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Tokyo Eyes

  • 1998
  • 1h 37min
CALIFICACIÓN DE IMDb
6.6/10
1.4 k
TU CALIFICACIÓN
Tokyo Eyes (1998)
ComediaThriller

Agrega una trama en tu idiomaThe police are tracking a man who shoots at people. But the young sister of a detective find that he's not the mad vigilante portrayed in newspapers.The police are tracking a man who shoots at people. But the young sister of a detective find that he's not the mad vigilante portrayed in newspapers.The police are tracking a man who shoots at people. But the young sister of a detective find that he's not the mad vigilante portrayed in newspapers.

  • Dirección
    • Jean-Pierre Limosin
  • Guionistas
    • Jean-Pierre Limosin
    • Santiago Amigorena
    • Philippe Madral
  • Elenco
    • Shinji Takeda
    • Hinano Yoshikawa
    • Kaori Mizushima
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.6/10
    1.4 k
    TU CALIFICACIÓN
    • Dirección
      • Jean-Pierre Limosin
    • Guionistas
      • Jean-Pierre Limosin
      • Santiago Amigorena
      • Philippe Madral
    • Elenco
      • Shinji Takeda
      • Hinano Yoshikawa
      • Kaori Mizushima
    • 19Opiniones de los usuarios
    • 16Opiniones de los críticos
    • 52Metascore
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
    • Premios
      • 1 premio ganado y 1 nominación en total

    Fotos13

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    Elenco principal31

    Editar
    Shinji Takeda
    • K
    Hinano Yoshikawa
    • Hinano
    Kaori Mizushima
    • Naomi
    Tetta Sugimoto
    • Roy
    Ren Ôsugi
    Ren Ôsugi
    • Bus driver
    Masayuki Yui
    Masayuki Yui
    • Manager of beauty parlor
    Moro Morooka
    Moro Morooka
    • Video shop clerk
    Ken Mitsuishi
    • Video shop customer
    Fumiya Tanaka
    • D.J.
    Hidaki Oikawa
    • Bouncer
    Asaidori
    • Bouncer
    Yôichirô Saitô
    • Boy at disco
    Minako Hashimoto
    • Girl at disco
    Hiroyuki Ikeuchi
    Hiroyuki Ikeuchi
    • Boy in quarrel
    Kirina Mano
    • Girl in quarrel
    Karia Nomoto
    • Woman at phone booth
    Sakurako Mitsui
    • Girl with walkman
    Yoshitaka Kaizu
    • Victims
    • Dirección
      • Jean-Pierre Limosin
    • Guionistas
      • Jean-Pierre Limosin
      • Santiago Amigorena
      • Philippe Madral
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios19

    6.61.4K
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    Opiniones destacadas

    dmuel

    stylish without substance

    This is an intriguing film in its early running. Its protagonist is driven by estrangement to aberrant behavior, and his budding relation with a kindred spirit makes for a potentially unusual story. But, ultimately it falls flat, never delivering any real punch. The acting is a little light weight to boot, too. Tekeshi Kitano has a near cameo role which does nothing for the momentum of the film, playing a Yakuza who shows up to retrieve a gun, and is more a distraction than anything else. There are many better Japanese films directed by real Japanese.
    son_of_minya

    Don't listen to the critics on this one

    This film, more than any other, has me convinced the critics are completely clueless. It is a perfect blend of everything great about French, Hong Kong, and Japanese storytelling.

    Hinano Yoshikawa is vulnerable--and beautiful--throughout. Saying her acting was bad is like saying Juliette Lewis was bad in Cape Fear. If she really is so clueless in real life, well that was just genius casting. Shinji Takeda also gives a great, naturalistic performance.

    The last 15 minutes is often criticized or misunderstood. This is really a case of French "who cares what it means, it's beautiful" meets Japanese "you should know what it means, we don't have to explain it." From an American screenwriting craft POV, one may say that it diverges too much from the preceding story, but...I was rapt to the screen and deeply satisfied when the credits rolled.

    Critics of this film--and you should watch for this in the future--use phrases such as "something like" and "more or less." In criticizing Kitano's cameo, in particular, it is clear they have no idea what they're talking about. Anyone who is a big enough fan to have actually seen Kitano hit someone on the head with a giant hammer--purposely--will know that this is a classic Kitano performance.
    grizzabella_cat2003-1

    a nice black humor comedy

    Maybe the actors are not very well known and the plot is kinda strange but the story is really funny and entertaining is ideal in order to have a good time. It's a movie that combines comedy, action and a kind of strange romance.
    7sebastian_goofy

    Great expression of the "Techno-Culture"

    This movie is of course about a killer. A killer that misses his target by intention. But this movie is beyond this plot something else: It is the movie that is the best expression of the "Techno-Culture" (the style "Techno", of electronic music) i ever saw.

    I'm not talking about the culture as it is seen from outside- people that are said to be (and often are) using synthetical drugs to dance the whole night to "stupid" music. I'm talking about what Techno is like, the feelings we had, why we listened to Techno.

    This movie is about a boy, who wants to change the people in the world he lives in. Not in big means, just in small steps. In what he can reach. And he wants to do so in a (somehow) peaceful way. Also, it has some incredible beautiful scenes, scattered throughout it- like the faint moments of beauty in the monotone beat. There is some kind of a monotone background as you see the masses of concrete, the city with the crowds going to work or returning home, where these beautiful moments are scattered upon in a chaotic manner.

    So do we feel, like the movie: Lost in that chaotic world, emotionless and grey as concrete, drifting through our life. Sometimes, we see the beauty, in nature, in the eyes of our girlfriend, or hear it in the music, or just feel it. And we want to change the world to something better, at least where we can achieve it, in a subtle way.

    This movie feels like the morning when you danced through the night before, lost in the music. When you go outside, climb up from the club to the streets, the sun already risen, and the people doing their business, and you are completely lost in that world- and you feel the beauty of life. When you see the beauty of this morning, and you know all the people surrounding you could see it too, if they were awake. This is what Techno feels like. Nothing more. But nothing less.
    WaterRat

    Very interesting film, highly enjoyable.

    I really enjoyed this movie, especially since it had a "guest" appearance by one of my favourite Japanese actors, none other than Takeshi Kitano. The movie is a mix of suspense thriller and commentary on the life and attitudes of people in large urban areas (not necessarily just in Japan) and reflects some aspects of life in Tokyo quite well. Highly recommended.

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    • Trivia
      At first, the Tokyo Eyes original script was written like a traditional French film, with local cast and crew and the movie had to be shot in Paris. However, the director suddenly changed his mind and decided to shoot it in Japan with a Japanese cast. The director and the chief-operator, both French, did not speak Japanese but they decided to take the challenge anyway and accepted to work with a Japanese cast and crew.
    • Conexiones
      Features La guerra de las galaxias (1977)
    • Bandas sonoras
      Pauvre Lola
      Written by Serge Gainsbourg

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    Detalles

    Editar
    • Fecha de lanzamiento
      • 9 de septiembre de 1998 (Francia)
    • Países de origen
      • Japón
      • Francia
    • Idiomas
      • Japonés
      • Francés
    • También se conoce como
      • Глаза Токио
    • Locaciones de filmación
      • Tokio, Japón
    • Productoras
      • Euro Space
      • Lumen Films
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      • 1h 37min(97 min)
    • Color
      • Color
    • Mezcla de sonido
      • Dolby SR
    • Relación de aspecto
      • 1.66 : 1

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