Die Siebtelbauern

When a farmer is murdered he unexpectedly wills his farm and all his belongings to his 10 peasants, 7 of which decide, even more unexpectedly, to keep the farm and try to run it themselves despite the scorn and outrage of the "legitimate" farmers. Thus, they become the "one-seventh farmers" in this second feature length movie by prominent Austrian writer/director Stefan Ruzowitzky. A beautifully made movie about class struggles, injustice and vain arrogance (among other things), Die Siebtelbauern is also not a film that unravels the way you'd like it too (thus, it isn't really for everyone). This is quite a bleak film, but it is also extremely engaging as you truly feel for the characters, who were all wonderfully acted. Also serving the film perfectly is its beautiful music, consisting mainly of haunting piano pieces which set the tone very well. Most amusing of all is a well-made nod by Ruzowitzky to First Blood (aka the first Rambo movie) towards the end of the film, which you're likely to appreciate if you've seen said film. All in all, while it isn't essential viewing, this is a splendidly crafted little film, very engaging, beautiful, realistic and dark, and at least on par with Ruzowitzky latest, the Oscar-winning WW2 prison film Die Fälscher (The Counterfeiters).

This film is extremely well paced and beautifully photographed, and the characters are easy to relate to. Seven peasants unexpectedly inherit the farm on which they work after the farmer dies. The neighboring farmers view this as a breach of the rigid class structure in rural 19th century Austria and try to destroy the "One-Seventh Farmers." The tenacity with which the new owners defend their farm (and one another) is very touching. I loved it!

The Inheritors (Die Siebtelbauern), as I remember it, was amusing and also thought-provoking about general socio-economic changes of the past two centuries or so that today many people in Western countries probably take for granted. Perhaps in vague way, it reminds me of an allegory such as Orwell's Animal Farm in the sense of seeing political theory in an intimate, emotional story rather than in some abstract manifesto.

While the film might not be the most "profound" work of art ever made, it nevertheless deserves a viewing. I say it is quite entertaining and in short, thumbs up.

A most unusual film, set in Alpine Austria before the 2nd World War, in which innocent peasants are pitted against greedy,malevolent farmers. The peasants inherit their farm after their master is murdered, but the other farmers and the local priest cannot accept that peasants should own land. So after the initial exuberance of inheritance, the film gets bleaker as the farmers plot to undermine and drive away the new owners, whose success challenges the traditional hierarchy. It is a confrontation familiar in many Westerns - but much more realistic and in consequence that much more gripping.

Sub-plots involving each of the inheritors make this a complex and moving story, including a murder mystery and a rural class struggle. The initial driving force is Emmy, a feminist model as she stands up to the foreman and farmers, despite being labelled a whore. But she, like the others, is not just a one-dimensional heroine. Life is difficult as we see the inheritors cope with and buckle under the pressures. The Alpine landscape is an intrinsic part of the film, as we see the seasons change along with the main characters' moods and fortunes. Stefan Ruzumowsky's photographic techniques enhance the interaction of landscape and character and make for an exciting and absorbing film, well worth searching out.

This is a terrific film which I found really gripping because of its story of the unequal fight between a group of peasants and local landowners. So few films seem to portray inequality and the fight for justice that The Inheritors seemed to me like a breath of fresh air. I thought the story was simply but beautifully told, the scene at the communal meal where the characters assert their right to the ownership of the farm against the wishes of the brutal foreman is understated and powerful. The way they are shown standing up to his bullying against the backdrop of the place set as usual for the now dead owner is keenly observed and uplifting. The film looks superb, its rural setting is very authentic, and the performances of the actors catch well the growing confidence and political awareness of the peasants, always laced with elements of self-doubt. There is a tragic core to the film and a melancholy tone but it is never dull or depressing, the characters seem too busy with trying to make good their chance of a better life.