L'ultimo capodanno

I can not understand, why nobody mention this movie, and was not even released. I would be the first who buys it.

The idea is great, (similar than Magnolia, or Amores Perros) the pictures are very very nice.

It would fit into the top 10!! of new age movies like Trainspotting, Req. for a dream etc.

See it, let it hold your hand...

What a crazy and funny comedy! It's almost lunatic its humor I must say! L'ULTIMO CAPODANNO fits perfectly in the traditional genre of the "comedia all'italiana", because it's so crazy, so silly, so burlesque, but so funny though, that I think it can be fairly compared to some classics of that genre!

The plot is set on a New Year's Eve, in some Rome's suburban neighborhood, and it crosses different stories and characters. It's all passed on a few hours, but the incidents are so many and so abnormal that it was, for sure, the longest and weirdest New Year's Eve, ever!

The acting in this kind of comedies is essential to achieve success, and in this particular case I think it did it, because it's great, in the traditional, expansive, clamorous and hilarious Italian way. Monica Bellucci is the most famous actress of this cast, but her performance wasn't too different from other actors. I think they all did an excellent job.

When I chose to watch this movie I was expecting something funny and entertaining, but nothing compared to this hilarious and burlesque comedy! It's great, a truly "comedia all'italiana"!

Like a good panettone, but not a cine-panettone, is this unfortunate film by Marco Risi: The Last New Year. To be seen or reviewed for several interesting reasons: it is a tragicomic comedy with grotesque implications, a genre in which few Italic directors have ventured; it differs greatly from the film proposals of the period; it was an experiment by the director, who had distinguished himself, in his previous works, for the inconvenience of little treated social themes, which he wrote together with the pulp-writer Ammaniti from whose novel it was based; the production far exceeded the initial budget also for the use of effective special and digital effects that were little used until that moment; the state of acting grace of all the protagonists, including Bellucci who shows, in addition to her beauty, that she knows how to act when she wants and the presence of the singer Adriano Pappalardo (Mastiff of God) is also curious. The film had an unfortunate process, as it was said, because for a bad promotion the film failed at the box office, inducing the director to retire him.

I saw that Monica Belluci was in this so I decided to give it a go. I wish I hadn't.

It's an ensemble piece with multiple storylines that all occur on New Year's Eve in the same apartment block. I think it was supposed to be a trippy comedy. Is it possible that the translation was wrong? Do the nuances of comedy mean that a subtitled language film doesn't work?

There is some good acting and some terrible overacting.

Monica Belluci is wonderful as the wife of a cheating husband who is found out in a phone call. This segment is interesting. The others seem a little lacking in direction, humour and story.

L'Ultimo Capodanno (ITA) Die Entfesselte Silvesternacht (GER) The Last New Year's Eve (ENG)

I've seen it written on movie posters. I've seen 'quote whore critics' use it on the back of DVD cases. I hear the trailer voice-over guys use it all the time. I've never much cared for the phrase. I have never once, in any of my many reviews, used it to describe a film.

Nope, I am not talking about "tour-de-force". I am not talking about "gay romp". I am definitely not talking about "truimph of the human spirit".

However, "L'Ultimo Capodanno" is an UPROARIOUS COMEDY!!!

Here is another first... I watched this film in Italian with German subtitles. I don't understand much Italian and I definitely don't know how to read much German. But somehow, with the two combined, I managed to get about 90% of what I was watching.

Why was I doing this? Well, "L'Ultimo Capodanno" is a pretty damn obscure film and I had no choice. I wanted to see it as part of my mission to see every film that one of my favorite actresses, Monica Bellucci, has ever done -- and so this would have to do until I get my hands on an English-subtitled version.

Frankly, I had fun trying to keep up. It was a great experiment in language recognition. Occasionally, I paused it and went back to see if I could catch something that went too fast. And for the most part... I figured it out. I only ever had real trouble with a handful of lengthy conversations.

The many stories take place on New Year's Eve. There is a dude dressed in a bird outfit hassling man driving a Jeep. There is a lost notebook. There is a suicide attempt. There are some hallucinating stoners with sticks of dynamite. There is an aging countess who entertains younger male escorts. There is a beautiful young woman who, while wearing only a bra, discovers her husband is cheating on her via the answering machine. There is a strangely happy family obsessing about a vintage car. There is a prostitute getting kinky with a married business man who is into assless leather chaps, high-heels and nipple-clamps. There are three gangsters, one of which looks like a Sean Penn, Elvis Presley and Lyle Lovett combo. There are urine fetishes, paint-sniffing highs and ghosts of dead mothers, severed hands, crossbow shootings, falling Christmas trees & firework fatalities. Come to think of it, this film has at least one of everything that your imagination can conjour up.

Somehow, all the stories and characters intertwine. Every damn one of them is seemingly headed for disaster as the night winds down!

If Robert Altman & Paul Thomas Anderson teamed up for a crazy comedy, this is what it would look like. Multiple story lines. A random hodgepodge of oddball characters. Moments of cinematic brilliance -- most notably a ferocious glare from Monica Bellucci & an inspired comedic moment with a wig.

I am willing to bet that more than 99% of people who will ever read this review will never come across this movie in a video store or on TV. To watch it, you'd probably have to go out of your way to buy it -- but it is worth the effort. It was a surreal and tremendously enjoyable experience -- I can't wait to get the English-subbed version someday so I can catch up on all the details I missed this time around.

You might question my reviewing this film. But you know what, even if I did understand all the dialogue, this film is so weird, wild and wacky that I still wouldn't understand half of what I was watching. It is a crazy flick with an absurdly over-the-top ending -- and I dug everything about it.

TC Candler IndependentCritics.com