Un submarino alemán es abordado por submarinistas americanos disfrazados que intentan capturar su máquina de cifrado Enigma.Un submarino alemán es abordado por submarinistas americanos disfrazados que intentan capturar su máquina de cifrado Enigma.Un submarino alemán es abordado por submarinistas americanos disfrazados que intentan capturar su máquina de cifrado Enigma.
- Dirección
- Guionistas
- Elenco
- Ganó 1 premio Óscar
- 4 premios ganados y 10 nominaciones en total
Terrence 'T.C.' Carson
- Eddie
- (as T.C. Carson)
Opiniones destacadas
I saw U-571 last Friday.
I loved every second of it. Throughout the movie, I don't know who's knuckles were whiter; mine clutching the theatre seat, or the actors who grabbed whatever they could while being depth-charged.
This movie was pure non-stop action, from beginning to end. You are there, really there, experiencing the gripping fear of submarine warfare.
I believe that was the intention of the movie and if so, accomplished that superbly. I think the acting, camera work, and sound was excellent.
Now, regarding other issues.
The movie is NOT historical; it is fictional. It is based (loosely) on history (history being that there once were German and Allied submarines that fought in a war known as World War II, and that there was a German code machine the Allies called the "enigma").
Not only is it not historical regarding the event (the capturing of U-571 and the enigma code machine by Americans) but in many other areas such as what submarines of that era and their weapons could and could not do (such as dogfighting underwater with torpedo's).
Don't look for character development either. There isn't much. It's more like the first 1/2 hour of "Saving Private Ryan" (the landing on the beach episode ) throughout the length of the movie.
Thankfully, in my opinion of what a "war" movie should be, it was not muddled up with "love" scenes or anything stupid and mushy like most are. And also, thankfully, there wasn't "angel music" playing all the time. The second "trailer" was misleading in that it showed a ball-room dance, leading the viewer to believe there was some "love" interests, and played angel music, of which there was neither in the movie. It was just man-to-man combat and basic survival.
I hope everyone who sees it will enjoy it for what it is and not concentrate on, or blame it for what it isn't.
Enough analyzing -- Go see it! I suggest choosing a modern theatre with a big-screen and digital sound system.
Salut!
JG2"FireCat!
I loved every second of it. Throughout the movie, I don't know who's knuckles were whiter; mine clutching the theatre seat, or the actors who grabbed whatever they could while being depth-charged.
This movie was pure non-stop action, from beginning to end. You are there, really there, experiencing the gripping fear of submarine warfare.
I believe that was the intention of the movie and if so, accomplished that superbly. I think the acting, camera work, and sound was excellent.
Now, regarding other issues.
The movie is NOT historical; it is fictional. It is based (loosely) on history (history being that there once were German and Allied submarines that fought in a war known as World War II, and that there was a German code machine the Allies called the "enigma").
Not only is it not historical regarding the event (the capturing of U-571 and the enigma code machine by Americans) but in many other areas such as what submarines of that era and their weapons could and could not do (such as dogfighting underwater with torpedo's).
Don't look for character development either. There isn't much. It's more like the first 1/2 hour of "Saving Private Ryan" (the landing on the beach episode ) throughout the length of the movie.
Thankfully, in my opinion of what a "war" movie should be, it was not muddled up with "love" scenes or anything stupid and mushy like most are. And also, thankfully, there wasn't "angel music" playing all the time. The second "trailer" was misleading in that it showed a ball-room dance, leading the viewer to believe there was some "love" interests, and played angel music, of which there was neither in the movie. It was just man-to-man combat and basic survival.
I hope everyone who sees it will enjoy it for what it is and not concentrate on, or blame it for what it isn't.
Enough analyzing -- Go see it! I suggest choosing a modern theatre with a big-screen and digital sound system.
Salut!
JG2"FireCat!
As a retired USN Master Chief I found the action scenes to be interesting and entertaining but was not convinced that the actors made their audience believe that they were submariners, or even- sailors. I know that a sailor would never get away with direct disobedience of an Officer's order as Palladino did without severe consequences during WWII. The underwater scenes were weak and the models just passable. Must not have had a real submariner for Technical Adviser....be I did get the feeling that the leaky, squirting episodes represented the condition of an old boat. The German sailors, on the other hand, seemed more realistic. For that matter, I doubt that the US Sailors could have put up much of an offense.
I sometimes am lucky in matching my film experience to the audience I share it with, and this was such a case. I live near Norfolk, the world's largest collection of Navy people, and the heaviest concentration of US WWII submariners.
I saw this on opening day, the heavy show (7:30) with the audience packed with young and old Navy. And I have to say, the film didn't work. The models were good, the explosions and all the underwater work nicely done. The boat, at least the US boat, was accurate, and the local paper reports that folks here helped with the specifications.
But these actors didn't seem like sailors, never remotely, and the mismatch was pretty obvious in that audience. Maybe Keitel could pull off a chief with better direction, but not here. And McConaughey and Bon Jovi could never reach believability. Submariners are clubby, superstitious and smelly. Submarines, especially the old boats, are confining. Das Boot gave us a feel for the closeness and the terror, and the high mental level of underwater warfare. This movie misses. It takes more than shaking the camera.
I have some familiarity with the crypto world. That dimension is spooky and could have been woven into the story to better effect. Instead we have a simple grab for an object. You may want to see this for the underwater effects, but otherwise, it is a miss.
I saw this on opening day, the heavy show (7:30) with the audience packed with young and old Navy. And I have to say, the film didn't work. The models were good, the explosions and all the underwater work nicely done. The boat, at least the US boat, was accurate, and the local paper reports that folks here helped with the specifications.
But these actors didn't seem like sailors, never remotely, and the mismatch was pretty obvious in that audience. Maybe Keitel could pull off a chief with better direction, but not here. And McConaughey and Bon Jovi could never reach believability. Submariners are clubby, superstitious and smelly. Submarines, especially the old boats, are confining. Das Boot gave us a feel for the closeness and the terror, and the high mental level of underwater warfare. This movie misses. It takes more than shaking the camera.
I have some familiarity with the crypto world. That dimension is spooky and could have been woven into the story to better effect. Instead we have a simple grab for an object. You may want to see this for the underwater effects, but otherwise, it is a miss.
I saw this film on BBC TV tonight. Let's start by saying as a historical document it sucks - everyone knows that it was a British crew that found the naval Enigma machine and code books, fact. However, the second world war did happen and submarines sank ships. The film was quite well made and fairly well acted but the story should be taken with the proverbial pinch of salt. Robin Hood, Men in Tights was more historically accurate. There have been many submarine films including the superb German made "Das Boot" and an old British black and white film made on a shoestring budget - "Morning Departure" - based on the true story the sinking of HMS Truculent and the attempts made to rescue her trapped crew.
First, don't call me crazy for the 7/10 rating. I over-rated this movie a bit, I figure I enjoyed it enough from a screenplay and acting prospective to give it only 4. I kept waiting for Bon Jovi to break out in song! However, I like Matthew M. and Harvey K. a lot (Bill P. not so much) and I thought in my mind they propelled (mind the pun) movie a bit for me. Also, my opinions on a film are based on the complete experience - story. screenplay, acting, effects, sound, etc. I find the soundtrack was great and so were the sets, camera angles etc. This created an enjoyable experience in my opinion. It's funny to observe, but if you read ratings on this title from home theater buffs - everybody thinks this is a great movie. But critics such as those on this site hate it. I'd like to think I appreciate films from all sides, therefore my 7/10 score.
¿Sabías que…?
- TriviaThe caption before the end credits, detailing the fact that the Royal Navy captured the first Enigma machine, was only added after an outcry in Britain, where it was believed that Hollywood was trying to claim the credit for the Americans (whose forces captured no German Naval Enigma material until 1944).
- ErroresAt the beginning of the movie when the U-571 is under depth charge attack from the British destroyer, the order is given to surface the sub due to damage. When they surface, the Captain reports "All clear!" and orders lookouts to the bridge. What happened to the British destroyer that was just attacking them? It should have still been nearby and would have seen them surface.
- Citas
Chief Klough: You're the skipper now. And the skipper always knows what to do whether he does or not.
- Versiones alternativasAt least one version of the theatrical release contained no subtitles for the opening scene aboard the German submarine. This was possibly to increase dramatic effect, placing emphasis on the acting and visuals rather than the dialogue.
- ConexionesEdited into In Enemy Hands (2004)
- Bandas sonorasLover, Come Back to Me
Written by Sigmund Romberg, Oscar Hammerstein II
(performed at the wedding reception while Dahlgreen is talking to Tyler)
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Detalles
Taquilla
- Presupuesto
- USD 62,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 77,122,415
- Fin de semana de estreno en EE. UU. y Canadá
- USD 19,553,310
- 23 abr 2000
- Total a nivel mundial
- USD 127,666,415
- Tiempo de ejecución1 hora 56 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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