CALIFICACIÓN DE IMDb
5.5/10
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TU CALIFICACIÓN
Un agente estadounidense muere en Bangkok mientras investigaba brotes de virus sospechosos en el sudeste asiático. El agente OSS 117 es enviado a Tailandia para desentrañar los misterios que... Leer todoUn agente estadounidense muere en Bangkok mientras investigaba brotes de virus sospechosos en el sudeste asiático. El agente OSS 117 es enviado a Tailandia para desentrañar los misterios que encierra el hombre llamado Dr. Sinn.Un agente estadounidense muere en Bangkok mientras investigaba brotes de virus sospechosos en el sudeste asiático. El agente OSS 117 es enviado a Tailandia para desentrañar los misterios que encierra el hombre llamado Dr. Sinn.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 nominación en total
Akom Mokranond
- M. Sonsak
- (as Akhom Makaranond)
Sing Milintrasai
- Prasit
- (as Sing Milinthasat)
Opiniones destacadas
Hubert Bonisseur de la Bath, aka secret agent OSS 117, sets out to stop an evil scientist about to unleash a virulent biological strain on the world that he developed during experiments on rats ...
Kerwin Matthews plays OSS 117 and he does a very good job, coming across smooth with the ladies (Pier Angeli being the main squeeze) and quite adept in the action scenes. There's an energetic, though a little unpolished, fight scene in a hotel room which has plenty of judo throws. At one point I thought he was going to lose the fight. The plot is busy enough- there's shootouts, speedboat chase, kidnappings, double-crosses, a bit of romance, and some adventurous escapades ...
However, languidness lingers a little in the first half, but thanks to Matthews, Pier Angeli and the Thai scenery it keeps one's attention until the second half where things pick again, the pace increases, action infuses a shot of adrenaline much needed. Remember seeing this on LWT in 1991 ( UK TV)
Kerwin Matthews plays OSS 117 and he does a very good job, coming across smooth with the ladies (Pier Angeli being the main squeeze) and quite adept in the action scenes. There's an energetic, though a little unpolished, fight scene in a hotel room which has plenty of judo throws. At one point I thought he was going to lose the fight. The plot is busy enough- there's shootouts, speedboat chase, kidnappings, double-crosses, a bit of romance, and some adventurous escapades ...
However, languidness lingers a little in the first half, but thanks to Matthews, Pier Angeli and the Thai scenery it keeps one's attention until the second half where things pick again, the pace increases, action infuses a shot of adrenaline much needed. Remember seeing this on LWT in 1991 ( UK TV)
Based on Jean Bruce 's "Lila De Calcutta" ,which ,as the title reads ,took place in India ,the action was transposed to Thailand whilst keeping the subject :plague bacillus injected by "the chosen ones " to eliminate the shameful human race who destroys the world with their atomic bomb.
After exploiting the swashbucklers,in the wake of James Bond ,Hunebelle made his first (black and white) OSS 117 in 1963 ("OSS 117 Se Déchaine ",also starring Matthews as the lead).For his second effort in the field ,Prodis productions granted color , composer Michel Magne - less inspired than in the Angelique saga- and filming on location.In fact ,only 25% of the film was filmed in Thailand.Kerwin Matthews and Pier Angeli were able to combine business with pleasure ,but Robert Hossein and Dominique Wilms never left Paris where they did all their scenes in Boulogne-Billancourt studios.
This is the kind of movie in which the scenery ,at a time when people would not travel much, is the real star.Robert Hossein (who would also play a doctor in Hunebelle ' s last attempt "Pas De Roses Pour OSS 117"(1968)) gives a restrained performance as the villain doctor Sinn (sic),the best thing to do when a clever actor has to work with ,say, very average material.Kerwin Matthews lacks Connery's charisma and humor and Pier Angeli is pretty but bland .
Having said that,the best OSS 117 Hunebelle made was certainly his third one "Furia A Bahia Pour OSS 117",(1965)starring Frederick Stafford and Mylene Demongeot.
After exploiting the swashbucklers,in the wake of James Bond ,Hunebelle made his first (black and white) OSS 117 in 1963 ("OSS 117 Se Déchaine ",also starring Matthews as the lead).For his second effort in the field ,Prodis productions granted color , composer Michel Magne - less inspired than in the Angelique saga- and filming on location.In fact ,only 25% of the film was filmed in Thailand.Kerwin Matthews and Pier Angeli were able to combine business with pleasure ,but Robert Hossein and Dominique Wilms never left Paris where they did all their scenes in Boulogne-Billancourt studios.
This is the kind of movie in which the scenery ,at a time when people would not travel much, is the real star.Robert Hossein (who would also play a doctor in Hunebelle ' s last attempt "Pas De Roses Pour OSS 117"(1968)) gives a restrained performance as the villain doctor Sinn (sic),the best thing to do when a clever actor has to work with ,say, very average material.Kerwin Matthews lacks Connery's charisma and humor and Pier Angeli is pretty but bland .
Having said that,the best OSS 117 Hunebelle made was certainly his third one "Furia A Bahia Pour OSS 117",(1965)starring Frederick Stafford and Mylene Demongeot.
Those are both just alternative titles I made up. The original French title is "Banco a Bangkok pour" and looking up the different possible contextually dependant meanings of the word "banco" I decided on the one above. On the other hand "Dr Sinn" is the name of the main villain and could have been used as the title, in imitation of "Dr No". "Cardinal Sinn" would have been even better, but as he actually existed in the real World (representing the Phillippines) that would be inappropriate.
OSS-117 takes the form of Kerwin Mathews in this one, the first to be shot in colour.
Bangkok is the first exotic location for OSS-117 outside of France, an indication of increasing popularity reflected in the budget? No shortage of colourful locations to choose from here. One thing that struck me as a bit odd though, was the lack of traffic on the city streets, the Bangkok I have visited was always bustling and crowded with traffic, shoulder to shoulder and bumper to bumper. Perhaps that wasn't the image the local government wanted to present to the outside World back then?
The Villain and his followers feel that mankind is destroying the planet with nuclear energy, pollution etc. And the only way to stop them is to wipe them all out, using bubonic plague, apart from a worthy few (selected by themselves of course) who will get the antidote. An evil scheme which still resonates today, possibly more so?
OSS-117 is always cool, calm and collected, with a dash of dry wit, and Kerwin plays this aspect of the character very well, probably better than Fred Stafford. The screenplay does a good job of allowing him to demonstrate his "trade craft" and careful, calculating nature.
Perhaps a bit too calculating in one early scene? Kerwin jumps in a taxi and some of the villains henchmen follow, with the idea of strafing the taxi with machine gun fire. Kerwin spots them and decides to lose them by jumping out of the taxi after it goes around a corner. But before doing that he gives the driver some extra money and instructs him to drive on as fast as he can after Kerwin decamps. Kerwin roles out the door and takes cover. The baddies drive past, continue their pursuit, strafe the vehicle, killing the driver and crashing the car. Kerwin then catches lift with a passing truck, and as they pass the site of the crash they stop and look at the wreck, where locals are standing around (and there is no sign that the driver has survived). Kerwin smirks at his own cleverness in eluding assassination, no sympathy shown for the fate of the innocent taxi driver. Now that is some cold-blooded merde!
As usual the soundtrack is often inappropriate, playing cheerful ersatz Asian flavoured Bosa-Nova jazz, which does little to generate suspense or tension during what should be exciting dramatic scenes.
The fights are well choreographed, but rather poorly executed (they would be performed much more convincingly in the Fred Stafford films that followed). Overall the film could do with some editing, with several car and boat rides going on far too long.
Robert Hossein looks the part as "Dr Sinn" and has a suitable "Ken Adam-esque" underground lair beneath a crumbling temple ruin. The elfin Pier Angeli plays his misguided sister, who eventually sees the light and falls for Kerwin, and Domenique Wilms is the villain's faithful mistress, who also eventually has a change of heart and pays the ultimate price.
After this one Kerwin decided to jump off the OSS-117 train to become "The Viscount", but the transfusion didn't take and his Eurospy career was over.
OSS-117 takes the form of Kerwin Mathews in this one, the first to be shot in colour.
Bangkok is the first exotic location for OSS-117 outside of France, an indication of increasing popularity reflected in the budget? No shortage of colourful locations to choose from here. One thing that struck me as a bit odd though, was the lack of traffic on the city streets, the Bangkok I have visited was always bustling and crowded with traffic, shoulder to shoulder and bumper to bumper. Perhaps that wasn't the image the local government wanted to present to the outside World back then?
The Villain and his followers feel that mankind is destroying the planet with nuclear energy, pollution etc. And the only way to stop them is to wipe them all out, using bubonic plague, apart from a worthy few (selected by themselves of course) who will get the antidote. An evil scheme which still resonates today, possibly more so?
OSS-117 is always cool, calm and collected, with a dash of dry wit, and Kerwin plays this aspect of the character very well, probably better than Fred Stafford. The screenplay does a good job of allowing him to demonstrate his "trade craft" and careful, calculating nature.
Perhaps a bit too calculating in one early scene? Kerwin jumps in a taxi and some of the villains henchmen follow, with the idea of strafing the taxi with machine gun fire. Kerwin spots them and decides to lose them by jumping out of the taxi after it goes around a corner. But before doing that he gives the driver some extra money and instructs him to drive on as fast as he can after Kerwin decamps. Kerwin roles out the door and takes cover. The baddies drive past, continue their pursuit, strafe the vehicle, killing the driver and crashing the car. Kerwin then catches lift with a passing truck, and as they pass the site of the crash they stop and look at the wreck, where locals are standing around (and there is no sign that the driver has survived). Kerwin smirks at his own cleverness in eluding assassination, no sympathy shown for the fate of the innocent taxi driver. Now that is some cold-blooded merde!
As usual the soundtrack is often inappropriate, playing cheerful ersatz Asian flavoured Bosa-Nova jazz, which does little to generate suspense or tension during what should be exciting dramatic scenes.
The fights are well choreographed, but rather poorly executed (they would be performed much more convincingly in the Fred Stafford films that followed). Overall the film could do with some editing, with several car and boat rides going on far too long.
Robert Hossein looks the part as "Dr Sinn" and has a suitable "Ken Adam-esque" underground lair beneath a crumbling temple ruin. The elfin Pier Angeli plays his misguided sister, who eventually sees the light and falls for Kerwin, and Domenique Wilms is the villain's faithful mistress, who also eventually has a change of heart and pays the ultimate price.
After this one Kerwin decided to jump off the OSS-117 train to become "The Viscount", but the transfusion didn't take and his Eurospy career was over.
This movie was released in India as 'Panic in Bangkok' around the same time that Goldfinger became a raging hit. Panic in Bangkok was a big hit too and it launched a huge following for the OSS 117 franchise, which went on to star Fredrick Stafford. This movie was so popular that it was remade in Tamil as 'Vallavan Oruvan' which made actor Jaishankar a star. I loved this movie and although I was hooked to Sean Connery's Bond franchise, I found the OSS 117 series equally credible and most of them were good. Panic in Bangkok was the best and Kerwin Mathews was one of the popular stars of the time with his other movies like 'Viscount' also doing great business. I have been trying to get hold of DVD's of the OSS 117 films, which unfortunately are never played on TV in the US.
Despite the bad rap this OSS 117 adventure has taken over the years, a recent reevaluation suggests that kinder words be spoken about it. The U.S. re-titling, Shadow of Evil, turns out to be quite appropriate for a low-key adventure that relies more on atmosphere than action. This is not to say that the film is a resounding success but neither is it one of the genre entries that should be passed by entirely.
Director Andre Hunebelle, credited on this print as Cyril Grize, made four OSS 117 movies in the sixties of which this is the second. One might argue that Hunebelle's familiarity with the character of Hubert Bonnisseur de la Bath aka OSS 117, lead to his experimenting with different approaches in filming his adventures.
Hunebelle takes a noir approach, at least visually, to large sections of the film. Much of the action takes place at night with plenty of shadows in which our characters can hover about. Contrary to what the film's detractors say, this is a good looking film even if experienced as a bad VHS dupe. The score by Michel Magne, credited here as Garry Sherman, uses eastern influences to good effect in creating soundscapes rather than themes, an unusual approach for the genre.
Shadow of Evil is not a failure but neither will it land at the top of most people's list. Make up your own mind.
Director Andre Hunebelle, credited on this print as Cyril Grize, made four OSS 117 movies in the sixties of which this is the second. One might argue that Hunebelle's familiarity with the character of Hubert Bonnisseur de la Bath aka OSS 117, lead to his experimenting with different approaches in filming his adventures.
Hunebelle takes a noir approach, at least visually, to large sections of the film. Much of the action takes place at night with plenty of shadows in which our characters can hover about. Contrary to what the film's detractors say, this is a good looking film even if experienced as a bad VHS dupe. The score by Michel Magne, credited here as Garry Sherman, uses eastern influences to good effect in creating soundscapes rather than themes, an unusual approach for the genre.
Shadow of Evil is not a failure but neither will it land at the top of most people's list. Make up your own mind.
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- ConexionesEdited into The Adventures of Superseven: Operation: 8 Spies Too Many! (2011)
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- How long is Shadow of Evil?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Idioma
- También se conoce como
- Banco en Bangkok (Misión OSS 117)
- Locaciones de filmación
- Bangkok, Tailandia(The action takes place in various touristic places of the Bangkok region and river.)
- Productoras
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución
- 1h 58min(118 min)
- Relación de aspecto
- 2.35 : 1
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