Agrega una trama en tu idiomaDetective seeks revenge for partner's death by hiring hitwoman. Unable to pay her, he sends thugs after her, unaware of her lethal capabilities, leading to deadly confrontations.Detective seeks revenge for partner's death by hiring hitwoman. Unable to pay her, he sends thugs after her, unaware of her lethal capabilities, leading to deadly confrontations.Detective seeks revenge for partner's death by hiring hitwoman. Unable to pay her, he sends thugs after her, unaware of her lethal capabilities, leading to deadly confrontations.
- Dirección
- Guionistas
- Elenco
Stephen Thirkeld
- Charlie
- (as Stephen D. Thirkeld)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
It makes quite a welcomed change to see a 'gangster' film that isn't completely ridden with tacky cockney (or 'mockney') accents and the obligatory cliches that come with this.
It seems that too many have commented on this film for being unrealistic to an extent. The fact that the killer is a hired assassin should allude to the fact that she should be totally unscrupulous in what she does and how she does it. Actress Kendra Torgan employs minimal acting which helps to create a nice air of enigma about herself, and man; she's as hard as nails! She makes a great femme fatale and she is the sort of person who knows just what to do and how to do it: no quibbles, no fuss. She is the true essence of what an assassin should be.
The film works equally well as a black sort of comedy, yet in a rather harrowing sense. To joke about somedoby who has a bullet through their forehead is a classic example of this. The violence portrayed is rather intense and there is no particular lack of bloodshed. The inclusion of a classy score (containing, amongst others, 'Portishead') is also a nice touch.
The story does work rather well...it's not one of the most ingenious ever but it is cleverly composed and does tend to make you pause and think what is going on - this, for me, is always a good thing. The 'masturbation' scene is a good example of this. It is, to quote my title, 'clever'. Just because the film isn't overly complex doesn't mean to say that it is weak in anyway whatsoever. To couple this, it is a stylishly directed piece containing some good, appropriate cinematography; it helps to coincide with the overall ambience of the film itself. It is decidedly slick and polished.
To close, this is a decent British film. It is somewhat of a shame that it never really received the attention that it duly deserves. Perhaps there are still others who are yet to hear it. My advice: try it. For me it provided a great deal more entertainment and 'grit' than any Guy Ritchie film ever could. Hopefully with time, and slightly more attention, this may gain the title of being a 'cult' film.
It seems that too many have commented on this film for being unrealistic to an extent. The fact that the killer is a hired assassin should allude to the fact that she should be totally unscrupulous in what she does and how she does it. Actress Kendra Torgan employs minimal acting which helps to create a nice air of enigma about herself, and man; she's as hard as nails! She makes a great femme fatale and she is the sort of person who knows just what to do and how to do it: no quibbles, no fuss. She is the true essence of what an assassin should be.
The film works equally well as a black sort of comedy, yet in a rather harrowing sense. To joke about somedoby who has a bullet through their forehead is a classic example of this. The violence portrayed is rather intense and there is no particular lack of bloodshed. The inclusion of a classy score (containing, amongst others, 'Portishead') is also a nice touch.
The story does work rather well...it's not one of the most ingenious ever but it is cleverly composed and does tend to make you pause and think what is going on - this, for me, is always a good thing. The 'masturbation' scene is a good example of this. It is, to quote my title, 'clever'. Just because the film isn't overly complex doesn't mean to say that it is weak in anyway whatsoever. To couple this, it is a stylishly directed piece containing some good, appropriate cinematography; it helps to coincide with the overall ambience of the film itself. It is decidedly slick and polished.
To close, this is a decent British film. It is somewhat of a shame that it never really received the attention that it duly deserves. Perhaps there are still others who are yet to hear it. My advice: try it. For me it provided a great deal more entertainment and 'grit' than any Guy Ritchie film ever could. Hopefully with time, and slightly more attention, this may gain the title of being a 'cult' film.
I rented this movie mainly on the strength of the cover image of a lycra clad Kendra Torgan holding two pistols. In the tradition of 'B' movie video packaging,she of course never wears this outfit in the movie. However it's a film which could have been much better. The director Bharat Nalluri, like so many in the wake of 'Reservoir Dogs' attempts to pad out the film with dialogue between the characters which really adds nothing to the plot. Tarantino can carry this device off with aplomb, but not the director of this movie. 'Killing Time' feels like a 15 minute festival short which was at the last minute padded out to make a movie. The lead actress Kendra Torgan is not bad as the invulnerable Italian assassin, but her obvious impunity to any kind of harm removes any kind of suspense from this movie. Just like an episode of 'Alias' or 'VIP', you know that the beautiful heroine is not going to pick up a scratch and leave a pile of male bodies in her wake. When she is in a bath, she hears one of the incompetent morons hired to kill her moving outside. Now a genuine master of 'B' movie sleaze like Albert Pyun or Cirio H Santiago would have had Korgan leaping out of the bath and taking out her attacker naked. In this movie, in the space of under a minute, she manages to get out of the bath, dry herself completely, get fully dressed, climb into the roof cavity & surprise the guy in the space of a few seconds!. This scene alone exhibits the feeling I have that the filmmakers did not really know what target audience to aim for. Killing Time tries to be intellectual and an exploitationer at the same time and fails to be either.
OK here we go. I recently saw this film on television and I must say that it was really good. Plot was decent it wasn't such a Hollywood bullshit what I've seen a lot. OK the major reason why I liked this film was Kendra Torgan who did well acting and I didn't mentioned that she completely gorgeous. Yes indeed she with her charisma killed one of the bastards. Maybe yeah budget was low and it messed up really good storyline. So never less Kendra was always in top of the every episode of film and because of that film is watchable. I suggest to watch this film it's quiet good good actor play. But one problem what I still dislike is that Kendra is just underrated actress unfortunately she won't receive a change to get another block buster ~!
The promise of the trailer faded away by the dullness of the film. This is an example of how to kill a great idea. Slow paced, lots of useless dialogs and plot holes makes you use the fast-forward button.
Quite frankly, I don't think that this movie is as bad as everyone makes it out to be. I concede the fact that at times it is a bit slow, but that is the desired effect; as the viewer, you're supposed to feel a part of the scene.
The film tries to accurately depict the lives of the hitmen and women in the film, and do you know what? It's not always that glamorous.
During the film, as in life, there are periods of intense action- and then there are those moments that leave you just "Killing Time."
The film tries to accurately depict the lives of the hitmen and women in the film, and do you know what? It's not always that glamorous.
During the film, as in life, there are periods of intense action- and then there are those moments that leave you just "Killing Time."
¿Sabías que…?
- TriviaDuring the opening credits, as Nigel Leach's name appears there is a shot of a microscope with "February 1945" engraved on it along with what looks like the UK Admiralty Broad Arrow, suggesting that it's a British Naval item.
- ConexionesFollows New Voices: Driven (1994)
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Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- También se conoce como
- Cuerpo de élite
- Locaciones de filmación
- Tyne Tunnel, Tyne & Wear, Inglaterra, Reino Unido(on location)
- Productoras
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución
- 1h 28min(88 min)
- Color
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