Le scomunicate di San Valentino

I seem to be in the minority here. I actually enjoyed this film. Or maybe more accurately, I was pleasantly surprised. The reason I stand in the minority camp here clearly seems to be because I have very little knowledge of the genre known as nunsploitation. My lack of experience in this most specific of exploitation genres has perhaps saved me from disappointment. While seasoned fans of this type of flick bemoan the lack of full-on sleaze here, I truthfully never noticed and was instead pleased to see a film with good production values and a surprisingly coherent storyline. The only other title from this sub-genre that I can remember ever seeing was Ken Russell's delirious shock-fest The Devils. Although I haven't seen Russell's excellent film in at least a decade, I certainly remember it well enough. Who, in all honestly, could forget something like that? Now, while The Sinful Nuns of St. Valentine is nowhere near as good, it clearly derived inspiration from Ken's classic, sharing, as it does, the somewhat specific feature of a whole convent of nuns being declared servants of Satan by the religious establishment and then subsequently going temporarily deranged in a sex-crazed fashion.

Set in Spain during the Inquisition, the story is about the trials of a young couple who are in love. The girl's father disapproves of the relationship and sends his daughter to a convent, while denouncing her lover a heretic. After a series of unfortunate events, the Inquisition denounces the whole convent of nuns and seals them inside their monastery alive. This leads the girl's lover on a quest to save her.

The above synopsis is a really abridged account of what happens in this film. Although the story is quite expansive, it is, unusually for Italian cinema, a coherently told affair. Acting is of a good standard too with no one really letting the side down. The cinematography, soundtrack and period detail are all of a very good standard too. So really when you take all of the above into account The Sinful Nuns of St. Valentine is a pretty well put-together affair. I guess it all comes down to expectations; hardened fans (no pun intended) of this sub-genre want more sleaze basically. And although I am certainly not one to argue with that, I enjoyed this as a nicely put together exploitation movie.

This movie is such a complete waste of time even for people like me who kind of like the much-maligned "nunsploitation" genre that I'm going to focus on the ONLY conceivable reason to endure this swill--lead actress Jenny Tamburi (who died earlier this year by the way, lest I come off sounding like a stalker). Tamburi (aka Lucia Della Robbins) was one of a truly incredible crop of young Italian actresses that got their start in early 1970's Italian/European genre films. Of them, only Ornella Mutti became a big international star, but Gloria Guida made quite an impression in softcore sex films. Daria Nicolodi kind of fell into the shadow of Dario Argento (but DID give birth to Asia Argento)while Agostina Belli was breathtakingly beautiful but not a strong enough actress to really break into the big leagues. There's MANY other actresses of this era I could mention, but the one talent that I really felt was wasted was Jenny Tamburi.

Tamburi was excellent in a pretty decent Italian giallo "Smile Before Death", but unfortunately I might be the only person who's seen it. (I'd try to describe the incredible nude photography scene she has with Rosalba Neri in that movie, but I don't want to drool all over my keyboard). She was in Fulci's "Seven Black Notes" all too briefly but really managed to liven up that rather dull film while she was on-screen. She was also in "Frankenstein All'Italia" which has never been translated into English, Sergio Martino's "Suspicious Death of a Minor" (which is being released on DVD in September 2006), and the lurid mother/daughter sex fantasy film "La Seduzione" (like Ornella Mutti, she got kind of typecast into sexy teen roles well into her twenties, but unlike Mutti she never got beyond it).

Normally I wouldn't recommend a dire movie like this based on one pretty girl (or even one pretty, naked girl), but then again I've seen every Jess Franco movie featuring Soledad Miranda and a shameful number of them with Lina Romay, so why listen to me? Put it this way: if you enjoy seeing beautiful and talented young Italian actresses from the golden age of Italian exploitation films, I'd recommend checking out ANY available movie on Jenny Tamburi/Lucia Della Robbin's CV--even this one.

Recently a Belgian/Dutch distributor – to whom I'm very grateful – released a series of sleazy Euro-exploitation movies of the early 70's on DVD under the title "So Demented Cinema". Practically all of the films live up to this title, like "Nude for Satan", "The Reincarnation of Isabel" and "The Devil's Nightmare", but Sergio Grieco's "The Sinful Nuns of Saint Valentine" is actually a bit of an outcast in the series. Because of its classification under the trashy & typically 70's "Nunsploitation" sub genre (and admittedly because of its lurid yet misleading title) it superficially LOOKS like a demented gem, but in reality it's a surprisingly smut-free and primarily story-driven drama with just a handful of nunsploitation trademarks thrown in for good measure. Speaking in terms of filming style and atmosphere "The Sinful Nuns…" is much more reminiscent to Ken Russell's "The Devils" (I believe both films are even loosely inspired by the same novel) and "Flavia, The Heretic", though it's nearly not as great as these two classics. Fellow reviewers appropriately described the plot as a variation on the Romeo & Juliet theme, only set during the Spanish Inquisition and with nuns instead of battling families. In order to prevent her from marrying Esteban, a hateful nobleman subjects his lovely daughter Lucita to a strict life in the convent whilst he simultaneously reports Esteban as a betrayer of Spain. Soldiers of the Inquisition nearly kill Estaban, but that doesn't stop him from infiltrating the convent (with a little help from the understanding caretaker) and contacting his girl. The deceptive Abbess discovers this and develops a fiendish plan to have them both killed in the name of Catholicism and patriotism. The script is far more compelling and involving than your average movie about lesbian nuns worshiping the devil for no reason, but it also has to be said that "The Sinful Nuns…" is rather tame, boring and not at all sinful. Apart from a handful of scenes depicting the physical torture and humiliation of the young heroine, there's very little to see here. The 'immured nuns' finale is somewhat original, but it appears to go on forever and it rapidly becomes (unintentionally) funny. All in all, there are far better Euro-exploitation treasures begging for rediscovery, so don't waste too much time searching for this one.

'The Sinful Nuns Of Saint Valentine' is a mildly entertaining slice of 70s European nunsploitation. While it never reaches the demented heights of my fave the sensational 'Killer Nun' ('Suor Omicidi'), it's not a bad way to spend 90 minutes.

What we have here is basically a cheap cash in on Ken Russell's superior 'The Devils'. The background is the Inquisition, and the basic plot concerns a pair of lovers from feuding families ala Romeo and Juliet. Esteban, accused of heresy and murder, seeks sanctuary after being wounded in the convent where his lover the beautiful Lucita is being held. Lucita's father has forbidden her to marry Esteban and has banished her to this kooky place ruled over by a wicked Abbess. Esteban must try and save Lucita from taking Orders and clear his own name before he is captured and executed. Events get even more complicated when Lucita is arrested for the murder of a fellow nun, and must face the evil Inquisitor.

Sadly there isn't half as much "sin" on screen as you would expect. A whipping, some lesbianism, a few topless shots, that's about it. The actress who plays Lucita (Jenny Tamburi?) is stunningly beautiful which makes this mediocre movie much easier to sit through, but you can't help but be disappointed with this fairly innocuous, and not all that exploitative exploitation movie. Things finally start to heat up with a mass semi-naked nun freak out in the last 15 minutes, but it's too little, too late. Jess Franco doesn't have much to worry about from Sergio Greco. Very average, but worth a look if you don't get your hopes up.

Lucita is a young girl who's banished to a convent by her over-protecting father, so to stop her from marrying her flame, Esteban. Accused of murder, Esteban is set upon by some soldiers of the Inquisition, but he escapes with some injuries and seeks refuge at the convent where Lucita happens to be. While, wanting to clear his name of this foul play. His lover is mistaken for the killing one of the nuns, but she admits to the murder, where she is to be executed. Although, Esteban finds out that the convent's Abbess has more to do with Lucita's misfortune.

An often-told tale (known as Romero and Juliet of course) features very prominently in this watered down Italian nunsploitation flick. While even though there is constant nudity (mainly topless) and some lesbian scenes amongst the field. The factor is, that it doesn't explore the exploitive angle of its material with any vigour and prowess. It starts off decent enough, but hit's a flat spot midway through before reaching its somewhat flipped-out final instalment involving nuns' slowly losing their marbles. The plain and one-note story was very dreary and at times quite automatic, but it managed to scrummage up some surprising developments to cover up its shortcomings and lack of punishing action. Sergio Grieco's direction is pretty conventional and lacks real style, but he captures the detail of the period perfectly and does his job adequately in keeping this a curious piece. The film did have an intrusive look to it because of the camera-work that gets up and close to the act. Now what caught my ear was the seductively faint music score that whispers along rather beautifully and is one of the film's strong points. Acting by the cast is particularly sound, even if there are one or two stilted performances. Jenny Tamburi is very glowing and quite strong as Lucita and Paolo Malco brings a determinedly, courageous edge to Esteban. Also Françoise Prévost is excellent as the sternly, tainted Abbess.

"The Sinful Nuns of Saint Valentine" is a modest effort that's not terribly satisfying, but still I found it to be persistently watchable despite being considerably subdued.