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5.3/10
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Agrega una trama en tu idiomaBette Midler and Nathan Lane star in this comedy about Jacqueline Susann, the ambitious woman of dubious talent who wrote Valley of the Dolls, a best-selling novel that became a sensation.Bette Midler and Nathan Lane star in this comedy about Jacqueline Susann, the ambitious woman of dubious talent who wrote Valley of the Dolls, a best-selling novel that became a sensation.Bette Midler and Nathan Lane star in this comedy about Jacqueline Susann, the ambitious woman of dubious talent who wrote Valley of the Dolls, a best-selling novel that became a sensation.
- Dirección
- Guionistas
- Elenco
- Premios
- 2 nominaciones en total
Christopher McDonald
- Brad Bradburn
- (as Christopher MacDonald)
Dina Spybey-Waters
- Bambi Madison
- (as Dina Spybey)
Dan Ziskie
- Guy's doctor
- (as Daniel Ziskie)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
ISN'T SHE GREAT (2000) ** Bette Midler, Nathan Lane, Stockard Channing, David Hyde Pierce, John Cleese, Amanda Peet. Before there was Jackie Collins and Amazon.com there was Jacqueline Susann. That is prior to the subgenre of 'trashy romance' novels found in your neighborhood pharmacy and the glut that is now the conglomerate superbookstore i.e. marketing and focus groups for the masses! there was Jacqueline Susann, whose bawdy, vulgar and tasteless novels were ultimately candy for the average American reader who gobbled her tomes faster than she could churn them out. In Andrew Bergman's look at the queen of the acquired taste, who else could portray a larger than life figurehead than the estimable Divine Miss M herself, Bette Midler.
Midler gives it her all with her trademark ball-breaking brio as the celebrity craven author whose indefatigable image fashioning was only matched by par by her long-suffering but ever devoted husband and business partner Irving Mansfield (touché Lane, making their onscreen presence a once in a lifetime pairing to appreciative audiences), who used all his show biz savvy no matter how gauche or seemingly stooping manners of barnstorming the country to every podunk backwater stationery store or spreading the word to a busload of school children to make Susann a giantess among the mortals in the writing field.
Based on a reminiscence by New Yorker's Michael Korda, the fact that the real Susann was no sweetheart and a real tough cookie with a few sad hurdles her ongoing bout with cancer and the institutionalization of her only child who suffered from autism are casually sugar-coated by Bergman (whose impeccable credits include a plethora of the comic pantheon including 'The In-Laws', 'The Freshman' and 'Blazing Saddles') and the sharply sticky screenplay by scathing scribe Paul Rudnick ('In & Out') wisely overlook her obvious flaws and instead center on the unlikely union of two borderline caricatures of the entertainment field, and their questionable romance. But Midler and Lane surpass the film's shortcomings with their theatrical overplaying, which is arguably suitable, as well as the always welcome Channing, one of our most underrated comic actresses, whose succor in her line readings are a stitch (when Susann belabors she doesn't know how to write a book, Channing says with aplomb, 'Talent isn't everything.'); she's like the salt in a margarita.
Also lending able support is Hyde Pierce in another variation of his tv persona from 'Frasier' as Susann's stuffed shirt editor and Cleese as the Nehru jacketed publisher, both in their element here.
The one thing that seems to be missing is it seems outdated and quite a lot to compress in a film that has the dubious distinction of telling the story of a woman who wasn't very nice nor well respected, but then again that hasn't been the case of celebrity history in this country, so I'm not even going to argue that!
Midler gives it her all with her trademark ball-breaking brio as the celebrity craven author whose indefatigable image fashioning was only matched by par by her long-suffering but ever devoted husband and business partner Irving Mansfield (touché Lane, making their onscreen presence a once in a lifetime pairing to appreciative audiences), who used all his show biz savvy no matter how gauche or seemingly stooping manners of barnstorming the country to every podunk backwater stationery store or spreading the word to a busload of school children to make Susann a giantess among the mortals in the writing field.
Based on a reminiscence by New Yorker's Michael Korda, the fact that the real Susann was no sweetheart and a real tough cookie with a few sad hurdles her ongoing bout with cancer and the institutionalization of her only child who suffered from autism are casually sugar-coated by Bergman (whose impeccable credits include a plethora of the comic pantheon including 'The In-Laws', 'The Freshman' and 'Blazing Saddles') and the sharply sticky screenplay by scathing scribe Paul Rudnick ('In & Out') wisely overlook her obvious flaws and instead center on the unlikely union of two borderline caricatures of the entertainment field, and their questionable romance. But Midler and Lane surpass the film's shortcomings with their theatrical overplaying, which is arguably suitable, as well as the always welcome Channing, one of our most underrated comic actresses, whose succor in her line readings are a stitch (when Susann belabors she doesn't know how to write a book, Channing says with aplomb, 'Talent isn't everything.'); she's like the salt in a margarita.
Also lending able support is Hyde Pierce in another variation of his tv persona from 'Frasier' as Susann's stuffed shirt editor and Cleese as the Nehru jacketed publisher, both in their element here.
The one thing that seems to be missing is it seems outdated and quite a lot to compress in a film that has the dubious distinction of telling the story of a woman who wasn't very nice nor well respected, but then again that hasn't been the case of celebrity history in this country, so I'm not even going to argue that!
I can't claim to be a fan of Bette Midler, and I bought this DVD solely because of David Hyde Pierce being in it. So I didn't have too high expectations for it. But the movie actually turned out to be quite alright.
The story is about Jacqueline (played by Bette Midler) whose acting career is at a slump when she marries Irving (played by Nathan Lane) and her luck is about to change as he persists to push her forward to achieve more.
What makes the movie good is the combination of good cast, the acting and the storyline. It is a nice warm story that does have some really good moments. And I am glad that there was more focus on the storytelling and the characters than it was on having Bette Midler perform various songs, show tunes and dances.
Now, I said that I bought this movie simply because of David Hyde Pierce, and he delivered the goods. His character was fun and he performed with such elegance and grace. Just a shame that his role wasn't a bigger part in the movie. David Hyde Pierce is just a charming guy and has some impressive on-screen magnetism.
I think that fans of Bette Midler will enjoy this movie tremendously and might actually say "isn't she great" while watching it.
"Isn't She Great", however, is not the type of movie that really warrants more than a single viewing. In my opinion, it just doesn't have the contents to manage more than a single viewing from the audience. But again, if you are a Bette Midler fan, who knows, it might just be able to do so.
The story is about Jacqueline (played by Bette Midler) whose acting career is at a slump when she marries Irving (played by Nathan Lane) and her luck is about to change as he persists to push her forward to achieve more.
What makes the movie good is the combination of good cast, the acting and the storyline. It is a nice warm story that does have some really good moments. And I am glad that there was more focus on the storytelling and the characters than it was on having Bette Midler perform various songs, show tunes and dances.
Now, I said that I bought this movie simply because of David Hyde Pierce, and he delivered the goods. His character was fun and he performed with such elegance and grace. Just a shame that his role wasn't a bigger part in the movie. David Hyde Pierce is just a charming guy and has some impressive on-screen magnetism.
I think that fans of Bette Midler will enjoy this movie tremendously and might actually say "isn't she great" while watching it.
"Isn't She Great", however, is not the type of movie that really warrants more than a single viewing. In my opinion, it just doesn't have the contents to manage more than a single viewing from the audience. But again, if you are a Bette Midler fan, who knows, it might just be able to do so.
In my opinion, this movie was just "ok". There was something about the acting that just wasn't right. I can't put my finger on it. Perhaps it was the roles that Midler and Lane played. They seemed very superficial. I wasn't convinced that they were the characters. I did like the actor from "Frasier". Although it was not a total "bomb", I would not watch this movie again.
This movie is supposedly about Jacqueline Susann (Bette Midler) and husband Irving Mansfield (Nathan Lane). It chronicles how they met, fell in love and how she got "Valley of the Dolls" published. But this movie is a mess...and completely inaccurate.
For starters, Midler doesn't even remotely look like Susann or act like her. I've read at least 3 books on Susann as well as various articles - she was an ambitious, intelligent, driven woman. As Midler portrays her she is stupid, obnoxious, VERY loud and foul-mouthed. I'm no prude but there's way too much swearing from her in this--I have my doubts that Susann ever talked like that. Also they take actual events from Susann's life and fictionalizes them. When she is told in the movie to edit her book she acts like an idiot and refuses to help. In real life, Susann agreed to help make the book better with no fuss. And, Susann had a "Wishing Hill" (as she called it) in Central Park. It was basically a huge pile of rocks where she sat to clear her mind and relax. Here it's turned into a giant tree (????) and we have sequences with Lane and Midler talking, yelling and swearing at it. It's a wonder that those two managed to pull it off without looking like idiots.
As you can see, this is a bad film--but just so much FUN to watch! The incredible costumes and set design are just great--colorful and very true to the period. Some of the lines are actually very funny. Nathan Lane is great as Mansfield and Stockard Channing (as her best friend) and David Hyde Pierce (as her publisher) are hysterical and offer strong support. And Christopher McDonald and John Larroquette throw in cameos. Also John Cleese is on hand but he's wasted. Then there's Midler....she's AWFUL! Loud, shrill and thoroughly unlikable. When she was dying at the end I could have cared less. If she had toned down her performance and not played every scene at full tilt this might have worked. But she doesn't. However, she is fun to watch--a textbook example of how NOT to play a role.
The studio (understandably) threw this film away. It came and went VERY quickly and was a commercial disaster. Still, I'm giving it a 7--it's so incredibly bad that it's fun to watch! A must-see on that level.
For starters, Midler doesn't even remotely look like Susann or act like her. I've read at least 3 books on Susann as well as various articles - she was an ambitious, intelligent, driven woman. As Midler portrays her she is stupid, obnoxious, VERY loud and foul-mouthed. I'm no prude but there's way too much swearing from her in this--I have my doubts that Susann ever talked like that. Also they take actual events from Susann's life and fictionalizes them. When she is told in the movie to edit her book she acts like an idiot and refuses to help. In real life, Susann agreed to help make the book better with no fuss. And, Susann had a "Wishing Hill" (as she called it) in Central Park. It was basically a huge pile of rocks where she sat to clear her mind and relax. Here it's turned into a giant tree (????) and we have sequences with Lane and Midler talking, yelling and swearing at it. It's a wonder that those two managed to pull it off without looking like idiots.
As you can see, this is a bad film--but just so much FUN to watch! The incredible costumes and set design are just great--colorful and very true to the period. Some of the lines are actually very funny. Nathan Lane is great as Mansfield and Stockard Channing (as her best friend) and David Hyde Pierce (as her publisher) are hysterical and offer strong support. And Christopher McDonald and John Larroquette throw in cameos. Also John Cleese is on hand but he's wasted. Then there's Midler....she's AWFUL! Loud, shrill and thoroughly unlikable. When she was dying at the end I could have cared less. If she had toned down her performance and not played every scene at full tilt this might have worked. But she doesn't. However, she is fun to watch--a textbook example of how NOT to play a role.
The studio (understandably) threw this film away. It came and went VERY quickly and was a commercial disaster. Still, I'm giving it a 7--it's so incredibly bad that it's fun to watch! A must-see on that level.
I've caught "Isn't She Great" several times now (It seems to be eternally running on the movie channels).
This was a monster flop when it came out, barely released, but it does a fine job of capturing the era.
The main attraction of this film is the acting of the leads. Both Nathan Lane and Bette Midler can come off incredibly stagy on film, but their style works well with these characters. Jackie Suzanne was larger than life. They both manage to bring a true sense of sweetness to their roles.
Particular note must be made of David Hyde Pierce as her editor. This actor fits very well in this era. Also, John Cleese is a hoot as the publisher. Wish there were more of him in the movie.
Give this one a chance. A period piece from a currently unhip period.
This was a monster flop when it came out, barely released, but it does a fine job of capturing the era.
The main attraction of this film is the acting of the leads. Both Nathan Lane and Bette Midler can come off incredibly stagy on film, but their style works well with these characters. Jackie Suzanne was larger than life. They both manage to bring a true sense of sweetness to their roles.
Particular note must be made of David Hyde Pierce as her editor. This actor fits very well in this era. Also, John Cleese is a hoot as the publisher. Wish there were more of him in the movie.
Give this one a chance. A period piece from a currently unhip period.
¿Sabías que…?
- TriviaAs depicted in the movie, Truman Capote, when appearing as a guest on The Tonight Show Starring Johnny Carson (1962) in July 1969, announced that Jacqueline Susann looked "like a truck driver in drag". Capote later recanted his insult about Susann, apologizing to any truckers who may have been offended.
- ErroresTruman Capote's quote, "That's not writing, that's typing," was in reference to Jack Kerouac, not Jacqueline Susann.
- Citas
Florence Maybelle: [about a necklace] If a man ever bought that for me, not only would I have sex with him, but I would *enjoy* it!
- ConexionesFeatured in Siskel & Ebert & the Movies: The Worst Films of 2000 (2001)
- Bandas sonorasI'm On My Way
Written by Burt Bacharach and Hal David
Performed by Dionne Warwick
Courtesy of Platiunum Entertainment
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- How long is Isn't She Great?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idioma
- También se conoce como
- Cô ấy thật tuyệt
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 44,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 2,962,465
- Fin de semana de estreno en EE. UU. y Canadá
- USD 1,368,705
- 30 ene 2000
- Total a nivel mundial
- USD 3,003,296
- Tiempo de ejecución1 hora 35 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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