogether, where he wouldn't take time away from Enigma, Winslet's character, etc.

The film - and the script, too, all things considered - is well put together (intelligent writing, excellent acting and photography), so the Claire subplot makes it a real missed opportunity.

You realise how little known Alan Turing was only twenty years ago when you eventually discover he's been transformed into dashing Tom Jericho romantically involved with Saffron Burrows - as Daphne to Kate Winslet's Velma - and not to take this too seriously as history.

As a slick drama with a John Barry score it's enjoyable enough, although it does rather ramble until the final plot development that serves to remind us that it's based on a novel by the same author as 'Fatherland'.

This is a rare pleasure of a film - one that is prepared to treat its viewers intelligently and tell a war-time story without explosives and histrionics and without falsifying history to glorify the Americans. It is based on the best-selling novel by Robert Harris whose previous work `Fatherland' suffered so badly when translated to the screen. Here he has a decent screenplay from Tom Stoppard, assured direction from Michael Apsted, and three fine performances by British actors.

Dougray Scott, in a very different role from his `Mission Impossible 2' outing, has lost weight to portray brilliant, but tortured, code-breaker Tom Jericho at Britain's war-time Bletchley Park; Kate Winslet put on weight (she was pregnant at the time) for a performance far removed from `Titantic' as the frumpy, but clever, Hester; and Jeremy Northam is excellent as the sardonic secret service agent Wigram who knows far more than he is prepared to reveal.