Trece días

The 1962 Cuban Missile Crisis seen through the eyes of President assistant Kenny O'Donnell (Kevin Costner who hands perfectly the role )as trusted confidante and with significance importance of Robert Kennedy ( Steven Culp who bears remarkable resemblance )and of course President John F . Kennedy ( a solid Bruce Greenwood ) . This interesting film widely develops the Cuban Missile Crisis that was a confrontation between the Soviet Union, Cuba and the United States in October 1962, during the Cold War. The picture is packed with suspense , drama , historical deeds and is quite entertaining . It's correctly based on facts and the few sacrifices of accuracy are realized in the sense of of dramatic license . The motion picture is very well directed by Roger Donaldson who formerly worked with Costner in another suspenseful movie and also plenty of political intrigue titled ¨No way out (87) ¨ .

Adding more details over the widely depicted on the movie the events happened of the following manner : In September 1962, the Cuban and Soviet governments began to surreptitiously build bases in Cuba for a number of medium- and intermediate-range ballistic nuclear missiles (MRBMs and IRBMs) with the ability to strike most of the continental United States. This action was subsequent to the 1958 deployment of Thor IRBMs in the UK and Jupiter IRBMs to Italy and Turkey in 1961; more than 100 U.S.-built missiles having the capability to strike Moscow with nuclear warheads. On October 14, 1962, a United States U-2 photo-reconnaissance plane captured photographic proof of Soviet missile bases under construction in Cuba.The ensuing crisis ranks with the Berlin Blockade as one of the major confrontations of the Cold War and is generally regarded as the moment in which the Cold War came closest to turning into a nuclear conflict .The US President ( Bruce Greenwood) , Attorney General Robert Kennedy (Steven Culp ),State Secretary Robert McNamara ( Dylan Baker ) and his military staff ( Bill Smitrovich , Ed Lauter , James Karen , Len Cariou) and general Curtis LeMay (Kevin Conway ) considered attacking Cuba via air and sea and settled on a "quarantine" of Cuba. The U.S. announced that it would not permit offensive weapons to be delivered to Cuba and demanded that the Soviets dismantle the missile bases already under construction or completed in Cuba and remove all offensive weapons. The Kennedy administration held a slim hope that the Kremlin would agree to their demands, and expected a military confrontation. On the Soviet end, Nikita Khrushchev wrote Kennedy that his quarantine of "navigation in international waters and air space to constitute an act of aggression propelling humankind into the abyss of a world nuclear-missile war." Fidel Castro encouraged Khrushchev to launch a preemptive first-strike nuclear attack on the U.S. The Soviets publicly balked at the U.S. demands, but in secret back-channel communications initiated a proposal to resolve the crisis. The confrontation ended on October 28, 1962 when President John F. Kennedy and United Nations Secretary-General U Thant reached an agreement with Soviet Premier Nikita Khrushchev to dismantle the offensive weapons and return them to the Soviet Union, subject to United Nations verification, in exchange for an agreement by the United States to never invade Cuba. The Soviets removed the missile systems and their support equipment, loading them onto eight Soviet ships from November 5–9. A month later, on December 5 and 6, the Soviet IL-28 bombers were loaded onto three Soviet ships and shipped back to Russia. The quarantine was formally ended previously on November 20, 1962. As a secret part of the agreement, all US-built Thor and Jupiter IRBMs deployed in Europe were deactivated by September 1963.The Cuban Missile Crisis spurred the creation of the Hotline Agreement and the Moscow-Washington hot line, a direct communications link between Moscow and Washington .

I served aboard the USS Joseph P. Kennedy which was depicted in the film. The Kennedy was the ship that boarded the Marcula in the waters off the Bahamas. The Kennedy, now part of Battleship cove in Fall River, Ma., actually played herself in the film. The actual boarding was not as quite dramatic as depicted in the movie.

The boarding party for instance did not wear dress white uniforms and the Marcula was more of a "rust bucket" than depicted in the movie. Although the 5 inch guns were aimed at the vessel, I don't recall a shot being fired.

As far as the movie is concerned I though it gave a rather accurate accounting of the circumstances that surrounded this time in history with a few embellishment's that are purely thrown in as theatrical license.

I'm showing the film now to my history seniors so felt obliged to comment on it. Whilst the film is undeniably gripping as a political thriller, it takes considerable liberties with historical facts, thereby compromising its value as an educational resource on this critical period in Cold War history.

One of the most glaring inaccuracies in the film is the exaggerated role of Kenneth O'Donnell, played by Kevin Costner. O'Donnell, who was a special assistant to President Kennedy, is portrayed as an influential figure in the crisis, often present in high-level meetings and even influencing the President's decisions. In reality, O'Donnell was not a key player in the crisis management and was largely uninvolved in the ExComm meetings, which were attended by experts in foreign policy and military strategy. The film's focus on O'Donnell seems to be a deliberate attempt to create a relatable character for the audience, but it distorts the historical record and minimises the roles of pivotal figures like Secretary of Defence Robert McNamara and Secretary of State Dean Rusk.

Another point of contention is the film's portrayal of President Kennedy, played by Bruce Greenwood. While the film does capture Kennedy's calm and rational demeanor, it fails to delve into the complexities of his decision-making process. The President is shown as almost unilaterally steering the United States away from military action, whereas, in reality, he was under immense pressure from his military advisors to authorize an airstrike against Soviet missile sites in Cuba. The film simplifies the intricate discussions and debates that took place among the ExComm members, reducing them to a binary choice between war and peace.

Furthermore, the Soviet perspective is conspicuously absent from the narrative. The film does not delve into the motivations of Soviet Premier Nikita Khrushchev or explore the geopolitical considerations that led the Soviet Union to place missiles in Cuba. This omission perpetuates a one-sided view of the crisis and fails to provide a nuanced understanding of the complex interplay of factors that averted a nuclear catastrophe.

The film also glosses over the role of backchannel communications between the United States and the Soviet Union, which were crucial in resolving the crisis. The secret correspondence between Attorney General Robert Kennedy and Soviet Ambassador Anatoly Dobrynin played a significant role in reaching a peaceful resolution, yet this is scarcely mentioned in the film.

So whilst "Thirteen Days" succeeds as a suspenseful dramatisation of a critical moment in history, it falls short as an accurate representation of the events it depicts. The film takes liberties with historical facts, exaggerates the roles of certain individuals, and omits key aspects of the crisis, thereby providing a skewed understanding of the Cuban Missile Crisis. As such, it should be viewed as a piece of historical fiction rather than a reliable educational resource.

My site- Tracesofevil com.

I watched this movie today with a number of students from my International Politics class, and from the standpoint of a politics professor, this film was absolutely extraordinary. This is a movie about the development of foreign policy in a crisis; it spells out with brilliant detail the decision-making process of JFK's inner circle, the tension between the Executive Office of the President and the Departments of State and Defense, and the attempts by the Military Industrial Complex (namely the Joint Chiefs) to undermine the diplomatic approaches favored by the president. It highlights the conflict between military standard operating procedures ("rules of engagement") and the better judgment/common sense of right-thinking human beings. It hints at conspiracies to (later) depose and otherwise get rid of both Kennedy and Khruschev from within for what turned out to be a very unpopular resolution with the hardliners on both sides. I especially like that the movie acknowledged the humanity of the individual decision-makers without getting too Capra-esquire or preachy.

I can see why this film hasn't been a great commercial success. It is not your standard big studio fare. It's quite cerebral, and although it has some exciting pre-conflict scenes, it's not a "war film". (It reminds me a bit of "Three Kings" in that regard- both films were, in my opinion, mis-marketed. They both seemed to target the younger male action crowd, when both movies are really made for a more intellectual audience.) I liked how the Soviets were not cartoonishly vilified, as is common in a lot of Cold War era films. They were shown to be somewhat calculating and strategic, but not irrational or more importantly, inhuman. In fact, one of the most fascinating parts of the film is the revelation that both sides lack information as to the other side's true intentions. It was this uncertainty that back in October 1962, could have led to the end of civilization as we know it.

The acting was solid (Steven Culp was very, very good as Robert Kennedy- so good, in fact, that I'm afraid he'll have a hard time getting cast in the future. There was audible gasp in the audience when he came on the screen and WAS Bobby). Coaster's accent was actually annoying (as an earlier reviewer noted), but it's forgivable in light of the moving, somewhat understated performance he turns in. It is the directing that takes the cake, however. From the moment the chain of events was set in motion, the tension does NOT let up. It actually feels like you are back in 1962 living through the events of those two weeks- honestly, there was nary a moment to relax until the resolution was wrought. I recommend this film especially strongly to high school and college age students who are too young to have any Cold War memory, as well as to those who lived through the era and may have forgotten what it felt like to come this close.

In 1962, the world stood on the brink of World War III for "Thirteen Days," a 2000 film starring Kevin Costner, Bruce Greenwood, Steven Culp and Dylan Baker, with direction by Roger Donaldson. The story concerns the "Cuban Missile Crisis," when the U.S. discovered that the Soviets had placed missiles aimed at the U.S. in Cuba.

As someone who remembers the situation well, watching this was a profound experience in more ways than one. A good deal of dialogue was taken from actual Presidential transcripts, which made watching it even more impressive. Looking at it from today's eyes, "Thirteen Days" is a knockout.

Donaldson focuses the film right where it should be - in the White House and in conference rooms, giving us only the subplot of Kenny O'Donnell's family life. For those posters who commented that O'Donnell was perhaps not a real person, yes, he was. It's impossible for me to believe that with a film that goes into so much detail and strove to be so factual, someone thought there was a made-up character. Try Google next time. Ken O'Donnell headed up Kennedy's presidential campaign and was appointed his Special Assistant when Kennedy won the White House. He was the most powerful of the President's advisers.

Several things become clear about the goings-on at the White House in 1962: None of the military leaders thought the Kennedy administration belonged in the White House; if it had been up to the military leaders, the situation would have caused World War III; JFK turned himself into a pretzel in order to pursue a diplomatic solution to the potential conflict. Though discouraged almost at every turn, JFK still would not allow the shooting to begin, pushing instead for an embargo against Cuba.

There is plenty of tension and excitement in this film. One of the best scenes is Commander Eckerd (Christopher Lawford) and his team low-flying over Cuba taking photos, and a U-2 pilot trying to avoid missiles chasing him. But most of the tension and excitement takes place in the meetings as the President and RFK struggle for answers and play for time. The mix is therefore ideal: drama, some aerial excitement, and a little humor as Adlai Stevenson gets the better of the Russians in an OAS meeting.

There's also a look at the reaction of the country - also very accurate. Yes, people piled into church, cleared the grocery shelves of everything, and stocked fallout shelters. We all watched the President on television. In fact, as he talked, my mother thought he was about to declare war. It was a terrifying time.

Kenny O'Donnell's role in all of this may have been somewhat exaggerated to make it a palatable role for Kevin Costner. Costner does okay in the part. Boston accents are very difficult to do without them sounding put on. It's very difficult to do accents in general and make them organic to the character. A few have succeeded: Anne Bancroft in "The Miracle Worker," Paul Newman in "Somebody Up There Likes Me," little Natalie Wood in "Tomorrow is Forever," Travolta in "Saturday Night Fever," and of course there are others. Jane Seymour and Joan Collins can easily pull off being Americans. All British actors can do a southern accent, since the southern accent started off as a British accent. Costner lays it on too thick and it's a distraction. But he certainly isn't bad in the role.

The casting people merely wanted to suggest JFK and RFK. In Steven Culp, they found a young actor with similar features to RFK. He does an effective job, given that it's tough going to portray such a famous person. The most successful in the film is Bruce Greenwood as JFK, who tries to keep the accent from overpowering the dialogue. In the President's television speech, I'm sure he imitated JFK's every single inflection and pause, and it's perfect. His JFK is a listener, very dependent on his brother's advice, and one who takes the burdens of the country on his shoulders like a cross. One of the posters here mentioned something to the effect that "we are led to believe that JFK leaned heavily on his advisors" as if this is a negative. Of course he did. Of course any President does or should. The final decisions belonged to him, and he had to be sure of all of the ramifications. Only an idiot doesn't hear every single opinion of value before he decides to launch World War III.

The camaraderie between RFK, JFK, and O'Donnell is as unmistakable as their arguments and frustrations.

Thirteen months after the Cuban Missile Crisis, JFK would be dead and O'Donnell would be riding behind him in the Secret Service Car. After a particularly tough meeting with the Joint Chiefs of Staff, O'Donnell insists that JFK sit for a minute, and JFK finally does. Worn out and not sleeping well, he laments about being President. "I just thought there would be more good days." In the end, we - and he - would have settled for just MORE days.