Un rico y exitoso playboy se divierte robando arte, pero parece haber encontrado a su igual en una seductora detective de policía.Un rico y exitoso playboy se divierte robando arte, pero parece haber encontrado a su igual en una seductora detective de policía.Un rico y exitoso playboy se divierte robando arte, pero parece haber encontrado a su igual en una seductora detective de policía.
- Dirección
- Guionistas
- Elenco
- Premios
- 3 premios ganados y 2 nominaciones en total
Michael Bahr
- Proctor
- (as Michael S. Bahr)
Robert D. Novak
- Proctor
- (as Robert Novak)
Joe H. Lamb
- Proctor
- (as Joe Lamb)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
A fun-filled flick by mingling a thrilling museum-heist caper with an outlandish love story . This is a good remake to the classic (1968) by Norman Jewison starred by Steve McQueen , Faye Dunaway , Paul Burke , Jack Weston ; this ¨The Thomas Crown Affair¨ (1999) by John McTiernan boasts a stunning cast , such as Pierce Brosnan, Rene Russo, Denis Leary , Ben Gazzara . Thomas Crown (Pierce Brosnan who produced too) is a handsome , self-made billionaire who delights in theft and as he just can't resist pulling off the perfect crime , a daring , engrossing daylight museum robbery . But the rich industrialist is mercilessly chased by a gorgeous and efficient insurance investigator (Rene Russo) and a cunning police inspector (Denis Leary) , both of them determined to nab him . Brosnan and Russo , together and the slickest gang that ever robbed a museum ! How do you get the man who has everything? When You Raise The Stakes , You Heighten The Attraction . Crime does pay. Handsomely. He was attractive , handsome, jet-setting millionaire - and he'd just pulled off the perfect crime!. She was charming , beautiful , a super sleuth - sent to investigate it ! How do you get the man who has everything? When You Raise The Stakes, You Heighten The Attraction. Crime does pay. Handsomely.
Amusing and entertaining yarn that combines the necessary ingredients for a fun-filled film , alongside a colorful cinematography by Tom Priestley Jr and atmospheric soundtrack by Bill Conti . Slick , lavish rendition with innovative techniques through the competent shooting , and being the best visual scenes the seduction match between the two and eventually falling in love . Made with strong production with the museum raid scenes tautly effective . The storyline is too slight and enjoyable , providing amusement and entertainment enough . This is an agreeable and fun reboot but everyone seems to be an overlong copy of the excellent original , being a bit too hard to make it looks effortless . Stars two great protagonists , Pierce Brosnan at his best as a stubborn thief who moonlights as an art robber and Rene Russo as an unscrupulous insurance investigator who happens to be tracking him ; both of whom expanding their characters enough for us to identify fully with them . The verbal sparring and emotional tricks between these two compelling stars are a complete diversion and real joy . Being well accompanied by a sympathetic support cast , such as : Denis Leary , Ben Gazzara, Frankie Faison, Fritz Weaver, Charles Keating , Mark Margolis and special appearance from Faye Dunaway as Brosnan's shrink .
The motion picture was competently directed by John McTiernan who delivers innovative techniques that really move the story along . McTiernan is a prestigious and veteran filmmaker , his greatest film was , of course , ¨Predator¨. John was offered the chance to direct Commando (1985), but turned it down , but then he worked with Arnold Schwarzenegger later on ¨Predator¨ (1987) and ¨The last Great Hero¨ (1993). He is a good filmmaker , though the present-day is retired, and known for directing high-energy, violent action adventures and powerful thrillers , such as : ¨Die hard¨, ¨Die hard with a vengeance¨ , ¨13 warrior¨, ¨The hunt for Red october¨, ¨The Last great hero¨,¨Rolllerball¨ , ¨Nomads¨ , among others . Rating : 7/10 . Worthwhile watching .
Amusing and entertaining yarn that combines the necessary ingredients for a fun-filled film , alongside a colorful cinematography by Tom Priestley Jr and atmospheric soundtrack by Bill Conti . Slick , lavish rendition with innovative techniques through the competent shooting , and being the best visual scenes the seduction match between the two and eventually falling in love . Made with strong production with the museum raid scenes tautly effective . The storyline is too slight and enjoyable , providing amusement and entertainment enough . This is an agreeable and fun reboot but everyone seems to be an overlong copy of the excellent original , being a bit too hard to make it looks effortless . Stars two great protagonists , Pierce Brosnan at his best as a stubborn thief who moonlights as an art robber and Rene Russo as an unscrupulous insurance investigator who happens to be tracking him ; both of whom expanding their characters enough for us to identify fully with them . The verbal sparring and emotional tricks between these two compelling stars are a complete diversion and real joy . Being well accompanied by a sympathetic support cast , such as : Denis Leary , Ben Gazzara, Frankie Faison, Fritz Weaver, Charles Keating , Mark Margolis and special appearance from Faye Dunaway as Brosnan's shrink .
The motion picture was competently directed by John McTiernan who delivers innovative techniques that really move the story along . McTiernan is a prestigious and veteran filmmaker , his greatest film was , of course , ¨Predator¨. John was offered the chance to direct Commando (1985), but turned it down , but then he worked with Arnold Schwarzenegger later on ¨Predator¨ (1987) and ¨The last Great Hero¨ (1993). He is a good filmmaker , though the present-day is retired, and known for directing high-energy, violent action adventures and powerful thrillers , such as : ¨Die hard¨, ¨Die hard with a vengeance¨ , ¨13 warrior¨, ¨The hunt for Red october¨, ¨The Last great hero¨,¨Rolllerball¨ , ¨Nomads¨ , among others . Rating : 7/10 . Worthwhile watching .
Obligatory comparison to the first film: The first Thomas Crown Affair really wasn't that great with its split screens that would make even Brian De Palma sick. Like other films from that era of history, it's lost some of its shock with time but unlike true classics, Thomas Crown Affair has lost a lot of its charm. Worth a viewing, but not worth worshipping.
Only vague concepts carry over from film to film, really. The same basic plot curve, same basic events, same basic characters, except everything is retold and reinterpreted from a different point of view. And I much prefer John McTiernan's interpretation despite the more glaring plot holes such as 'Why didn't the security tape reveal who set the briefcase in the gallery to begin with?' Theoretically the culprit could've been caught then and there, but then there'd be no movie.
The caper's execution is rather spectacular, far more entertaining than the original's, though much less likely to happen. But who cares, really? McTiernan directed this as a film you can't take 100% seriously anyway. This is a fun cat and mouse movie, not a documentary.
The premise-an art theft-strikes me as more interesting than the original's robbery; besides, how many films have bank robberies? How many films steal art? It's something different.
The characters and their portrayals are colorful and interesting, walking a thin line of camp but never pushing it too far. This movie isn't about 'Everyman' nor is it meant to. It's about a billionaire who gets his kicks out of high stake gambles and wages-how do you do that without a larger than life portrayal?
I particularly liked the ending sequence, as goofy, perhaps corny as it is, it's still fun. Especially the music selection, Nina Simone's Sinnerman, a well chosen track. Bill Conti provides the underlying score, which proves quite unique having a slightly bouncy 'piano recital' quality to its first few themes. Very fitting for the museum setting. It's a CD worth purchasing for the sake of variety alone.
In the end, Thomas Crown Affair works not because of the film's subjects or its characters . . . it works because of -how- it portrays everything. Its tone is fun and relaxing, and it never tries to take itself too seriously. After all, we are at the movies and not a training seminar . ..
Only vague concepts carry over from film to film, really. The same basic plot curve, same basic events, same basic characters, except everything is retold and reinterpreted from a different point of view. And I much prefer John McTiernan's interpretation despite the more glaring plot holes such as 'Why didn't the security tape reveal who set the briefcase in the gallery to begin with?' Theoretically the culprit could've been caught then and there, but then there'd be no movie.
The caper's execution is rather spectacular, far more entertaining than the original's, though much less likely to happen. But who cares, really? McTiernan directed this as a film you can't take 100% seriously anyway. This is a fun cat and mouse movie, not a documentary.
The premise-an art theft-strikes me as more interesting than the original's robbery; besides, how many films have bank robberies? How many films steal art? It's something different.
The characters and their portrayals are colorful and interesting, walking a thin line of camp but never pushing it too far. This movie isn't about 'Everyman' nor is it meant to. It's about a billionaire who gets his kicks out of high stake gambles and wages-how do you do that without a larger than life portrayal?
I particularly liked the ending sequence, as goofy, perhaps corny as it is, it's still fun. Especially the music selection, Nina Simone's Sinnerman, a well chosen track. Bill Conti provides the underlying score, which proves quite unique having a slightly bouncy 'piano recital' quality to its first few themes. Very fitting for the museum setting. It's a CD worth purchasing for the sake of variety alone.
In the end, Thomas Crown Affair works not because of the film's subjects or its characters . . . it works because of -how- it portrays everything. Its tone is fun and relaxing, and it never tries to take itself too seriously. After all, we are at the movies and not a training seminar . ..
Firstly, it's not a cookie-cutter remake of the original staring Mr. McQueen and Ms. Dunaway - so no comparison required.
You might say Brosnan was typecast by Bond, and the idea of a suave player getting one over on yet another woman might be the obvious outcome, but not this time! Instead we're treated to a sophisticated game of cops and robbers, played out in this stylish and seductive entertainment. Mr. Brosnan (Thomas) is at the top of his game and may be involved in something illegal. Ms. Russo (Catherine) is called in to investigate, claiming an office and sharing confidences with the local police department looking for clues. Catherine epitomises sophistication with hair, makeup and fashions styled to perfection. She's an understatement of success; a woman playing a man's game, bounty-hunting life and sex on her own terms and 'enjoying the chase'.
Once Catherine is on the trail of Thomas Crown you'll join her in a hedonistic game of one-upmanship. She's done this kind of work before and must stay on her toes if she's going to implicate the wealthy Thomas Crown. The local cops and cultured community believe Mr. Crown to be beyond reproach; an untouchable pillar of wealth and good taste.
These two characters exist in their luxurious world through strange circumstance and have made it their own through hard work and some bluffing. The movie provides glimpses into their lifestyles, and at the same time, keeps them both just outside what you'd expect from a wealthy businessman and a woman working for an insurance company.
Supporting character Mr. Leary makes a cynical, yet caring detective attempting to save face by nabbing Thomas Crown - however it's quite obvious in a city the size of New York that a bored millionaire looking for thrills by staging a theft is not his priority. Mr. Leary is guilty of a bit of cussing and jaded police behaviour, but ya 'gotta hope he's still on the force.
The story races from one clue to the next, and we glimpse a world where time means nothing, and money is just, well, not an issue. The film really sets the tone for the lush life with ultra-posh, elegant sets, millionaire-hobbies and exotic locations. The soundtrack is perfect, giving the entire movie an upmarket, worldly feel that befits a modern romance.
This is really a love story for anyone who imagines being whisked away from the mundane into places that you've only read or heard about in glossy magazines. It's a film for any person out there who'd like to have the freedom to do what they want and damn the consequences. Well, either that or have enough money to do anything, then disappear.
There is some hot on-screen chemistry between Thomas and Catherine, making the love scenes, coupled with the sexy music and breathtaking backgrounds, erotic. They have a healthy appetite for each other so the love scenes in his apartment and 'island retreat' are the 'stuff that dreams are made of.'
Yes, there are little snafus, such as a painting being folded in a manner that would permanently ruin it, and the usual gaffes that serious film-goers will pick over - but heck, it's just a movie and a love story - let yourself go and imagine you're a woman who's just crashed a black tie event in a dress making every man in the room salivate, or that you're the man she's heading for on the dance floor - then have fun with it . . .
In the end, for all their cunning, Thomas and Catherine must decide if they can trust each other, just like most men and women must do in any love story. What you may find hard to decide though, is who to root for, and who really wins the game of cat and mouse at the end of this movie.
You might say Brosnan was typecast by Bond, and the idea of a suave player getting one over on yet another woman might be the obvious outcome, but not this time! Instead we're treated to a sophisticated game of cops and robbers, played out in this stylish and seductive entertainment. Mr. Brosnan (Thomas) is at the top of his game and may be involved in something illegal. Ms. Russo (Catherine) is called in to investigate, claiming an office and sharing confidences with the local police department looking for clues. Catherine epitomises sophistication with hair, makeup and fashions styled to perfection. She's an understatement of success; a woman playing a man's game, bounty-hunting life and sex on her own terms and 'enjoying the chase'.
Once Catherine is on the trail of Thomas Crown you'll join her in a hedonistic game of one-upmanship. She's done this kind of work before and must stay on her toes if she's going to implicate the wealthy Thomas Crown. The local cops and cultured community believe Mr. Crown to be beyond reproach; an untouchable pillar of wealth and good taste.
These two characters exist in their luxurious world through strange circumstance and have made it their own through hard work and some bluffing. The movie provides glimpses into their lifestyles, and at the same time, keeps them both just outside what you'd expect from a wealthy businessman and a woman working for an insurance company.
Supporting character Mr. Leary makes a cynical, yet caring detective attempting to save face by nabbing Thomas Crown - however it's quite obvious in a city the size of New York that a bored millionaire looking for thrills by staging a theft is not his priority. Mr. Leary is guilty of a bit of cussing and jaded police behaviour, but ya 'gotta hope he's still on the force.
The story races from one clue to the next, and we glimpse a world where time means nothing, and money is just, well, not an issue. The film really sets the tone for the lush life with ultra-posh, elegant sets, millionaire-hobbies and exotic locations. The soundtrack is perfect, giving the entire movie an upmarket, worldly feel that befits a modern romance.
This is really a love story for anyone who imagines being whisked away from the mundane into places that you've only read or heard about in glossy magazines. It's a film for any person out there who'd like to have the freedom to do what they want and damn the consequences. Well, either that or have enough money to do anything, then disappear.
There is some hot on-screen chemistry between Thomas and Catherine, making the love scenes, coupled with the sexy music and breathtaking backgrounds, erotic. They have a healthy appetite for each other so the love scenes in his apartment and 'island retreat' are the 'stuff that dreams are made of.'
Yes, there are little snafus, such as a painting being folded in a manner that would permanently ruin it, and the usual gaffes that serious film-goers will pick over - but heck, it's just a movie and a love story - let yourself go and imagine you're a woman who's just crashed a black tie event in a dress making every man in the room salivate, or that you're the man she's heading for on the dance floor - then have fun with it . . .
In the end, for all their cunning, Thomas and Catherine must decide if they can trust each other, just like most men and women must do in any love story. What you may find hard to decide though, is who to root for, and who really wins the game of cat and mouse at the end of this movie.
I don't think you should compare the two versions, they're so very different. .
I think this is great heist movie
The thing that makes this movie stand out is the look the rich colours in the way it's filmed and it just oozes excess.
The leads have a great time working together.
Everything for me just worked and made even better with the fantastic score that adds pace when needed
Forget all the explosions, car chases, crazy villains, special effects... The Thomas Crown Affair is not an action movie. It´s not even a thriller. Instead, it´s a well-done cat-and-mouse movie that´s smart, entertaining and very sexy. If you had to use one word to describe the film it would have to be sophisticated. The movie might appeal more to mature audiences as both the leading man and the leading lady are over 40 years old. Pierce Brosnan can obviously do other roles beside James Bond, but the role of Thomas Crown is at least somewhat similar to 007. Both guys "enjoy women" and are very suave. Overall, Brosnan gives a solid performance and is overshadowed only by Rene Russo who simply oozes sexuality and class. She is simply perfect in her role and though she´s twice as old as I am I find her a real knockout. Not only is she extremely hot, but also a very talented and charismatic actress. A perfect combination! The classy dance scene between Brosnan and Russo belongs to the most sexually-charged scenes in history and the following love-making scene manages to be both sexy and stylish. Usually nude scenes in Hollywood movies seem somehow "uneasy", but in this movie the scene is done in real style and with sensual music the atmosphere is sizzling. Who would want a disposable bimbo like Britney Spears when you could have a real class-act woman like Rene Russo? I would also like to mention Bill Conti whose simple yet refined music is simply outstanding. Just listen to the music during the scene in which Crown and Banning go glider flying... You can just close your eyes and listen to this wonderful music. Now I have to find the soundtrack for this film! I guess I should mention that I´ve never seen the original Thomas Crown, but now I don´t even have to bother as its updated version is a true pleasure to watch. I have nothing negative to say about it so just go get this film on DVD and enjoy!
¿Sabías que…?
- TriviaThe line "You're not boring, I'll give you that" was ad-libbed by Rene Russo.
- ErroresWhen Crown walks in front of the delivery truck, the shot from the cab clearly shows that a car is stopped 9 feet in front of the truck. So, why was the delivery truck traveling so fast to begin with? Then, in the long shot after the driver moves on, he accelerates at a high rate, as if there was no car stopped in front of him. If there is a traffic-jam, the car would not have traveled far at all during that time.
- Citas
Catherine Banning: Damn, I hate being a foregone conclusion.
- Créditos curiososThis motion picture was in no way authorized, sponsored or endorsed by any museum, nor was any portion of the motion picture filmed inside a museum. The events, characters and other entities (including the museum) depicted in this motion picture are fictitious, and any similarity to actual persons, events or other entities is purely coincidental.
- Bandas sonorasSinnerman
Adapted by Nina Simone
Performed by Nina Simone
Courtesy of Mercury Records
Under license from Universal Music Special Markets
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Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- También se conoce como
- The Thomas Crown Affair
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 48,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 69,305,181
- Fin de semana de estreno en EE. UU. y Canadá
- USD 14,600,719
- 8 ago 1999
- Total a nivel mundial
- USD 124,305,181
- Tiempo de ejecución
- 1h 53min(113 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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