Perfect Blue

On the cover of this film, Roger Corman is quoted as saying "If Alfred Hitchcock partnered with Walt Disney they'd make a picture like this." He couldn't be more right.

The story is about a pop idol Mima, who is sheding her squeaky-clean image for that of an actress. Along the way, she is raped onscreen for a sleazy television show, and does a nude shoot for a men's magazine. This makes her dirty, as her old self tells her. She finds a web site detailing every intimate little detail in her life, and believes that she is being stalked by a strange man. Her personality splits in two, into herself and her old, clean, self which tries to murder her. While she is battling her old self, all of those who contributed to her downfall are being grusomely murdered.

This movie has been critisized by others on this very site, saying that the film was boring in the first 40 minutes. How wrong they are. In Hitchcock's films, (take Psycho for example) he builds up character for the first half-hour until the slashing. This does the same, because if we were not built up to believe that Mima's character is not real-i.e 3-dimensional, then we would feel no sense of loss and disorientation when all hell breaks loose in Mima's life (and the editing room).

A first class film with twists all the way. Should be seen by any movie fan with a mature mind. Even though it will probably collect dust in the anime section of the video store.

5/5

Only beaten in the anime stakes by Ghost in the Shell (2nd) and Akira (1st). Pure genius.

I am a fan of anime and of animation, and I was very taken with Perfect Blue. I would have liked it to have lasted longer perhaps, that way more care could have gone into the ending which felt rather weak and rushed. But as a debut of a talented and interesting director, it is a fine anime not just of its genre but overall too.

The animation is very good, while the backgrounds flow well and are wonderfully ethereal, the colours are well shaded and the characters look great without being too generic, it is the clever visual flourishes that really elevate. Another strong asset is the story, it is well paced but also in its tone it is wonderfully surrealistic and its ideas are interestingly presented.

The music is fine too with some moments of beauty and some of it haunted me as well. The dialogue convinces and the pace is well-judged. All the characters are likable and interesting too, and the voice work is stellar. Overall, a fine film. 8/10 Bethany Cox

'Perfect Blue (1997)' is genuinely disturbing, especially when it comes to its depictions of sexual violence. It features one of the most upsetting rape scenes I've seen (not that rape scenes are ever anything other than upsetting), even though the scene in question is framed as a consensual simulation, part of a television show that our protagonist, Mima, is filming. The flick also makes a nude photo shoot seem incredibly leery and violating, despite the fact that the shoot is, at least on the surface, entirely consensual. I say "at least on the surface" because the picture never makes it clear whether or not it is Mima's actual desire to do the things she is doing; as a fellow reviewer put it, she consents to these things simply because she doesn't know how not to. Although she constantly says that she chose to become an actress and, in saying so, implies that the horrors she faces are simply unavoidable consequences of that decision (which they should never be), she is never actually depicted as having chosen to be an actress at all; it's her manager who consistently reinforces the idea, with his reasoning seemingly being entirely based on the proposed profits of his decision. We don't know if she herself actually wants to do what she's doing or whether she has just internalised the wishes of others, in a similar fashion to how she internalises the public's hypocritical perception of her to the point that her true self is seemingly lost. In every instance in which Mima consents to being put in a sexualised, typically exploitative situation, she also subsequently expresses deep regret and experiences some form of trauma. Her life is entirely controlled by the men around her, from her all-male fans who leer at her while she's on stage and practically peer through her clothing yet chastise her when she actually shows some skin and expresses her sexuality to her manager who constantly excuses the exploitative situations he puts her in and even pushes for further scenarios in an effort to cement her position as an actress (a position which, again, he is entirely responsible for) to the stalker who watches her every move and impersonates her online in an effort to maintain the squeaky clean image he so desperately desires her to have. Everyone seeks to control her and she herself internalises this control as her own wants and needs. She confuses her true self with the self that other people want her to be, whether that's the innocent pop star or the grown-up actress. Her true self is arguably never seen on screen; if it is, it's whenever she is on her own, away from the public eye, and is able to reflect on her existence. Even the safety of her apartment soon becomes derailed, though. As her realities start to bleed into one another, so do the different elements of the film itself. It blurs the line between reality and the eerily true-to-life television show Mima is working on, between reality and the increasingly disturbing waking nightmares Mima is experiencing, even between reality and reality itself (it often presents us with situations that must be real to an extent, yet it does so in a deliberately confusing and, even, misleading way). The entire movie represents the crisis of personality at the heart of its tale. It brilliantly folds its conflict into its very fabric, trapping us within an uncomfortable and increasingly erratic headspace. You feel as unsteady and as icky as the protagonist, victimised by the plot's horrors and shaken by its mind-bending concepts. It's purposefully ambiguous, purposefully unsettling, as much a horror film as any other to use that label. Somehow, it's even scary in its most realistic moments; it doesn't need to make you question reality to make your skin crawl. I feel as though I'm not explaining it as well as I could be, because there's so much to say and it's so difficult to concisely do so (I'm also aware that I want to avoid major spoilers). This is a movie that practically demands analysis. Despite being animated, it's as real and mature as any film ever has been. It will seriously get under your skin. It certainly got under mine, and it's showing no signs of getting out any time soon. It's one of the few films I can recall that genuinely disturbed me. 8/10.

Mima Kirigoes is part of a young idol group Cham, but she decides to move on and kick-start a career as an actress with some help by her pressuring agent. To change her image, she accepts some confronting roles, which eventuates into her downward spiral between realities and virtual. She discovers an Internet site that knows her every move and those responsible for growing success in the acting industry end up brutally killed.

Well, what can I say? Simply, I forgot that I originally saw this wonderfully, stunning anime picture before. I don't know how it left my mind, because it's very chilling and effective across the board. Based on Yoshikazu Takeuchi's novel, "Perfect Blue" is an intoxicatedly, shocking psychological thriller that does resemble some works of Lynch, Polanski, De Palma and rightly so, Hitchcock. Even a giallo imprint shines heavily within the mixture.

The mature plot boldly plays it cards at a mild pace and eventually forms a structure like a rubrics cube. I wouldn't go out of my way to call it complicated, but there's stylish imagination and cerebral details that gladly doesn't fall into a convoluted mess. The characters' persona's are well defined and emotionally attachable. It can turn into an uncomfortable ride, where dazzling images of fact and fiction skews into one. You can't help but get those disorientating spells that the distraught Mima succumbs to on her journey to find her feet as an mature entertainer. Where her dreams become her anxiety, as she's too sensitive to how she's being perceived then being her true self. Her clean-cut image becomes tainted and a growing obsession towards her takes its tole on her fractured and vulnerable mind.

Paranoia, delusions and a dreamlike air are cooked up with an array of tension and creepy visuals. The animation isn't a visual goldmine, but its showered with powerfully focused and flashed up images that manage to keep the viewer at bay. The pressure building dialogues are quite biting, and the revealing twist catches you off guard because of the superb use of artificial dreams with its fast editing and exhilaratingly moody soundtrack.

You don't have to be a fan of animation to enjoy this piece. So, if you come across it, give it a chance.

Plot twist, after plot twist, twisting time at every second. As in every Satoshi Kon film, time is warped, un-bended and bended again, but it is always engaging and fantastical to watch. Black Swan definitely seems to have been inspired by this, for it is simply perfect... blue. Still don't know why it's called that.