Perfect Blue

Roger Corman is quoted as considering this a cross between Walt Disney and Alfred Hitchcock, whilst others have referenced Argento and Lynch. Whilst I'm not particularly keen on any of these comparisons, it is certainly true to say that this film, even though it is animated, is much closer to live action than what we normally consider animation. There are times when you forget you are watching animation, the urban shots of Tokyo are mesmerising, and I have certainly never seen so much blood in an animated film. I was going to say violence but I guess there is plenty of that in a Tom and Jerry short. This, of course, is much harder edged and although it begins in pink, girlie, teen idol territory it is not there for long and there are delirious sequences towards the end when it will not only be the person on screen who is having an identity crisis!

Mima Kirigoes is part of a young idol group Cham, but she decides to move on and kick-start a career as an actress with some help by her pressuring agent. To change her image, she accepts some confronting roles, which eventuates into her downward spiral between realities and virtual. She discovers an Internet site that knows her every move and those responsible for growing success in the acting industry end up brutally killed.

Well, what can I say? Simply, I forgot that I originally saw this wonderfully, stunning anime picture before. I don't know how it left my mind, because it's very chilling and effective across the board. Based on Yoshikazu Takeuchi's novel, "Perfect Blue" is an intoxicatedly, shocking psychological thriller that does resemble some works of Lynch, Polanski, De Palma and rightly so, Hitchcock. Even a giallo imprint shines heavily within the mixture.

The mature plot boldly plays it cards at a mild pace and eventually forms a structure like a rubrics cube. I wouldn't go out of my way to call it complicated, but there's stylish imagination and cerebral details that gladly doesn't fall into a convoluted mess. The characters' persona's are well defined and emotionally attachable. It can turn into an uncomfortable ride, where dazzling images of fact and fiction skews into one. You can't help but get those disorientating spells that the distraught Mima succumbs to on her journey to find her feet as an mature entertainer. Where her dreams become her anxiety, as she's too sensitive to how she's being perceived then being her true self. Her clean-cut image becomes tainted and a growing obsession towards her takes its tole on her fractured and vulnerable mind.

Paranoia, delusions and a dreamlike air are cooked up with an array of tension and creepy visuals. The animation isn't a visual goldmine, but its showered with powerfully focused and flashed up images that manage to keep the viewer at bay. The pressure building dialogues are quite biting, and the revealing twist catches you off guard because of the superb use of artificial dreams with its fast editing and exhilaratingly moody soundtrack.

You don't have to be a fan of animation to enjoy this piece. So, if you come across it, give it a chance.

Plot twist, after plot twist, twisting time at every second. As in every Satoshi Kon film, time is warped, un-bended and bended again, but it is always engaging and fantastical to watch. Black Swan definitely seems to have been inspired by this, for it is simply perfect... blue. Still don't know why it's called that.

OK, this is definitely one anime movie that really has this creepy feel that clings to you as you watch. The animation is really good as characters and movements appear so life-like, it seems like reality. There's definitely the theme of 'identity' and Mima's difficulty distinguishing reality from illusion. Her paranoia and fear tends to grab your attention and as she asks questions, you ask the same ones. I thought the film also played well with celebrity infatuation and the price of fame. It really had a lot going for it and the different camera angles give a very dreamy, mysterious atmosphere. One great shot is the zoom out from Mima's apartment. I could've sworn that was a real city.

"Who are you?" sums up this movie. What a film. By the way, CHAM's song is really catchy.

Japanese animation has become a very popular style of animation in Western culture due to the wide range of genres it employs and its many different approaches to storytelling; two elements that immediately set it apart from the common Western style of cartoons that almost always are made for children only. Satoshi Kon's "Perfect Blue" quickly became a favorite among western fans of anime because it explored themes rarely seen in western animation; themes that had more in common with the horror genre such as obsessions, murders and suspense.

The story revolves around Mima (Junko Iwao), a young singer who is quickly becoming an idol as part of the musical trio "Cham". In order to make her career more marketable her managers make her leave the group and join the cast of a famous TV series. However, her new role is considerable different than the cute image she portrayed in "Cham", as it requires her to do nude scenes including a rape scene. At the same time she tries to adjust to her new job, someone begins to stalk her and to brutally kill those near her artistic career and Mima begins to wonder if she is really doing the right thing.

"Perfect Blue" is often labeled as a classic of Japanese animation because it presents a way different kind of story to those used to family-oriented animation. In is closer to an Italian Giallo than to a normal cartoon both in thematics and in style. The use of animation as a medium allows director Satoshi Kon to create stylish images of high surrealism as well as powerful images of violence. It is not something young children should watch.

Based on a novel by Yoshikazu Takeuchi, the film offers an interesting and harsh criticism to the "idol culture" in Japan, and its exaggerated portrait of an obsessed fan is an extreme, yet hauntingly realist image of insane obsessions. The story has been labeled as "Hitchcocknian", but its lack of subtlety in terms of graphic violence and nudity, as well as its high level of surrealism puts it closer to the stylish Italian sub-genre of Giallo.

By keeping the story around Mima, Satoshi Kon creates haunting atmospheres of paranoia as Mima feels strange in her new career; while it sacrifices character development of the supporting characters, this approach increases the feeling of isolation and adaptation the story has, making a more effective horror/mystery piece. Like any Giallo, the haunting image of the mysterious stalker is always present, and in "Perfect Blue" the mystery and suspense are very well handled making the movie a great work of suspense.

The animation is very good, and not as flashy as casual anime fans would assume. The movie's mixture of realism and surrealism works very well with the style of drawing and the camera-work is brilliant. Still, while the plot at times gets a bit predictable to hardcore horror fans, it still holds up and keeps captivating from start to end. The original Japanese voice work is very good, so I would recommend watching it with subtitles instead of dubbed.

"Perfect Blue" seems flawless as motion pictures can go, and the odd choice of using animation as medium (it was originally meant to be a normal live action movie) makes it different than the rest. This is a blessing as neither anime fans nor horror fans have seen a quality animated horror movie like this before. 8/10